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Overview
The year is 1861. After two centuries of isolation, Japan has opened its doors to the West. And as foreign ships threaten to rain destruction on the Shogun’s castle in Edo, a small group of American missionaries has arrived to spread the word of their God. They have yet to realize that their future in Japan has already been foreseen. For a young nobleman has dreamt that his life will be saved by an outsider in the New Year. . . and it is said that Lord Genji has the gift of prophecy. What happens next—when the handsome lord meets an appa rently reformed gunslinger and a woman in flight from her own destructive beauty—sets the stage for a remarkable adventure. For as this unlikely band embarks on a journey through a landscape bristling with danger, East and West, flesh and spirit, past and future, collide in ways no one—least of all Genji—could have imagined.
Praise for Cloud of Sparrows
“The book seizes you from start to finish.”—The Washington Post
“Adventure-filled.”—Entertainment Weekly
“Rich . . . with an ambitious, unexpected ending that cuts deeper than a samurai sword.”—San Francisco Chronicle
Product Details
| ISBN-13: | 9780440333975 |
|---|---|
| Publisher: | Random House Publishing Group |
| Publication date: | 10/01/2002 |
| Series: | Samurai Series , #1 |
| Sold by: | Random House |
| Format: | eBook |
| Pages: | 416 |
| Sales rank: | 258,521 |
| File size: | 2 MB |
About the Author
Read an Excerpt
The Star of Bethlehem
Crossing an unknown river far from your domain, observe the surface turbulence, and note the clarity of the water. Heed the demeanor of the horses. Beware of massed ambush.
At a familiar ford near home, look deep into the shadows on the far bank, and watch the movement of the tall grass. Listen to the breathing of your nearest companions. Beware of the lone assassin.
--SUZUME-NO-KUMO (1491)
Heiko, feigning sleep, kept her breathing deep and slow, her muscles relaxed but not slack, her lips closed, at the very edge of parting, her eyes soft beneath unfluttering eyelids, her hooded gaze turned within, to the calm place at the center of her being. She sensed rather than felt him awaken beside her.
When he turned to look at her, she hoped he would see:
Her hair: the utter dark of starless night spilling across the blue silk undersheet.
Her face: pale as spring snow, glowing, with light stolen from the moon.
Her body: suggestive curvatures beneath the coverlet, also of silk, emblazoned with a finely embroidered pair of white cranes, their throats crimson with mating frenzy, dancing and dueling in midair, against a field of gold.
She was confident of starless night. Her hair--dark, lustrous, fine--was one of her best attributes.
Spring snow might be too far a stretch, even with generous metaphorical license. She had spent her early childhood in a fishing village in Tosa Domain. Those happy hours in the sun so long ago could never be completely erased. Her cheeks were ever so slightly freckled. Spring snow was not freckled. Still there was that moonlight glow to make up for it. He insisted she had it. Who was she to disagree with him?
She hoped he was looking at her. She was an elegant sleeper, even when she was actually asleep. When she was performing, as she was now, the effect on men was usually devastating. What will he do? Will he remove the concealment, lightly, discreetly, and look upon her unconscious nakedness? Or will he smile, lean down, and wake her with a soft caress? Or will he watch, patient as always, and wait for her eyes to flutter open on their own?
Such conjecture would not have troubled her with any other man, would not even have entered her thoughts. This one was different. With him, she often found herself indulging in such reveries. Was it because he was truly unlike the others, she wondered, or was it simply because this was the one to whom she had so foolishly lost her heart?
Genji did nothing that she had anticipated. Instead he rose and went to the window overlooking Edo Bay. He stood there naked, in the dawn chill, and watched whatever he was watching with close attention. Occasionally, he shivered, but he made no move to dress himself. Heiko knew that in his youth he had undergone rigorous training with Tendai monks atop Mount Hiei. Those austere mystics were said to be masters of internal heat generation, able to stand naked beneath icy waterfalls for hours at a time. Genji prided himself on having once been their disciple. She sighed and moved, as if shifting slightly in her sleep, to stifle the giggle that almost escaped her. Obviously, he had not mastered the technique as well as he might have hoped.
