Collateral: A Novel

Collateral: A Novel

by Ellen Hopkins
Collateral: A Novel

Collateral: A Novel

by Ellen Hopkins

Paperback(Reprint)

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Overview

From the New York Times bestselling author of the novel Triangles—a gorgeous, “raw and riveting tale of love and forgiveness” (Publishers Weekly) about a woman torn between her love for a dedicated Marine and her resentment of the war that is tearing their lives apart.

The last thing Ashley ever expected was to end up a military wife. But Cole doesn’t match her stereotype of the aggressive Marine. He’s pas­sionate and romantic, and their relationship evolves into a deeply felt, sexually charged love affair that survives four deployments. Cole desper­ately wants Ashley to marry him, but when she meets another man, a college professor, she begins to see what life might be like outside the shadow of war.

Written in Ellen Hopkins’s stunning poetic verse style, Collateral cap­tures the hearts of the soldiers on the battlefield and the minds of their friends, family, and lovers who also sacrifice their lives and happiness for their country at war. Is the collateral damage worth the fight?

Product Details

ISBN-13: 9781451626384
Publisher: Atria Books
Publication date: 07/23/2013
Edition description: Reprint
Pages: 496
Sales rank: 312,040
Product dimensions: 5.30(w) x 8.20(h) x 1.40(d)

About the Author

About The Author
Ellen Hopkins is the #1 New York Times bestselling author of numerous young adult novels, as well as the adult novels such as Triangles, Collateral, and Love Lies Beneath. She lives with her family in Carson City, Nevada, where she has founded Ventana Sierra, a nonprofit youth housing and resource initiative. Follow her on Twitter at @EllenHopkinsLit.

Read an Excerpt

UGLY IN BLACK

As Earth returns to chaos, her women brace to mourn,

excavate their buried faith, tap reservoirs of grace, to mourn.

Soldiers steady M-16s, search stillborn eyes for welcome

or signs of commonality. Ferreting no trace, they mourn.

Few are safe, where passions swell like gangrened limbs

you cannot amputate. Sever one, another takes its place,

and you mourn.

Freefall into martyrdom, a bronze-skinned youth slips into the

crowd, pulls the pin. He and destiny embrace, together mourn.

Grenades are colorblind. A woman falls, spilling ebony hair

beside the blond in camouflage. Death’s doorman gives chase. All

mourn.

Even hell capitulates to sudden downpour. Cloudburst sweeps across

the hardpan, cracks its bloodstained carapace. Hear God mourn.

Up through scattered motes, a daughter reaches for an album. She

climbs into a rocking chair to search for Daddy’s face, and mourn.

Downstairs, a widow splinters on the bed, drops her head into his

silhouette, etched in linen on the pillowcase, to mourn.

Alone, the world is ugly in black. When final night descends

to blanket memory, drops its shroud of tattered lace, who will

mourn?

Present

POETS WRITE ELOQUENTLY

About war, creating vivid images

of severed limbs, crusting body fluids

and restless final sleep, using nothing

more than a few well-crafted words.

Easy enough to jab philosophically

from the comfort of a warm winter

hearth or an air-conditioned summer.

But what can a sequestered writer know

of frontline realities—blistering

marches under relentless sand-choked

skies, where you’d better drink

your weight in water every day or die

from dehydration? Flipside—teeth-

cracking nights, too frigid for action,

bored out of your mind as you try

to stay warm in front of a makeshift fire.

How can any distant observer know

of traversing rock-rutted trails,

hyperaware that your camouflage comes

with a built-in bull’s-eye; or of sleeping

with one ear listening for incoming

peril; or of the way fear clogs your

pores every time you climb inside

a Humvee and head out for a drive?

You can see these things in movies.

But you can’t understand the way

they gnaw your heart and corrode

your mind, unless you’ve been a soldier

outside the wire in a country where

no one native is really your friend,

and anyone might be your enemy.

You don’t know till you’re ducking

bullets. The only person you dare rely

on is the buddy who looks a lot like

you—too young for this, leaking bravado,

and wearing the same uniform.

Even people who love soldiers—

people like me—can only know these

things tangentially, and not so much

because of what our beloveds tell us

as what they’ll never be able to.

OF COURSE, IF YOU ASK

Me about falling in love

with a guy in the military,

I’d tell you to about-face

and double-time toward

a decent, sensible civilian.

Someone with a fat bank

account and solid future,

built on dreams entirely

his own. I’d advise you

to detour widely around

any man who prefers fatigues

to a well-worn pair of jeans;

whose romantic getaways

are defined by three-day

leaves; who, at age twenty-

six has drunk more liquor

than most people manage

in a lifetime. He and his

fellow grunts would claim

it’s just for fun. A way to let

their hair down, if they had

much hair to speak of. But

those they leave behind,

devoted shadows, understand

that each booze-soaked

night is a short-lived

retrieve from uncertain

tomorrows, unspeakable

yesterdays. Service. Sacrifice.

The problem with that being,

everyone attached to those

soldiers must sacrifice, too.

So, as some Afghani warlord

might say, put that in your

pipe and smoke it. Okay, that

was actually my grandpa’s saying.

But it works, and what I mean

is, think long and hard before

offering your heart to someone

who can only accept it part-time.

