Collage of Myself: Walt Whitman and the Making of Leaves of Grass

Overview

Collage of Myself presents a groundbreaking account of the creative story behind America’s most celebrated collection of poems. In the first book-length study of Walt Whitman’s journals and manuscripts, Matt Miller demonstrates that until approximately 1854 (only a single year before the first publication of Leaves of Grass), Whitman—who once speculated that Leaves would be a novel or a play—was unaware that his ambitions would assume the form of poetry at all. Collage of Myself details Whitman’s discovery ...
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Collage of Myself: Walt Whitman and the Making of Leaves of Grass

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Overview

Collage of Myself presents a groundbreaking account of the creative story behind America’s most celebrated collection of poems. In the first book-length study of Walt Whitman’s journals and manuscripts, Matt Miller demonstrates that until approximately 1854 (only a single year before the first publication of Leaves of Grass), Whitman—who once speculated that Leaves would be a novel or a play—was unaware that his ambitions would assume the form of poetry at all. Collage of Myself details Whitman’s discovery of a remarkable new creative process that allowed him to transform a diverse array of texts into poems such as “Song of Myself” and “The Sleepers.” Whitman embraced an art of fragments that encouraged him to “cut and paste” his lines into ever-evolving forms based on what he called “spinal ideas.” This approach to language, Miller argues, represents the first major use in the Western arts of the technique later known as collage, an observation with significant ramifications for our reception of subsequent artists and writers. Long before the modernists, Whitman integrated found text and ready-made language into a revolutionary formulation of artistic production that anticipates much of what is exciting about modern and postmodern art. Using the Walt Whitman Archive’s collection of digital images to study what were previously scattered and inaccessible manuscript pages, Miller provides a breakthrough in our understanding of this great American literary icon.
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Editorial Reviews

Choice - D. D. Kummings
"This is an important study, one requiring that the reader rethink a number of commonly held assumptions about Whitman and his Leaves of Grass ."—D. D. Kummings, Choice
Walt Whitman Quarterly Review - M. Wynn Thomas
"Miller's book is as valuable a publication on Whitman’s poetry as any to have appeared for some time."—M. Wynn Thomas, Walt Whitman Quarterly Review
Choice

"This is an important study, one requiring that the reader rethink a number of commonly held assumptions about Whitman and his Leaves of Grass ."—D. D. Kummings, Choice

— D. D. Kummings

Walt Whitman Quarterly Review

"Miller's book is as valuable a publication on Whitman’s poetry as any to have appeared for some time."—M. Wynn Thomas, Walt Whitman Quarterly Review

— M. Wynn Thomas

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Product Details

  • ISBN-13: 9780803225343
  • Publisher: University of Nebraska Press
  • Publication date: 12/1/2010
  • Pages: 320
  • Product dimensions: 5.80 (w) x 8.60 (h) x 1.20 (d)

Meet the Author

Matt Miller is an assistant professor of English at Yeshiva University. His articles have appeared in Arizona Quarterly, Book History, and Walt Whitman Quarterly Review.
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Table of Contents

List of Illustrations

Acknowledgments

Introduction

List of Abbreviations

1 How Whitman Used His Early Notebooks 1

2 Packing and Unpacking the First Leaves of Grass 48

3 Kosmos Poets and Spinal Ideas 104

4 Poems of Materials 161

5 Whitman after Collage/Collage after Whitman 215

Notes 251

Bibliography 275

Index 283

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