Her sigh, as beguiling as she knew it was, did not distract Genji from his observation. Without so much as a glance in her direction, he picked up the ancient Portuguese telescope, opened it to its full extension, and focused again on the bay. Heiko permitted herself to feel disappointment. She had hoped . . . What had she hoped? Hope, small or large, was an indulgence, was it not, and nothing more.
She pictured him standing there by the window. She did so without actually looking again. Genji would not fail to notice her awareness if she pressed too much. She wasn't entirely sure he hadn't already. That would explain why he had ignored her earlier when he arose, and again when she sighed. He was teasing. Or perhaps not. It was hard to say. So she gave up thinking and pictured him.
He was rather too pretty for a man. That, and the way he habitually carried himself in an excessively casual and unsamurai-like manner, made him seem frivolous, fragile, even effeminate. External appearances were deceiving. Without clothing, the visible striations of his musculature testified to the seriousness of his martial dedication. The discipline of war was a near neighbor to the abandon of love. She felt herself warming with remembrance and sighed, this time involuntarily. It was too difficult now to maintain any pretense of sleep. She allowed her eyes to open. She looked at him and saw what she had pictured. Whatever was on the other end of that telescope must be truly fascinating. It held his full attention.
After a time, she said in a sleepy voice, "My lord, you are shivering."
He continued watching the bay, but he smiled and said, "A foul lie. I am immune to cold."
Heiko slipped from the bed and donned Genji's underkimono. She wrapped it close around her body, warming as much of it as she could, while she knelt and tied her hair loosely with a silk ribbon. It would take her maid, Sachiko, hours to restore her elaborate courtesan's coif. For now, this would have to do. She stood and walked toward him with the short, shuffling steps required of gracious women, then went to her knees and bowed when she was a few feet away. She held the bow for several moments, not expecting any acknowledgment from him, and not receiving any. Then she rose, took off the underkimono, warm now with the heat of her body and redolent with her scent, and put it around his shoulders.
Genji grunted and shrugged himself into the garment. "Here, look."
She took the offered telescope and scanned the bay. Last night, there had been six ships at anchor, all warships from Russia, Britain, and America. Now there was a seventh, a three-masted schooner. The new arrival was smaller than the naval vessels, and lacked their paddle wheels and tall black smokestacks. There were no gun ports along her sides and no cannon visible on deck. As insignificant as it looked beside the warships, it was still twice the size of any Japanese ship. Where had it come from? West, from a Chinese port? South, from the Indies? East, from America?
She said, "The merchant ship wasn't there when we went to bed."
"It just dropped anchor."
"Is it the one you've been waiting for?"
"Perhaps."
Heiko bowed and returned the telescope to Genji. He hadn't told her what ship he was waiting for, or why, and of course she hadn't asked. In all likelihood, Genji himself wouldn't know the answer to those questions. He was, she assumed, awaiting the fulfillment of a prophecy, and prophecies were notoriously incomplete. Wherever her thoughts went, she kept her eyes on the ships in the bay. "Why were the outsiders making so much noise last night?"
"They were celebrating New Year's Eve."
"New Year's Eve is three weeks away."
"It is for us. The first new moon after the winter solstice, in the fifteenth year of the Emperor Komei. But for them, the New Year is already here." He said in English, "January 1, 1861," then shifted back to Japanese. "Time is more rapid for them. That's why they are so far ahead of us. Here it is, their New Year's Day, while we remain mired three weeks in the past." He looked at her and smiled. "You shame me, Heiko. Don't you feel the cold?"
"I am a mere woman, my lord. Where you are muscular, I am fat. That flaw keeps me warm a little longer." In fact, she was using all her discipline not to react to the chilly air. Warming the kimono, then giving it to him, was a moderately attractive gesture. If she trembled, she would be putting too much emphasis on what she had done, and all grace would be lost.
Genji looked at the ships again. "Steam engines that propel them whether the wind blows or the seas are becalmed. Cannon that can hurl destruction miles away. A handheld firearm for every soldier. For three hundred years, we have deluded ourselves with the cult of the sword, while they have been busy being efficient. Even their languages are more efficient. Because of that, so is their thinking. We are so vague. We rely too much on the implied and unspoken."
"Is efficiency so important?" Heiko said.
