C'mon, C'mon [Japan Bonus Tracks]

Editorial Reviews

All Music Guide
It's hard to call The Globe Sessions a stumble, but its stripped-down, straightforwardness paled in comparison to the dark pop culture kaleidoscope of Sheryl Crow's eponymous second album. That's why C'mon, C'mon, Crow's long-delayed fourth album, is such a delight -- it's the sunny flip side of that masterpiece, a skillful synthesis of classic rock and modern sensibilities that's pretty irresistible. Crow has turned into the professional she always acted she was -- she not only crafts songs impeccably, she knows how to record them, filling the record with interesting sonic details, whether it's the Steve Miller-styled "Woo Hoo"s on "Steve McQueen" or subtle Mellotrons on "Over You." That kind of sly sonic adventure ...
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Editorial Reviews

All Music Guide
It's hard to call The Globe Sessions a stumble, but its stripped-down, straightforwardness paled in comparison to the dark pop culture kaleidoscope of Sheryl Crow's eponymous second album. That's why C'mon, C'mon, Crow's long-delayed fourth album, is such a delight -- it's the sunny flip side of that masterpiece, a skillful synthesis of classic rock and modern sensibilities that's pretty irresistible. Crow has turned into the professional she always acted she was -- she not only crafts songs impeccably, she knows how to record them, filling the record with interesting sonic details, whether it's the Steve Miller-styled "Woo Hoo"s on "Steve McQueen" or subtle Mellotrons on "Over You." That kind of sly sonic adventure was missing from Globe Sessions, as was her predilection for almost-absurd lyrical asides -- check the digital cable reference on the lead single, "Soak Up the Sun," along with its opening line of "My friend, the communist" -- and the return of both makes C'mon, C'mon a delightful return to form. There's so much to enjoy on the surface of the record, particularly in its unashamed glossy sheen and classically structured hooks, that it's easy to enjoy just on that level, yet it also works as a set of songs nearly as consistent and rich as those on her second album. Where Sheryl Crow was a quintessential fall album -- even at its happiest, there was an undercurrent of melancholy and weariness -- this is a record designed for the sunkissed open road of spring and summer. Even when she's singing about heartache, there's an assured sense of purpose, even a swagger, to this album that shines through. Yet it doesn't just work a mood, it showcases her skills at a peak. It's Sheryl Crow at her best, delivering music that is firmly rooted in the past, yet recorded and performed with a modern feel and flair, something that was absent from The Globe Sessions. It's pretty much what the follow-up to Sheryl Crow
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Product Details

  • Release Date: 6/18/2002
  • Label: Universal Import
  • EAN: 4988005297457
  • Catalog Number: 1006

Tracks

Disc 1
  1. 1 Steve McQueen (3:25)
  2. 2 Soak Up the Sun (4:52)
  3. 3 You're an Original (4:18)
  4. 4 Safe and Sound (4:32)
  5. 5 C'mon C'mon (4:45)
  6. 6 It's So Easy (3:24)
  7. 7 Over You (4:38)
  8. 8 Lucky Kid (4:02)
  9. 9 Diamond Road (4:09)
  10. 10 It's Only Love (5:05)
  11. 11 Abilene (4:05)
  12. 12 Hole in My Pocket (4:37)
  13. 13 Weather Channel (4:42)
  14. 14 Missing (4:27)
  15. 15 I Want You (4:55)
  16. 16 You're Not the One (4:06)
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Album Credits

Performance Credits
Sheryl Crow Primary Artist, Acoustic Guitar, Bass, Piano, Electric Guitar, Keyboards, Vocals, fender rhodes, Synthesizer Bass, Wurlitzer, Moroccan Drum
Emmylou Harris Vocals
Lenny Kravitz Vocals
Stevie Nicks Vocals
Liz Phair Vocals
Benmont Tench Piano, Hammond Organ
Charlie Bisharat Violin
Jim Bogios Drums
Lenny Castro Percussion, Conga, Shaker
Keith Ciancia Organ, Keyboards, Clavinet
Joel Derouin Violin
Davey Faragher Upright Bass
Brandon Fields Saxophone
Berj Garabedian Violin
Gary Grant Trumpet
Joyce Hammann Violin
Jerry Hey Trumpet
Jill Jaffe Violin
Brad Jones Bass
Julia Kent Cello
Wendy Melvoin Guitar, Electric Guitar
Paul Peabody Violin
Shawn Pelton Drums, Bells, Loops, Drum Loop
Lorenza Ponce Violin, Concert Master
Craig Ross Guitar, Electric Guitar
Don Smith Celli
Jeremy Stacey Drums, Bells, Sampling, Loops, Drum Loop, Toy Piano, Synthesizer Strings, Moog Lead
Peter Stroud Acoustic Guitar, Guitar, Electric Guitar, Slide Guitar, Drum Loop, Guitar (Resonator)
Marti Sweet Violin
Jeff Trott Acoustic Guitar, Bass, Electric Guitar, Lap Steel Guitar
Soozie Tyrell Violin
Evan Wilson Viola
Lyle Workman Electric Guitar
Michelle Kinney Cello
Jane Scarpantoni Cello
Suzie Katayama Cello
Antoine Silverman Violin
Joan Wasser Violin
William Frank "Bill" Reichenbach Jr. Trombone
John Shanks Bass, Electric Guitar, Sampling, Drum Loop
Doyle Bramhall II Electric Guitar, Background Vocals
Mike Elizondo Bass, Moog Bass
Matthew Pierce Violin
Joe Deninzon Violin
Steve Jordan Drums, Tambo Drums, Moroccan Drum
Hiroko Taguchi Violin
Gwyneth Paltrow Vocals
Tim Smith Bass, Electric Guitar, Background Vocals
David Gold Viola
Jeff Anthony Drums
Michele Richards Violin
Ron Lawrence Viola
Matthew Funes Viola
Technical Credits
Chris Reynolds Engineer
Sheryl Crow Producer
Keith Ciancia String Samples
Mitchell Froom String Arrangements
Jerry Hey Horn Arrangements
Lorenza Ponce String Arrangements
Brian Scheuble Engineer
Christopher Shaw Engineer
Jeremy Stacey String Arrangements, drum programming
Peter Stroud Engineer
Jeff Trott Producer, drum programming
Howie Weinberg Mastering
Trina Shoemaker Engineer
Jeri Heiden Art Direction
Eric Tew Engineer
John Shanks Producer, Percussion Programming
Roger Lian Digital Editing
Keith Shortreed Engineer
John Saylor Engineer
Dean Baskerville Engineer
Mark Valentine Engineer
Ross Peterson Engineer
Keith Schreiner drum programming
Douglas Grean Producer
Leslie Richter Engineer
Ryan Castle Engineer
Jeff Anthony drum programming
Scooter Weintraub Executive Producer
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