Cléo de 5 à 7, Agnes Varda’s classic work of 1962 depicts, in near real time, ninety minutes in the life of Cléo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda, the only major female French director of the period, never considered herself a member of the core Cahiers du Cinéma group of critics turned filmmakers.
Ungar provides a close reading of the film and situates it in its social, political and cinematic context, tracing Varda’s early career as a student of art history and a photographer, the history of post-war French film, and the lengthy Algerian war to which Cléo’s health concerns and ambitions to become a pop singer make her more or less oblivious. His study is the first to set a reading of Cléo’s formal and technical complexity alongside an analysis of its status as a document of a specific historical moment.
Acknowledgments 6
Introduction Sense of Time, Sense of Place 7
Between photography and film 11
Absolute beginner? 18
The pregnant gaze 26
A film about time and space 33
By the clock and on the map 38
Painting Fear Paris 87
How many Cleos? 100
Notes 109
Credits 118
Overview
Cléo de 5 à 7, Agnes Varda’s classic work of 1962 depicts, in near real time, ninety minutes in the life of Cléo, a young woman in Paris awaiting the results of medical tests that she fears will confirm a fatal condition. The film, whose visual beauty matches its evocation of early Fifth Republic Paris, was a major point of reference for the French New Wave despite the fact that Varda, the only major female French director of the period, never considered herself a member of the ...