"It is in war, and war is coming."
"Is that prophecy?"
"No, only common sense. Everywhere they have gone, the outsiders have taken all they could take. Lives, treasure, land. They have seized the better part of three-quarters of the world from its rightful rulers, looted, murdered, and enslaved."
Heiko said, "How unlike our own Great Lords."
Genji laughed brightly. "It is our duty to ensure that all looting, murdering, and enslaving in Japan is done by us alone. Otherwise, how can we call ourselves Great Lords?"
Heiko bowed. "I am secure in the knowledge of such profound protection. May I draw a bath for you, my lord?"
"Thank you."
"For us, this is the hour of the dragon. What time is it for them?"
Genji looked at the Swiss clock on the table. He said in English, "Four minutes after seven a.m."
"Would you prefer to bathe, my lord, at four minutes after seven a.m., or in the hour of the dragon?"
Genji laughed again his free and easy laugh, and bowed, conceding her point. It was said among his many detractors that he laughed too frequently. This was, they said, evidence of a critical lack of seriousness in these perilous times. Perhaps this was true. Heiko wasn't sure. But she was sure that she loved to hear him laugh.
Reading Group Guide
Transporting us to a world of samurai and geishas, ninjas and Zen masters, Cloud of Sparrows is a mesmerizing saga of nineteenth-century Japan. Published to worldwide acclaim, Takashi Matsuoka’s debut unites a fascinating cast of characters, including the prophetic Lord Genji; his infamous lover, Heiko; and American missionary Emily Gibson. When foreign ships threaten to destroy the Shogun’s homestead near Edo Bay, Genji’s closest circle must flee to the spectacular Cloud of Sparrows Castle, a journey bristling with danger and spies. Making their way through the snow-covered landscape, the anxious band of swordsmen and spiritualists must face Genji’s most controversial prophecy.
Cloud of Sparrows evokes powerful scenes of wonder and sorrow, secrecy and revelation, vengeance and love. The questions, discussion topics, and author biography that follow are intended to enhance your reading of Takashi Matsuoka’s Cloud of Sparrows. We hope they will enrich your experience of this captivating novel.
CLOUD OF SPARROWS
An Epic Novel of Japan
Takashi Matsuoka
Introduction
Transporting readers to the beauty and intrigue of nineteenth-century Japan, Takashi Matsuoka has crafted a dazzling epic in two parts, Cloud of Sparrows and its sequel, Autumn Bridge.
A magnificent adventure in the tradition of James Clavell’s Shogun, the journey begins in 1861, when a beautiful American missionary arrives on the shores of Edo Bay and enters an exotic world of noblemen and geishas, samurai and Zen masters. In Cloud of Sparrows, Emily Gibson and Genji, Lord of Akaoka, begin a nimble test of wills in the midst of an invasion that threatens their most cherished beliefs. With spies and chilling omens lurking at every turn, Genji must flee to the spectacular Cloud of Sparrows Castle. The undertaking brings together an unlikely band from West and East, including Lady Heiko, whose prowess in the romantic arts is equaled by her capacity as a ninja.
Autumn Bridge presents an overwhelming revelation that links prophesies of the past—as far-reaching as the fourteenth century—to Lord Genji’s improbable alliance with Emily. In the year 1311, while tumult rages outside Cloud of Sparrows, a beautiful woman sits down to write an extraordinary tale. Her words will not be uncovered for another five hundred years, when Emily will translate the troubling Autumn Bridge scrolls and see unmistakable threads of her own life woven into these ancient premonitions. Revealing historical details about the pivotal figures introduced in Cloud of Sparrows, Matsuoka presents a stunning finale that encompasses not only their origins but the empire’s fate—and beyond.
The questions, discussion topics,and author biography that follow are intended to enhance your reading of Takashi Matsuoka’s Cloud of Sparrows and Autumn Bridge.
We hope they will enrich your experience of these captivating novels.
CLOUD OF SPARROWS
A Novel
Takashi Matsuoka
ISBN 0-385-33850-3 trade paperback
AUTUMN BRIDGE
A Novel
Takashi Matsuoka
ISBN 0-385-33641-1 hardcover
Simultaneous eBook release
0-440-33458-6
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