Coleridge and the Romantic Newspaper: The 'Morning Post' and the Road to 'Dejection'
This book examines how Coleridge staged his private woes in the public space of the newspaper. It looks at his publications in the Morning Post, which first published one of his most famous poems, Dejection. An Ode. It reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way. Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.
1123462657
Coleridge and the Romantic Newspaper: The 'Morning Post' and the Road to 'Dejection'
This book examines how Coleridge staged his private woes in the public space of the newspaper. It looks at his publications in the Morning Post, which first published one of his most famous poems, Dejection. An Ode. It reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way. Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.
54.99 In Stock
Coleridge and the Romantic Newspaper: The 'Morning Post' and the Road to 'Dejection'

Coleridge and the Romantic Newspaper: The 'Morning Post' and the Road to 'Dejection'

by Heidi Thomson
Coleridge and the Romantic Newspaper: The 'Morning Post' and the Road to 'Dejection'

Coleridge and the Romantic Newspaper: The 'Morning Post' and the Road to 'Dejection'

by Heidi Thomson

eBook1st ed. 2016 (1st ed. 2016)

$54.99 

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Overview

This book examines how Coleridge staged his private woes in the public space of the newspaper. It looks at his publications in the Morning Post, which first published one of his most famous poems, Dejection. An Ode. It reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way. Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.

Product Details

ISBN-13: 9783319319780
Publisher: Palgrave Macmillan
Publication date: 09/24/2016
Sold by: Barnes & Noble
Format: eBook
Pages: 274
File size: 766 KB

About the Author

Heidi Thomson is Associate Professor of English Literature at Victoria University of Wellington, New Zealand, and President of the Romantic Studies Association of Australasia. She is the editor of novels by Maria Edgeworth and the author of numerous chapters and articles about Thomas Gray, William Collins, Edgeworth, Wordsworth, Coleridge, and Keats. 

Table of Contents

1. Introduction: A Character in the Antithetical Manner.- 2. The Return from Germany.- 3. The Morning Post and Introduction to the Tale of the Dark Ladie.- 4. Mothers, Sons, and Poets in the Morning Post.- 5. Homeless at Grieta Hall.- 6. The 1800 Lyrical Ballads, Mary Robinson, and The Mad Monk.- 7. Mary Robinson and the Poet Coleridge.- 8. ‘Merely the Emptying out of my Desk’.- 9. Conclusion: Dejection. An Ode in the Morning Post as a Palimpsest.- Notes.- Bibliography.- Index.-

What People are Saying About This

From the Publisher

“Through an incisive contextual examination of Coleridge’s little studied contributions to the Morning Post newspaper between 1799 and 1802, Heidi Thomson provides a fresh and compelling account of the poet’s risky public venting of private woes. Exploring the myriad forms taken by Coleridge’s self-dramatizing, as well as the direct connection in his mind between domestic bliss and poetic genius, Thomson reveals the long-standing and complex origins of his important and moving Dejection: An Ode. Approaching its subject from an entirely original angle, using new materials, this book revisits Coleridge’s obsession with Wordsworth and his sister-in-law Sara Hutchinson while also shedding new light on his intimacy with fellow writer and confidante, Mary Robinson.” (Deirdre Coleman, University of Melbourne, Australia)

“This is an exceptional book. The hallmark of Thomson’s thought is an acute sensitivity to the literature; an uncanny awareness of the psychological subtleties behind it; an ability to elucidate those things in a clear, direct, and uncomplicated manner; and critical sophistication of a high order. I learnt a great deal from Coleridge and the Romantic Newspaper, as will anyone with an interest in Wordsworth, Coleridge, and their writing.” (Duncan Wu, Georgetown University, USA)

“A sympathetic and original study of the extraordinary way in which Coleridge acted out his private emotions on a public stage, encoding in print his most intimate thoughts and feelings.” (Adam Sisman, author of “The Friendship: Wordsworth and Coleridge” and “John le Carre: The Biography”)

“For a few years around the turn of the nineteenth century Coleridge published a string of remarkable pieces in the Morning Post, including some striking poems that, though appearing in the public press, often dealt with his most intensely private feelings. Heidi Thomson has had the good idea of studying these writings as a group, and she has found fresh and illuminating things to say about them, both the familiar and the little-known. Every admirer of Coleridge will enjoy her account of a neglected episode in his writing life.” (Seamus Perry, Faculty of English, University of Oxford, UK)

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