Collected Essays and Criticism, Volume I: Perceptions and Judgments, 1939-1944

Collected Essays and Criticism, Volume I: Perceptions and Judgments, 1939-1944

by Clement Greenberg
     
 

View All Available Formats & Editions

Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a

Overview

Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States.

Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for the Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.

Editorial Reviews

New York Times Book Review - Barry Gewen
"[Greenberg] is widely and rightly regaded as the most important American art critic since World War II."
The New Criterion - Hilton Kramer
With the publication of the first two volumes of Clement Greenberg's Collected Essays and Criticism, we are at last on our way to having a comprehensive edition of the most important body of art criticism produced by an American writer in this century. The two volumes now available—Perceptions and Judgments, 1939-1944 and Arrogant Purpose, 1945-1949—bring together for the first time Mr. Greenberg's critical writings from the decade in which he emerged as the most informed and articulate champion of the New York School as well as one of our most trenchant analysts of the modern cultural scene.
New York Times Book Review
[Greenberg] is widely and rightly regaded as the most important American art critic since World War II.

— Barry Gewen

The New Criterion
With the publication of the first two volumes of Clement Greenberg's Collected Essays and Criticism, we are at last on our way to having a comprehensive edition of the most important body of art criticism produced by an American writer in this century. The two volumes now available—Perceptions and Judgments, 1939-1944 and Arrogant Purpose, 1945-1949—bring together for the first time Mr. Greenberg's critical writings from the decade in which he emerged as the most informed and articulate champion of the New York School as well as one of our most trenchant analysts of the modern cultural scene.

— Hilton Kramer

Product Details

ISBN-13:
9780226306216
Publisher:
University of Chicago Press
Publication date:
02/15/1988
Edition description:
1
Pages:
296
Sales rank:
960,273
Product dimensions:
5.49(w) x 8.52(h) x 0.64(d)

Meet the Author

Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States.

Greenberg first established his reputation writing for the Partisan Review, which he joined as an editor in 1940. He became art critic for The Nation in 1942, and was associate editor of Commentary from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.

John O’Brian is professor of art history at the University of British Colombia.

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >