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| House of Heroes | Primary Artist |
| Paul Moak | Acoustic Guitar, Piano, Hammond Organ, Moog Synthesizer, Noise, Mellotron, Wurlitzer, Vox Organ, Piano (Grand), Guitar (Tenor), Guitar (Baritone), Hammond B3 |
| Colin Rigsby | Drums, Bass Drums, Tambourine, Background Vocals, Tubular Bells |
| A.J. Babcock | Bass, Conga, Vocals, Background Vocals, Synthesizer Bass, Key Bass, Knee Slaps |
| Tim Skipper | Acoustic Guitar, Guitar, Electric Guitar, Vocals, Fuzz Guitar, Guitar (12 String Electric) |
| Eric Newcomer | Banjo, Electric Guitar, Fuzz Guitar |
| Toby McKeehan | Executive Producer |
| Brad Blackwood | Mastering |
| Joey Elwood | Executive Producer |
| Paul Moak | Programming, Producer, Engineer |
| Chris Allen | Management |
| Colin Rigsby | Composer, Layout |
| A.J. Babcock | Composer, Programming |
| Tim Skipper | Composer |
| Eric Newcomer | Composer |
Editorial Reviews
All Music Guide
From their debut, the underground favorite What You Want Is Now, and their self-titled breakout album to 2008's lauded The End Is Not the End and the catchy Suburba two years later, Columbus, Ohio-based Christian rockers House of Heroes had high expectations to meet with Cold Hard Want. Produced by Paul Moak (Seabird, Lovedrug, Mat Kearney), the album draws from the pop sensibilities of Suburba and the timeless feel of The End Is Not the End, culminating in an engaging, aggressive, and fun listen. Where House of Heroes' last two albums were highly conceptually driven, Cold Hard Want takes a looser focus on its theme of standing up for one's beliefs: the loud-quiet-loud "Comfort Trap" critiques the pitfalls of placing ...