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Ann HulbertTaken together, Shields's stories risk seeming like curiously weightless exercises -- lightly parodic postmodern turns. Yet this eclectic bundle of fragments also serves to highlight her novelistic gift and heft. When Shields stitches together such vivid patchworks of lives in her longer fiction, she manages to convey the inadequacy, and also the urgent necessity, of words to give us a grip on our discontinuous selves -- and a glimpse into the ultimately unknowable worlds of others. Shields's novels do tend to end happily. But they are also haunting because she has made us aware that ''the arabesque of the unfolded self'' (a very Shieldsian phrase from ''Absence'') is always a dance over an abyss.
— The New York Times