Color Perception: Philosophical, Psychological, Artistic and Computational Perspectives

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Overview


Color has been studied for centuries, but has never been completely understood. Digital technology has recently sparked a burgeoning interdisciplinary interest in color. The fact that color is a quality of perception rather than a physical quality brings up a host of interesting questions of interest to both artists and scholars. This volume--the ninth in the Vancouver Studies in Cognitive Science series--brings together chapters by psychologists, philosophers, computer scientists, and artists to explore the ...
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Overview


Color has been studied for centuries, but has never been completely understood. Digital technology has recently sparked a burgeoning interdisciplinary interest in color. The fact that color is a quality of perception rather than a physical quality brings up a host of interesting questions of interest to both artists and scholars. This volume--the ninth in the Vancouver Studies in Cognitive Science series--brings together chapters by psychologists, philosophers, computer scientists, and artists to explore the nature of human color perception with the aim to further our understanding of color by encouraging interdisciplinary interaction.
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Product Details

Table of Contents

1 Introduction 3
2 "Cherries among the Leaves": The Evolutionary Origins of Color Vision 10
3 Color Painters/Color Painting 31
4 Color as a Carrier of Physical Information 52
5 Computational Uses of Color 72
6 Simultaneous Contrast and Color Constancy: Signatures of Human Image Processing 88
7 Color Constancy Viewed from a Color-Matching Perspective 102
8 Color Is a Medium as Well as a Message 117
9 Understanding Color Matches: What Are We Taking for Granted? 141
10 Philosophizing about Color 152
11 Comparative Color Vision: Quality Space and Visual Ecology 163
12 Color and the Inverted Spectrum 187
13 The Peculiarity of Color 215
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