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More About This Textbook
Overview
This new text connects color theory with its practical application in two-dimensional visual disciplines—graphic design, illustration, painting, textile art, and textile design. Fundamental color concepts are explored in a series of sixteen painted studies that guide students through a variety of color experiences. The lesson sequence moves logically from basic structural concepts, through experiments with color applications, to scenarios that facilitate color unity and expression.
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Table of Contents
COLOR: A WORKSHOP APPROACH
FORWARD: MICHAEL JAMES
INTRODUCTION
PART 1: SEEING COLOR
Color Overtones and the Primary Triad
A Co-primary Triad
The Influence of Light on Reflected Color
PART 2: FIRST PRINCIPLES
About Color Terminology
The Structure of Color
Hue
Value
Saturation
Three-Dimensional Color Applications
PART 3: BEGINNING COLOR STUDIES
Workshop Materials List
Preparation for Painted Studies
Practical Guidelines for the Studies
Free Studies
PART 4: COLOR INTERACTION
Afterimages
Optical Mixing
Josef Albers
Free Studies
PART 5: APPLICATIONS
Tonal Progression
Transparency
Retinal Studies
Free Studies
PART 6: COLOR UNITY
Color Relationships
Color Anomaly
Free Studies
PART 7: COLOR RESEARCH
Sources
Color Inventories
Color Analysis
Free Studies
PART 8: THE PSYCHOLOGICAL EXPERIENCE OF COLOR
Color: Symbol or Analogue?
Free Studies
PART 9: COLOR STUDIES ON THE COMPUTER
Mixing Colors with Sliders
Making Color Studies
ILLUSTRATED GLOSSARY
ATTRIBUTIONS OF STUDENT WORK