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Miguel enters into a partnership with a seductive Dutchwoman who offers him one last chance at success—a daring plot to corner the market of an astonishing new commodity called “coffee.” To succeed, Miguel must risk everything he values and face a powerful enemy who will stop at nothing to see him ruined. Miguel will learn that among Amsterdam’s ruthless businessmen, betrayal lurks everywhere, and even friends hide secret agendas.
It rippled thickly in the bowl, dark and hot and uninviting. Miguel Lienzo picked it up and pulled it so close he almost dipped his nose into the tarry liquid. Holding the vessel still for an instant, he breathed in, pulling the scent deep into his lungs. The sharp odor of earth and rank leaves surprised him; it was like something an apothecary might keep in a chipped porcelain jar.
“What is this?” Miguel asked, working through his irritation by pushing at the cuticle of one thumb with the nail of the other. She knew he had no time to waste, so why had she brought him here for this nonsense? One bitter remark after another bubbled up inside him, but Miguel let loose with none of them. It wasn’t that he was afraid of her, but he often found himself going to great lengths to avoid her displeasure.
He looked over and saw that Geertruid met his silent cuticle mutilation with a grin. He knew that irresistible smile and what it meant: she was mightily pleased with herself, and when she looked that way it was hard for Miguel not to be mightily pleased with her too.
“It’s something extraordinary,” she told him, gesturing toward his bowl.
“Drink it.”
“Drink it?” Miguel squinted into the blackness. “It looks like the devil’s piss, which would certainly be extraordinary, but I’ve no desire to know what it tastes like.”
Geertruid leaned toward him, almost brushing up against his arm. “Take a sip and then I’ll tell you everything. This devil’s piss is going to make both our fortunes.”
It had begun not an hour earlier, when Miguel felt someone take hold of his arm.
In the instant before he turned his head, he ticked off the unpleasant possibilities: rival or creditor, an abandoned lover or her angry relative, the Danish fellow to whom he’d sold those Baltic grain futures with too enthusiastic a recommendation. Not so long ago the approach of a stranger had held promise. Merchants and schemers and women had all sought Miguel’s company, asking his advice, craving his companionship,
bargaining for his guilders. Now he wished only to learn in what new shape disaster would unfold itself.
He never thought to stop walking. He was part of the procession that formed each day when the bells of the Nieuwe Kerk struck two, signaling the end of trading on the Exchange. Hundreds of brokers poured out onto the Dam, the great plaza at Amsterdam’s center. They spread out along the alleys and roads and canal sides. Along the Warmoesstraat, the fastest route to the most popular taverns, shopkeepers stepped outside,
donning wide-brimmed leather hats to guard against damp that rolled in from the Zuiderzee. They set out sacks of spices, rolls of linen,
barrels of tobacco. Tailors and shoemakers and milliners waved men inside; sellers of books and pens and exotic trinkets cried out their wares.
The Warmoesstraat became a current of black hats and black suits,
speckled only with the white of collars, sleeves, and stockings or the flash of silver shoe buckles. Traders pushed past goods from the Orient or the New World, from places of which no one had heard a hundred years before. Excited like schoolboys set free of the classroom, the traders talked of their business in a dozen different languages. They laughed and shouted and pointed; they grabbed at anything young and female that crossed their path. They took out their purses and devoured the shopkeepers’ goods, leaving only coins in their wake.
Miguel Lienzo neither laughed nor admired the commodities set out before him nor clutched at the soft parts of willing shop girls. He walked silently, head down against the light rain. Today was, on the Christian calendar, the thirteenth day of May, 1659. Accounts on the Exchange closed each month on the twentieth; let a man make what maneuvers he liked, none of it mattered until the twentieth, when the credits and debits of the month were tallied and money at last changed hands. Today things had gone badly with a matter of brandy futures, and Miguel now had less than a week to pluck his fat from the fire or he would find himself another thousand guilders in debt.
Another thousand. He already owed three thousand. Once he had made double that in a year, but six months ago the sugar market collapsed,
taking Miguel’s fortune with it. And then–well, one mistake after another. He wanted to be like the Dutch, who regarded bankruptcy as no shame. He tried to tell himself it did not matter, it was only a little while longer until he undid the damage, but believing that tale required an increasing effort. How long, he wondered, until his wide and boyish face turned pinched? How long until his eyes lost the eager sparkle of a merchant and took on the desperate, hollow gaze of a gambler? He vowed it would not happen to him. He would not become one of those lost souls,
the ghosts who haunted the Exchange, living from one reckoning day to the next, toiling to secure just enough profit to keep their accounts afloat for one more month when surely all would be made easy.
