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| Graffiti6 | Primary Artist |
| Patrick Kiernan | Violin |
| Bruce White | Viola |
| Deborah Widdup | Violin |
| Nick Barr | Viola |
| The Wired Strings | Strings |
| Laura Anstee | Cello |
| Jenny Sacha | Violin |
| Lizzie Ball | Violin |
| Emma Owens | Viola |
| Ellie Stanford | Violin |
| Rosie Danvers | Strings, Cello |
| Eleanor Mathieson | Violin |
| Hayley Pomfrett | Violin |
| Stephanie Cavey | Violin |
| Kotono Sato | Violin |
| Tommy D | Composer |
| Evren Göknar | Mastering |
| Robert Vosgien | Mastering |
| Ray Staff | Mastering |
| Nicole Frantz | Art Direction |
| Jamie Scott | Composer |
| Rosie Danvers | String Arrangements |
| Utters | beats |
| Graffiti6 | Producer, Engineer |
| Jimi Crayon | Artwork |
| Rick Wilson | Management |
| Nina Wodford | Composer |
Editorial Reviews
All Music Guide - Jon O'Brien
Challenging Madonna in the reinvention stakes, London-based singer/songwriter Jamie Scott returns, alongside respected producer Tommy D (Kanye West, Jay-Z, Kylie), with his third musical incarnation in six years, Graffiti6. Positioned as a legitimate R&B star with his debut album Searching, (released under his own name in 2004), and and his appearance in urban dance flick Step Up, he changed tact for second release, Park Bench Theories, a James Taylor-inspired collection of acoustic ballads recorded under the guise of Jamie Scott & the Town in 2007, and now, three years later, moves the goal posts again, this time with a wildly eclectic effort which at times recalls...