Closer to the Truth Than Any Fact: Memoir, Memory, and Jim Crow
Although historians frequently use memoirs as source material, too often they confine such usage to the anecdotal, and there is little methodological literature regarding the genre’s possibilities and limitations. This study articulates an approach to using memoirs as instruments of historical understanding. Jennifer Jensen Wallach applies these principles to a body of memoirs about life in the American South during Jim Crow segregation, including works by Zora Neale Hurston, Willie Morris, Lillian Smith, Henry Louis Gates Jr., William Alexander Percy, and Richard Wright.

Wallach argues that the field of autobiography studies, which is currently dominated by literary critics, needs a new theoretical framework that allows historians, too, to benefit from the interpretation of life writing. Her most provocative claim is that, due to the aesthetic power of literary language, skilled creative writers are uniquely positioned to capture the complexities of another time and another place. Through techniques such as metaphor and irony, memoirists collectively give their readers an empathetic understanding of life during the era of segregation. Although these reminiscences bear certain similarities, it becomes clear that the South as it was remembered by each is hardly the same place.

1124051459
Closer to the Truth Than Any Fact: Memoir, Memory, and Jim Crow
Although historians frequently use memoirs as source material, too often they confine such usage to the anecdotal, and there is little methodological literature regarding the genre’s possibilities and limitations. This study articulates an approach to using memoirs as instruments of historical understanding. Jennifer Jensen Wallach applies these principles to a body of memoirs about life in the American South during Jim Crow segregation, including works by Zora Neale Hurston, Willie Morris, Lillian Smith, Henry Louis Gates Jr., William Alexander Percy, and Richard Wright.

Wallach argues that the field of autobiography studies, which is currently dominated by literary critics, needs a new theoretical framework that allows historians, too, to benefit from the interpretation of life writing. Her most provocative claim is that, due to the aesthetic power of literary language, skilled creative writers are uniquely positioned to capture the complexities of another time and another place. Through techniques such as metaphor and irony, memoirists collectively give their readers an empathetic understanding of life during the era of segregation. Although these reminiscences bear certain similarities, it becomes clear that the South as it was remembered by each is hardly the same place.

16.95 In Stock
Closer to the Truth Than Any Fact: Memoir, Memory, and Jim Crow

Closer to the Truth Than Any Fact: Memoir, Memory, and Jim Crow

by Jennifer Jensen Wallach
Closer to the Truth Than Any Fact: Memoir, Memory, and Jim Crow

Closer to the Truth Than Any Fact: Memoir, Memory, and Jim Crow

by Jennifer Jensen Wallach

Paperback(New Edition)

$16.95 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

Although historians frequently use memoirs as source material, too often they confine such usage to the anecdotal, and there is little methodological literature regarding the genre’s possibilities and limitations. This study articulates an approach to using memoirs as instruments of historical understanding. Jennifer Jensen Wallach applies these principles to a body of memoirs about life in the American South during Jim Crow segregation, including works by Zora Neale Hurston, Willie Morris, Lillian Smith, Henry Louis Gates Jr., William Alexander Percy, and Richard Wright.

Wallach argues that the field of autobiography studies, which is currently dominated by literary critics, needs a new theoretical framework that allows historians, too, to benefit from the interpretation of life writing. Her most provocative claim is that, due to the aesthetic power of literary language, skilled creative writers are uniquely positioned to capture the complexities of another time and another place. Through techniques such as metaphor and irony, memoirists collectively give their readers an empathetic understanding of life during the era of segregation. Although these reminiscences bear certain similarities, it becomes clear that the South as it was remembered by each is hardly the same place.


Product Details

ISBN-13: 9780820335025
Publisher: University of Georgia Press
Publication date: 04/01/2010
Edition description: New Edition
Pages: 192
Product dimensions: 5.90(w) x 8.90(h) x 0.60(d)

About the Author

JENNIFER JENSEN WALLACH is an assistant professor of history at Georgia College and State University. She has also taught at Stonehill College.

JENNIFER JENSEN WALLACH is an assistant professor of history at Georgia College and State University. She has also taught at Stonehill College.

Table of Contents


Acknowledgments ix
Introduction: Autobiography and the Transformation of Historical Understanding 1
1. Subjectivity and the Felt Experience of History 13
2. Literary Techniques and Historical Understanding 36
3. African American Memoirists Remember Jim Crow 57
4. White Memoirists Remember Jim Crow 99
Conclusion: Talking of AnotherWorld 136
Notes 155
Bibliography 163
Index 171
From the B&N Reads Blog

Customer Reviews