Now, with unknown fingers wrapped around his arm, Miguel turned and saw a neatly dressed Dutchman of the middling ranks, hardly more than twenty years of age. He was a muscular wide-shouldered fellow with blond hair and a face almost more pretty than handsome, though his drooping mustache added a masculine flair.
Hendrick. No family name that anyone had ever heard. Geertruid Damhuis’s fellow.
“Greetings, Jew Man,” he said, still holding on to Miguel’s arm. “I hope all goes well for you this afternoon.”
“Things always go well with me,” he answered, as he twisted his neck to see if any prattling troublemaker might lurk behind him. The Ma’amad,
the ruling council among the Portuguese Jews, forbade congress between Jews and “inappropriate” gentiles, and while this designation could prove treacherously ambiguous, no one could mistake Hendrick, in his yellow jerkin and red breeches, for anything appropriate.
“Madam Damhuis sent me to fetch you,” he said.
Geertruid had played at this before. She knew Miguel could not risk being seen on so public a street as the Warmoesstraat with a Dutchwoman,
particularly a Dutchwoman with whom he did business, so she sent her man instead. There was no less risk to Miguel’s reputation, but this way she could force his hand without even showing her face.
“Tell her I haven’t the time for so lovely a diversion,” he said. “Not just now.”
“Of course you do.” Hendrick grinned widely. “What man can say no to Madam Damhuis?”
Not Miguel. At least not easily. He had difficulty saying no to Geertruid or to anyone else–including himself–who proposed something amusing. Miguel had no stomach for doom; disaster felt to him like an awkward and loose suit. He had to force himself each day to play the cautious role of a man in the throes of ruin. That, he knew, was his true curse, the curse of all former Conversos: in Portugal he had grown too used to falseness, pretending to worship as a Catholic, pretending to despise Jews and respect the Inquisition. He had thought nothing of being one thing while making the world believe he was another.
Deception, even self-deception, came far too easily.
“Thank your mistress but give her my regrets.” With reckoning day soon upon him, and new debts to burden him, he would have to curb his diversions, at least for a while. And there had been another note this morning, a strange anonymous scrawl on a torn piece of paper. I want my money. It was one of a half dozen or so Miguel had received in the last month. I want my money. Wait your turn, Miguel would think glumly, as he opened each of these letters, but he was unnerved by the terse tone and uneven hand. Only a madman would send such a message without a name–for how could Miguel respond even if he had the money and even if he were inclined to use what little he had for something so foolish as paying debts?
Hendrick stared, as though he couldn’t understand Miguel’s good, if thickly accented, Dutch.
“Today is not the day,” Miguel said, a bit more forcefully. He avoided speaking too adamantly to Hendrick, whom he had once seen slam a butcher’s head into the stones of the Damplatz for selling Geertruid rancid bacon.
Hendrick gazed at Miguel with the special pity men of the middle rank reserved for their superiors. “Madam Damhuis told me to inform you that today is the day. She tells me that she will show you something, and when you set your eyes on it, you will forever after divide your life into the time before this afternoon and the time after.”
The thought of her disrobing flashed before him. That would be a lovely divide between the past and the future and would certainly be worth setting aside his business for the afternoon. However, Geertruid loved to play at these games. There was little chance she meant to take off as much as her cap. But there was no getting rid of Hendrick, and urgent as his troubles might be, Miguel could make no deals with this Dutchman lurking in his shadow. It had happened before. He would trail Miguel from tavern to tavern, from alley to canal side, until Miguel surrendered. Best to have this over with, he decided, so he sighed and said he would go.
With a sharp gesture of his neck, Hendrick led them off the ancient cobbled street and across the steep bridges toward the new part of the city, ringed by the three great canals–the Herengracht, the Keizersgracht, and the Prinsengracht–and then toward the Jordaan, the most rapidly growing part of town, where the air echoed with the ring of hammer on anvil and the chipping of chisel on stone.
Hendrick led him along the waters of the Rozengracht, where barges pierced the thick canal mist as they headed toward the docks to unload their goods. The new houses of the newly wealthy stood on either side of the murky water, facing the oak- and linden-lined waterway. Miguel had once rented the better part of so fine a house, red-brick and steeple-gabled. But then Brazilian production of sugar had far exceeded Miguel’s expectations. He’d been gambling on low production for years,
but suddenly Brazilian farmers unleashed an unexpected crop, and in an instant prices collapsed. A great man of the Exchange as instantly became a debtor living off his brother’s scraps.
