"Colon Man a Come": Mythographies of Panama Canal Migration / Edition 1

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To date, there has been no literary examination of the Col-n Man even though he recurs in 19th and 20th century Anglophone and Francophone Caribbean Literatures. Named for Panamá's Caribbean port city, the Col-n Man has been the subject of historical, sociological, and geographical scholarship. He, however, has escaped the domain of literary investigation until now. Author Rhonda Frederick brings us the first ever book-length study of the literary representations of the Col-n Man. Fictive accounts of Panamá migration draw on precisely what has been little documented or not at all. In other words, this region's literature and songs, as well as Col-n Men's recollections, complicate existing studies. These first person accounts and creative narratives-in the form of song, stories, literature, etc.-of isthmian migration suggest that fictive renditions of canal work and workers represent Col-n Men's undocumented, unknown, and/or ignored realities. 'Col-n Man a Come:' Mythographies of Panamá Canal Migration examines several works of fiction: George Lamming's In the Castle of My Skin, Michael Thelwell's The Harder They Come, Eric Walrond's Tropic Death, Claude McKay's Banana Bottom and Maryse Conde's Tree of Life. And, perhaps most significantly, this book relies on the personal narratives and songs of Col-n Men to support the forgotten, lost, ignored and yet imaginable truths of Panamá Canal migration.

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Editorial Reviews

New West Indian Guide
The middle section of this book in particular provides a welcome supplement to existing historical treatments.
Bonham C. Richardson
In combining literature-based 'mythographies' with path-breaking archival research, Frederick portrays vividly the aspirations and travails of early labor migrants to the Panama Canal. Interdisciplinary research at its best.
George Priestley
Rhonda Frederick's Colón Man a Come, cogently and superbly written, challenges standard negative interpretations of West Indian Canal workers, and expertly interweaves history and literary narrative in moving these workers center stage as she and they retell a story of dignity and agency.
Glyne Griffith
In Colon Man a Come, Rhonda Frederick successfully combines historical documentation, oral narrative, and literary representation to produce a work that examines the construction of the Panama Canal in all its harrowing mythological and existential contexts. In doing so, Frederick's text allows us to see the transformation of a historical feat of human engineering into a triumphant Caribbean construction of transcendent humanity.
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Product Details

  • ISBN-13: 9780739108918
  • Publisher: Rowman & Littlefield Publishers, Inc.
  • Publication date: 1/15/2005
  • Series: Caribbean Studies Series
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 264
  • Product dimensions: 5.92 (w) x 8.92 (h) x 0.59 (d)

Meet the Author

Rhonda Frederick is assistant professor of English at Boston College.

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Table of Contents

Chapter 1 History/Histories/Stories: Narrating the Panamá Canal and Colón Men Chapter 2 "The Money Was Paid Small, but We Live Big:" Epistolary Narratives of the Panamá Canal Chapter 3 "Colón Man a Come:" Isthmian Migrants in The Harder They Come and In the Castle of My Skin Chapter 4 "With him watch chain/a knock him belly:" Migration, Masculinity, and the Colón Man in Banana Bottom, "Window," and Tropic Death Chapter 5 Out of One, Many People: Disorderly Narrations and the Colón Man in Maryse Condé's Tree of Life: A Novel of the Caribbean Chapter 6 Conclusion: Panamá Woman a Come

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