Cogan's Woods

Overview

The tale begins with author and his father journeying from their home in a white Mercury to a largely fictional land beyond Maysville, Kentucky, where both father and son were born. This annual commute is ostensibly for the purpose of hunting squirrels, but they are seeking more, and in doing so they discover solace and legends in those wet, foggy woods above the Ohio River and in the lovable characters they discover there and in the nearby town of Persimmon Gap.

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Cogan's Woods: A Celebration of Hunting, Family, and Kentucky

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Overview

The tale begins with author and his father journeying from their home in a white Mercury to a largely fictional land beyond Maysville, Kentucky, where both father and son were born. This annual commute is ostensibly for the purpose of hunting squirrels, but they are seeking more, and in doing so they discover solace and legends in those wet, foggy woods above the Ohio River and in the lovable characters they discover there and in the nearby town of Persimmon Gap.

Cogan's Woods offers a fond look back at 1960s small-town America: sweating red metal Coca-Cola coolers filled with bottled soft drinks whose caps are imbedded outside the store in "an asphalt apron paved with hundreds of flattened bottle caps, country stores where "old timers of various shapes and sizes leaned into their stories," fresh-picked tomatoes that were "still warm and tasted of the sun," and legendary baseball teams like the Undefeated Persimmon Gap Bobcats."

Ellis offers lasting images and sensory paintings, all gleaned from this land where he and his father traveled, hunted, and rested. In the end, it is this simple mantra, offered first by a gravedigger and later by his dying father that settles into the boy's heart: "It's important to remember, it's so important to remember."

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Editorial Reviews

Karen Samples
In 146 pages, our own Ron Ellis spins a magical memoir . . . For anyone who knows deep Kentucky—towns where people live and die in the same 50 square miles—the story will bring back bittersweet memories of forests before logging and general stores before Walmart.
Kentucky Enquirer
Nick Lyons
Cogan's Woods is a wonderfully textured portrait of a father and son discovering each other and the deep forest in which they hunt. I makes me think of Harry Middleton, though Ellis's voice is new and richly his own."
Publishers Weekly
Ellis recreates the tastes and sounds of rural America with scenes that . . . are kept fresh by his devotion to quiet, lovely detail.
Rick Bass
The act of remember is . . . a celebration of cherished things-friendship and family, storytelling and nature, the physical senses, and the beauty of permanency existing right next to stunning impermanency. The brevity of such things in any individual's life is all the more reason for noticing them, and celebrating them, as Ellis had done here so well."
Vicki Prichard
Obviously a writer who will take his place alongside other fine literary voices of Kentucky like Wendell Berry and James Still.
Inside Your Town
Publishers Weekly - Publisher's Weekly
In an early form, this evocative memoir of Ellis's yearly squirrel hunts with his father in 1960s Kentucky became the author's ticket into the University of Montana's Environmental Writing Institute, where he studied with nature writer Rick Bass. Ellis recreates the tastes and sounds of rural America with scenes that sometimes border on clich , but are kept fresh by his devotion to quiet, lovely detail. Avoiding overworked pastoral imagery, he recreates his memories: inhaling the smell of weeds and wood smoke as his father steered their white Mercury through wet fog; stepping into a "foyer of ancient beech trees with their silvered trunks and brushy, gray-green canopy"; watching the predawn silhouettes of squirrels in rain-soaked foliage and "the stuttering rhythm of cowbells." After the hunt, they would stop for lunch at the Persimmon Gap General Store, with its penny candy bins and blue boxes of shotgun shells. Ellis depicts his father as a sensitive squirrel hunter, who blends manly restraint and expressive engagement. This image-laden portrait of an archetypal South is more poignant since the landscape of Ellis's memories has all but disappeared. (Mar.) Copyright 2001 Cahners Business Information.
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Product Details

  • ISBN-13: 9780871089151
  • Publisher: Pruett Publishing Company
  • Publication date: 1/1/2001
  • Series: The Pruett Series
  • Pages: 166
  • Product dimensions: 5.74 (w) x 7.53 (h) x 0.65 (d)

First Chapter

When I was young it happened every year. I waited for it, felt I could not live without it, and was never disappointed. It was always in August at the edge of dawn, and when it had rained in the night the fog drifted up from the low places beside the road. My father threaded the old white Mercury through the twists and turns of the crumbling river road as we listened to the weather report coming up from a station in Cincinnati. We always hoped for wet weather, for a soft, steady rain to soak the woods and soften the paths we would soon be traveling in Cogan's Woods. We were heading upriver, on an annual journey to hunt squirrels on opening day among the big trees that stood watch over the country where our hearts lived.

As the car purred and swayed its way east toward Belden County, Kentucky, we munched on peanut rolls and sipped White Castle coffee and hot chocolate from blue and white paper cups, the kind with the folding cardboard handles. The glow of the blue light coming off the Mercury's instrument panel lit the creases in my father's face, and the ash of his cigarette, the size and shape of a pencil eraser, glowed red in the dark interior of the car. Dad steered the Mercury through the advancing gray and talked of other days spent in just this way. "This is a perfect day for squirrel hunting," he said. "Now if the wind will just lie down at daylight, we'll have a good calm wet day."

The fog thickened as the road twisted back toward the river and sheets of mist doused the light from the low beams, slowing our progress. And then the road turned back toward the hills, the sweep of the headlights revealing pockets of tired land where the skeletal remains of outbuildings stood as lonely reminders of the life that had once been lived there. I opened the "cozy wing" on my side of the car to check the temperature, to see if the weather was going to be just right for the coming hunt. With the little triangle-shaped window pushed open, the night air--damp and thick and smelling of summer and road tar-rushed in and swirled around our faces, pushing the cigarette smoke out the window on my father's side until in joined the fog ghosting above the Ohio River north of the road.

While squirrel hunting was the major focus of this upriver journey, I also enjoyed the chance to spend some time with my father when he seemed to be free of life's pressures. On these trips, there was never a cross word said between us. Just the two of us: father and son, teacher and student, travelers and hunters.

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