Once they departed from the main street, the Jordaan lost its charm. The neighborhood was new–where they stood had been farmland only thirty years before–but already the alleyways had taken on the decrepit cast of a slum. Dirt replaced the cobblestones. Huts made of thatch and scraps of wood leaned against squat houses black with tar. The alleys vibrated with the hollow clacking of looms, as weavers spun from sunup until late into the night, all in the hope of earning enough to keep their bellies full for one more day.
In moments of weakness, Miguel feared that poverty would claim him as it had claimed the wretched of the Jordaan, that he would fall into a well of debt so deep he would lose even the dream of recovering himself.
Would he be the same man then–himself, yet penniless–or would he become as hollow as the beggars and luckless laborers he passed on the streets?
He assured himself it would not happen. A true merchant never gives in to gloom. A man who has lived as a Secret Jew always has one more trick to save his skin. At least until he fell into the clutches of the Inquisition, he reminded himself, and there was no Inquisition in Amsterdam. Just the Ma’amad.
But what was he doing here with this inscrutable Dutchman? Why had he allowed his will to collapse when he had business, important business,
to pursue?
“To what sort of place are you taking me?” Miguel asked, hoping to find a reason to excuse himself.
“A miserable sort of place,” Hendrick said.
Miguel opened his mouth to voice an objection, but it was too late. They had arrived.
Though he was not, like the Dutch, inclined to believe in omens, Miguel would later recall that his venture had begun in a place called the Golden Calf, surely an unpromising name. They climbed down a steep and viciously low-ceilinged stairwell to the cellar, a little room that might comfortably have held thirty souls but now contained perhaps fifty. The choking smoke of cheap West Indian tobacco and musty peat stoves nearly suppressed the scent of spilled beer and wine, old cheese,
and the odor of fifty unwashed men–or, rather, forty men and ten whores–whose mouths puffed out onions and beer.
At the bottom of the stairs, an enormous man, shaped remarkably liked a pear, blocked their passage, and sensing that someone wished to get by he moved his bulk backwards to prevent anyone from squeezing past. He held a tankard in one hand and a pipe in the other, and he shouted something incomprehensible to his companions.
“Move your monstrous bulk, fellow,” Hendrick said to him.
The man turned his head just enough to register his scowl and then looked away.
“Fellow”–Hendrick tried again–“you are the hard turd in the ass of my journey. Don’t make me apply a purgative to flush you out.”
“Go piss in your breeches,” he answered, and then belched laughter in his friends’ faces.
“Fellow,” said Hendrick, “turn around and see to whom you speak so rudely.”
The man did turn around, and as he saw Hendrick the grin melted from his jowly three-days-unshaved face. “Begging your pardon,” he said. He pulled his cap down off his head and moved quickly out of the way,
knocking clumsily into his friends.
This newfound humility wasn’t enough to satisfy Hendrick, who reached out like the lash of a whip and grabbed the man’s filthy shirt. The tankard and pipe fell to the floor. “Tell me,” Hendrick said, “should I crush your throat or not crush your throat?”
“Not crush,” the drunk suggested eagerly. His hands flapped like bird wings.
“What do you say, Jew Man?” Hendrick asked Miguel. “Crush or not crush?”
“Oh, let him go,” Miguel answered wearily.
Hendrick released his grip. “The Jew Man says to let you go. You remember that, fellow, next time you think to toss a dead fish or rotten cabbage at a Jew. A Jew has saved your hide today, and for no good reason, too.” He turned to Miguel. “This way.”
From the Hardcover edition.
1) The Coffee Trader is a novel in which moral, ethical, and emotional choices are often bound up with monetary and financial
choices. How do financial dealings shape or define character? Does this novel suggest a relationship between financial dealings
and morality?
2) Miguel, the novel’s central character, often makes some questionable choices even though he regards himself as essentially honest
and upstanding. Do you think he is a good person or a bad person? Why do you think so? What about Geertruid?
3) Given the degree to which The Coffee Trader depicts merchants
tricking and deceiving one another, do you think trade on the
Amsterdam Exchange inherently deceptive, or is it simply trade in
which some people choose to behave deceptively? How do the
activities on the Exchange influence the lives of traders when they
are off the Exchange? Can merchants effectively rope off financial
deception as one aspect of their lives and behave ethically
elsewhere?
4) How does the setting of this novel—Amsterdam and its various
communities and locales—affect the novel? How does the setting
influence the events, the characters? Is the setting familiar or
alien to you? In what ways are the lives of people in seventeenthcentury
Amsterdam familiar to you, and in what ways are they unlike
people today? What surprised you most about the way people
lived?