Reading Group Guide

This reading group guide for Collateral includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.


Introduction

Ashley Patterson, a graduate student and poet, never expected to become a military wife. But she and her best friend, Darian, fall for soldiers, both on separate paths to war. Darian and Spencer marry right away, for better or for worse, but Ashley and Cole choose to take it slower. Five years and four deployments later, Ashley is still passionately connected to Cole—her poetic, sensitive Marine. But as she looks back on the history of their relationship, she realizes that he has changed—the fear and tedium of war are starting to take a toll. Ashley’s doubts grow as Cole rises in the ranks, and she finds herself drawn to her poetry professor, Jonah, a laid-back surfer who encourages her to follow her dreams and never settle for anyone else’s ambitions. As Cole’s suppressed fury comes to the surface, Ashley must find the courage to fight her own battles.

Topics & Questions for Discussion

1. Discuss what it was like to read Collateral, a novel in verse. How long did it take you adapt to this narrative form? When did Collateral feel especially poetic, and when did it take on the fast-paced style of prose?

2. In “Poets Write Eloquently,” Ashley observes that poets try to capture the horrors of war “using nothing / more than a few well-crafted words.” (MS-pg. 1) What aspects of war does the poetry of Collateral manage to depict? What kinds of trauma can no poet capture in words?

3. Consider how Collateral alternates between “Present” and “Rewind” sections. How did this switch between past and present enrich Ashley’s story?

4. Choose your favorite poem by Cole Gleason and compare it to Ashley’s “Rough Day at the VA,” which Jonah thinks is her best. What are some of the similarities between Cole’s style and Ashley’s? How do their poems differ in style, subject, and imagery?

5. Recall your first impressions of Darian, Ashley’s best friend. What did you think of Darian’s preconceptions about marriage? How did your understanding of Darian’s troubles change later in the novel? Did you gain or lose respect for her by the end of Collateral? Explain your answer.

6. “But there was something new under / Cole’s skin. Some dark shadow.” (MS-pg. 442) Name some of the warning signs of Cole’s “dark shadow” that Ashley fails to recognize.

7. Discuss the role that family history plays in Ashley and Cole’s relationship. What dark secret has Ashley’s mother been hiding, and how does her revelation affect Ashley’s feelings about marriage and the military? How do nature and nurture—a family history of violence and the dangers of the Middle East—affect Cole’s temper?

8. Cole reassures Ashley, “I’ll always come back to you, Ashley. / You are my collateral. My reason / to return no matter what. Believe it.” (MS-pg. 212) Discuss the multiple meanings of the word “collateral.” What kinds of danger and hope does the title of the novel imply?

9. Consider how gender issues affect the relationships in Collateral. How do Ashley and Cole’s views of male and female roles clash? When does sexual intimidation or jealousy threaten their relationship? Which couples in the novel have a more balanced relationship?

10. Jonah tells Ashley, “When love evolves / from friendship, it must be stronger.” (MS-pg. 379) Do you agree with Jonah’s thoughts on friendship and love? Why or why not? Discuss how his theory applies to the men in Ashley’s life: Cole, Jaden, and Jonah.

11. The sexual chemistry between Ashley and Cole is undeniable. Which of their love scenes is the most memorable? Why do you think they are so intensely attracted to each other?

12. Reflecting on the past five years, Ashley realizes that while Cole’s maturity was imposed on him by the military, “My growth came from self discovery. / Choosing one path, journeying a while, / changing direction.” (MS-pg. 458) Compare how Ashley and Cole have grown over the years of their relationship. What has Ashley discovered about her strengths and weaknesses? How has Cole’s military career affected his maturation?

13. Consider Ashley’s career ambitions. Why did she initially choose to pursue a social work degree instead of teaching? What leads her to change her mind and study poetry?

14. The novel concludes with a “Fast Forward” section rather than a “Rewind,” and is set a few days before school begins. What is the effect of this “Fast Forward?” What painful moments has Ashley skipped over in her narration?

15. Discuss how the wars in Iraq and Afghanistan are portrayed in Collateral. Which characters support the war and which oppose it? How does the novel manage to portray different sides of a difficult conflict?

Enhance Your Book Club



1. Check out IndieFeed, a podcast that collects spoken-word performances. Search for some of Ashley’s favorite poets— Rachel McKibbens, Alix Olson, and Taylor Mali— and listen to their dynamic performances here: www.indiefeedpp.libsyn.com.

2. Ashley and Darian used to play a game called “What If:” “One of us asks a ‘what if’ / question. The other promises / to answer truthfully.” (MS-pg. 91) Play a book club version of “what if” asking other members which of their favorite books they would take to a desert island, pack on a long vacation, or hide under the mattress.

3. Set the mood at your book club meeting with the Dixie Chicks’ album Fly—Ashley and Darian’s old favorite. Find it in your local music store or buy it online, and don’t forget to sing along to “Cowboy Take Me Away.”

4. Consider donating time or funds to a veterans’ organization in your area. Visit www.volunteer.va.gov/apps/VolunteerNow/ to find a veterans’ facility near you.

5. Visit Ellen Hopkins’s website, www.ellenhopkins.com, to learn more about the author’s life and work, and to read her helpful tips for aspiring writers.

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