Cockroach

by Rawi Hage

Overview

"Funny and sharp . . . playful and erotic."—New York Times Book Review

In Montreal's restless immigrant community, our unnamed narrator is living in despair. Forced to visit a therapist after a suicide attempt, he brings us back to his childhood in a war-torn country, forward into his current life in the smoky émigré cafés where everyone has a tale, and out into the frozen nighttime streets of Montreal, where he imagines himself to be a cockroach invading the lives of the privileged, but willfully blind, citizens who surround him. Cockroach is a carnivalesque, philosophical novel that weaves dark humor with an accusatory, satirical voice, spawning from the subsurface to challenge humanity and its downfall.

Product Details

ISBN-13:	9780393337877
Publisher:	Norton, W. W. & Company, Inc.
Publication date:	10/25/2010
Edition description:	Reprint
Pages:	324
Product dimensions:	5.40(w) x 8.20(h) x 0.80(d)

About the Author

Rawi Hage  is the author of four novels. Beirut Hellfire Society was longlisted for the Scotiabank Giller Prize, shortlisted for the Rogers Writers’ Trust Fiction Prize, and a finalist for the Governor General’s Literary Award. Born in Beirut, Lebanon, Hage now lives in Montreal.

Editorial Reviews

"There is something exhilarating about [Cockroach's] relentlessness. . . . The narrator is ambiguous, untrustworthy, sly, and filled with a despair both nasty and noisy; but he is also deeply wounded, oddly lovable, his voice both moving and manipulative."

New York Review of Books - Colm Tóibín

There is something exhilarating about [Cockroach's] relentlessness. . . . The narrator is ambiguous, untrustworthy, sly, and filled with a despair both nasty and noisy; but he is also deeply wounded, oddly lovable, his voice both moving and manipulative.--Colm Tóibín "New York Review of Books"

From the Publisher

A disturbed Arab immigrant in Montreal tries to insinuate himself into a strange new world. Hope and survival are not the same thing, indeed can often be mutually exclusive, Hage (De Niro's Game, 2007) demonstrates. The nameless narrator has landed in Quebec with little more than memories of his sister's murder to keep him company. In the wake of a failed suicide attempt (a jogger spotted him hanging from a tree and called the park police), he's thieving his way through an outlandish netherworld of immigrants like himself trying to make it by hook or by crook. The struggle has stripped away much of his humanity. "The underground, my friend, is a world of its own," he declares. "Other humans gaze at the sky, but I say unto you, the only way through the world is to pass through the underground." Wrath against his fellow man is largely undiminished by his tenuous subterranean connections, but he holds his temper for the two women in his life: Genevieve, his psychologist, and Shoreh, an Iranian waitress who shares his bed. Hage's certainly unreliable, possible deranged narrator is only the most noticeably unsettling ingredient in a stew of stylistic experimentation that emulates not only the tangled threads of immigrant fiction but also the dystopian visions of Kafka and Burroughs. (The protagonist imagines himself an insect and occasionally converses with a six-foot albino cockroach.) If the novel has a drawback, it's that Hage can't quite commit to the strangeness of his story, hastily tying up loose ends with a more conventional plotline involving Shoreh's torturers reemerging from the past. Messy but sophisticated, odd and decidedly interesting.

Kirkus Reviews

"Evoking both Dostoyevsky’s Notes from Underground and Kafka’s Metamorphosis, this magic-realist novel set in modern times brings to light, out of the darkness of a Canadian winter, the war-torn and violent past of its characters.... readers will be fascinated both by the inner lives of the troubled characters and by the textured portrait of Montreal’s immigrant community."

Booklist - Heather Paulson