5) There are a number of people in The Coffee Trader who are out to
harm Miguel, or at the very least trick and manipulate him toward
their own ends. Given that virtually no one is truly trustworthy,
do you think that this novel has acentral villain? Who? How
should villainy be defined?
6) Is Hannah a modern character in a pre-modern situation, or do
you think her view of herself, the world, and her options are
rooted in a particularly seventeenth-century perspective? What
exactly are her goals? How would a contemporary woman in her
situation respond?
7) Discuss the role of the Ma’amad in Amsterdam’s Jewish community.
What is the relationship between the Ma’amad and the
Inquisition in Portugal?
8) In his interview, the author mentions that this book was originally
going to center on chocolate instead of coffee. How do you
think it would have been different if chocolate had remained at
the center?
9) Discuss Miguel’s commitment to religious observance. What
motivates his devotion? Do you think of him as being particularly
religious? Does his attachment to worship and the Jewish community
affect how you feel about him?
10) Reviewers have called this novel a thriller, though it lacks
many of the traditional characteristics of one—no one gets killed,
people are rarely placed in physical danger. Is this novel a thriller?
How does it work to keep the reader anxious about the fates of
the characters?
11) Discuss the novel’s ending. Why do you believe the author
made the choices he did in the various resolutions of the
plot threads? Do these characters get what they deserve? Why or
why not?
12) How is the kind of financial deception in The Coffee Trader like
or unlike what we see in our own times? Is what happens on the
Amsterdam Exchange similar to scandals like Enron or World-
Com? Is the difference just a matter of scale?
This is David Liss second novel, and once again it is a great read. Liss is very good at developing characters that are believable in their actions and perform the way you expect them to in each situation they face. His ability
to place you in the time and setting of the novel is also very thorough. Before reading this book I knew little or nothing about Amsterdam of 1659. By the end I felt like I knew the city, it's customs, and people, as if I had first hand knowledge of them. His plotting also moves smoothly to a exciting,surprising,and very logical ending. An historical fiction that has a true literary sense to it. A step above just an historical novel a great read.
LionheartRC
Posted February 21, 2010
A great read from cover to cover. The character development was subtle with perfect timing. One got to know the characters personalities gradually and with better understanding as each one dealt with their own conflict.
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Posted February 20, 2010
good book for book clubs
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Posted November 3, 2008
I Also Recommend:
This novel with the most interesting characters,plots and themes was good reading with my coffee!David Liss is a gifted author with a smooth style.The persona of Miguel wove a complicated individual. With the plots of his brother,Daniel,his threating relations with other colorful characters and the questionable innocence of Hannah it was a novel to hold my attention. The ending was somewhat surprising and not what I'd expected.
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Posted April 10, 2008
After reading Liss' first historical novel, I was impressed enough to go right out and get this one. I was not disappointed. This book pulls you into a time and place that most of us know very little about, which is the great fun of historical fiction. I've already bought his third novel and look forward to another romp through time.
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Posted January 18, 2008
I was gifted this book as a bargain-bin find that my grandmother thought might interest me---not the most auspicious of recommendations, but I was intrigued enough by the premise to read it. I'm so glad I did, and I will definitely seek out more of his books. If you enjoy historical fiction such as Philippa Gregory or Carlos Ruiz Zafon, you will certainly enjoy the fast-paced plot of The Coffee Trader. Liss manages his complicated threads well, and despite lots of unexpected twists, he carries the reader along without confusion but also without giving away the end. A highly recommended read!
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Posted March 23, 2006
I could not put this book down. This is the first book of David Liss' that I read and when I finished it I ran out and bought The Conspiracy of paper and A Spectacle of Corruption. I absolutely Loved it!!
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Posted March 13, 2006
Great characters and of course an even better storyline from Liss. Definitely recommend this book.
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Posted July 10, 2005
In the 16-hundreds Amsterdam was the richest city in Europe. The exchange of paper representing commodities was advanced to near perfection, but the difficulties of keeping track of what was traded allowed for speculation to turn into conspiracy. Luckily for the readers, none of our money is at risk, but here lies a painles education in free trade. Is the story good? You bet. Coffee is being introduced in Europe, and trading in the beans is the hook for the story. All the characters are pulled about by there own flaws and by powers beyond their control. All the characters have to fight themselves lest kind motives cost themselves money, and all are as real as our own neighbors. The Jews of Amsterdam provide the immediate millieu, but the stage of action is the Amsterdam Excvhange at the height of power. A great read!
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Posted April 14, 2005
David Liss is widely recognized as one of the great new authors on the literary scene, and this book does nothing to tarnish the reputation. Liss's engrossing character development and suspenseful plots leave the reader begging for more. All of Liss's books are treats, and this one may be the best of all.
