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| Ras Shiloh | Primary Artist, Background Vocals |
| Dalton Browne | Guitar |
| Bobby Dixon | Background Vocals |
| Dean Fraser | Saxophone |
| Morgan Heritage | Background Vocals |
| Paul Kastick | Drums |
| Melbourne Miller | Drums |
| Mikey Spice | Bass Guitar, Keyboards |
| Squidley Cole | Drums |
| Paul Crossdale | Keyboards |
| Sidney Mills | Keyboards |
| Benjy Myaz | Keyboards |
| Chris Meridith | Bass, Bass Guitar |
| Bobby "Digital" Dixon | Background Vocals |
| Sandy Star | Background Vocals |
| Donald "Danny Bassie" Dennis | Bass, Bass Guitar |
| Kirk Bennett | Drums |
| Nicky Burt | Background Vocals |
| Melbourne 'George' