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Collected Poems
     

Collected Poems

5.0 3
by Edna St. Vincent Millay
 

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Here is a rich collection of one of America's best and most widely read poets. Millay's work serves as a fresh and forcible reminder of those rare poetic gifts that transcend an individual and a generation and (as Edmund Wilson expressed) make Edna St. Vincent Millay stand forth for all time as "a master of human expression" and "a spokesman for the human spirit.

Overview

Here is a rich collection of one of America's best and most widely read poets. Millay's work serves as a fresh and forcible reminder of those rare poetic gifts that transcend an individual and a generation and (as Edmund Wilson expressed) make Edna St. Vincent Millay stand forth for all time as "a master of human expression" and "a spokesman for the human spirit."

Product Details

ISBN-13:
9780060908898
Publisher:
HarperCollins Publishers
Publication date:
07/01/1981
Series:
Harper Perennial
Pages:
768
Product dimensions:
5.43(w) x 8.37(h) x 1.92(d)

Meet the Author

Edna St. Vincent Millay was born in 1892 in Rockland, Maine, the eldest of three daughters, and was encouraged by her mother to develop her talents for music and poetry. Her long poem "Renascence" won critical attention in an anthology contest in 1912 and secured for her a patron who enabled her to go to Vassar College.

After graduating in 1917 she lived in Greenwich Village in New York for a few years, acting, writing satirical pieces for journals (usually under a pseudonym), and continuing to work at her poetry. She traveled in Europe throughout 1921-22 as a "foreign correspondent" for Vanity Fair. Her collection A Few Figs from Thistles (1920) gained her a reputation for hedonistic wit and cynicism, but her other collections (including the earlier Renascence and Other Poems [1917]) are without exception more seriously passionate or reflective.

In 1923 she married Eugene Boissevain and — after further travel — embarked on a series of reading tours which helped to consolidate her nationwide renown. From 1925 onwards she lived at Steepletop, a farmstead in Austerlitz, New York, where her husband protected her from all responsibilities except her creative work. Often involved in feminist or political causes (including the Sacco-Vanzetti case of 1927), she turned to writing anti-fascist propaganda poetry in 1940 and further damaged a reputation already in decline. In her last years of her life she became more withdrawn and isolated, and her health, which had never been robust, became increasingly poor.

She died in 1950.

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