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Posted May 3, 2005
This book was really hard for me to get into. It was slow, boring and had absolutely no suspense. If you have a lot of time on your hands, go for it. But if you are checking it out from the library, you might as well just take it back because you probably won't get through it before it's due.
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Posted December 18, 2004
Not at all what I expected...put it down half way through - no desire whatsoever to finish this book.
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Posted May 26, 2004
It was very hard to picture a Commodities exchange plot in the 17 th century with Converso Jews. The way the story is told is not engageing, it is 100% betrayal, 0% suspense, and with all characters being wicked and deceiving how can you have romance? There is not enough research of that Circa's historical facts. The character descriptions through out the book are repetitive, the part of the story that tells about the coffe trade business is predictable as well as the fate of the characters. I have read other well researched fictional novels based on historical facts about Converso Jews and Catholics living in Europe through those difficult centuries trying to make a living and exposed to wicked events that are far better.
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Posted March 24, 2004
With the setting in 17th Century Amsterdam, David Liss employs the inevitable emergence of coffee on the commodities exchange to explore the intriguing interplay between those who would seek to find their fortune in trading by whatever means necessary. The plot delves deep into the hidden goals and subterfuge used by the market players to outplay, outwit, and outlast each other toward attaining wealth and status. Such rich character expose proclaims their humanity and tenuous destiny. A fun read of historical fiction and a challenging trip back to the origins of coffee traded on world markets.
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Posted January 1, 2004
This is a very fine read. David Liss has written an historical novel about coffee's beginnings in Europe, the Jewish community in tolerant Amsterdam, and woven a web of mystery and deceit, wherein the reader, and also the central character, is not sure what is true and what is false. What the author does here is much more, however. He presents aspects of human nature which we do not readily face; that the view others have of us does not match that which we have constructed of ourselves, and that we acquire what we can at the expense of others. The characterizations are vivid, and there are surprises at the end of the book. This is the second book I have read by David Liss, and while I thoroughly enjoyed 'A Conspiracy of Paper', I would rate this book even higher. Strongly recommended!
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Posted August 4, 2003
A fascinating look at Jewish life and business during the seventeenth century. I read Conspiracy of Paper (the author's first novel) and could not wait to get my hands on this book. In the age of Starbucks, it was interesting to read about a time where most people had never heard of coffee. Great characters and plot.
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Posted June 13, 2003
The was a great book from beginning to end!
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Posted March 26, 2003
I did not think that David Liss could top A Conspiracy of Paper. Boy, was I wrong !! The Coffee Trader is just one of the best books I have ever read.
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Posted April 4, 2003
The Coffee Trader immediately engages the reader in a vibrant world of intrigue and high-stakes speculation in an unlikely but wonderfully exotic setting-- Amsterdam in the middle of the Dutch Golden Age of the 17th century. It is a story of loyality vs. betrayal, honesty vs. duplicity, familial battles and unpredictable alliiances. David Liss has managed to capture the colorful world of Sephardic Jews, who having escaped the inferno of the Spanish and Portuguese Inquisition, struggle to find their identity in their New Jerusalem, the sometimes not-so-tolerant Dutch Republic. The story centers around Miguel Lienzo, a Jewish commodities trader who hatches a plan to corner the market in a newly discovered commodity--coffee--and become rich overnight. His challenge is to keep his plan a secret from those who would scheme against him, including members of his own family and community. The Coffee Trader serves not only as a primer on the history of the coffee trade, but a lesson on the mechanics of trading techniques on the first modern commodities exchange-- the Bourse in Amsterdam. I highly recommend this book to anyone who is interested in the history of the Dutch Republic, Sephardic Jewry; coffee lovers and futures traders.'
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Posted April 1, 2003
This first time reader of Mr. Liss offers these critical remarks. The Coffee Trader is a historical novel replete with believable characters, dialogue, and a plot which entertains, captivates and educates the reader! Bruce M. Hankins, 29613 Gleneagles Road, Perrysburg, Ohio 43551
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Overview
Amsterdam, 1659: On the world’s first commodities exchange, fortunes are won and lost in an instant. Miguel Lienzo, a sharp-witted trader in the city’s close-knit community of Portuguese Jews, knows this only too well. Once among the city’s most envied merchants, Miguel has suddenly lost everything. Now, impoverished and humiliated, living in his younger brother’s canal-flooded basement, Miguel must find a way to restore his wealth and reputation.Miguel enters into a partnership with a seductive Dutchwoman who offers him one last chance at success—a daring plot to corner the market of an astonishing new commodity called “coffee.” To succeed, Miguel must risk everything he values and face...