It might have taken two decades, but the true genius of New York's early-'80s music scene is finally being acknowledged by a much younger generation of fans. And right in the middle of this revolutionary intersection of
punk,
disco,
rap and
soul were four sisters:
Marie,
Valerie,
Renee, and
Lorraine "Sweet L" Scroggins, and their seminal mini-
funk outfit,
ESG. Recorded live and raw in a small studio located above
Radio City Music Hall, the band's debut album,
Come Away With ESG is a lasting document of their unique brand of minimal
funk that would influence subsequent
post-punk,
hip-hop, and
dance music acts. Stripped down to the most basic of drum beats and rudimentary basslines,
"Come Away" confirms the notion that the real rhythm is what happens between the beats. The staggering gait takes its cues from
post-punk outfits
P.I.L. and
Gang of Four, while the repeated vocal chorus is reminiscent of
doo wop's street corner
soul. The more up-tempo
"Dance" begins with a beat that could have been lifted from a
Motown studio outtake, while
"It's Alright" combines primitive single-note guitar lines with equally archaic beats and bongo fills. Most memorable is
"Moody and Spaced Out," with its warped
electronic sweeps and grooving sixteenth-note hi-hat that propels the beat still favored by well-informed
dance music DJs. It is nearly impossible to understate the influence of
ESG, who pave the way for acts as diverse as female
hip-hop pioneers
Salt-N-Pepa, to
post-hardcore legends
Fugazi. Much in the same way that
Marvin Gaye captured the urban plight of Detroit at the turn of the '70s with
What's Going On,
Come Away With ESG is a musical snapshot of post-groovy, pre-fresh New York City at the beginning of the '80s. ~ Joshua Glazer
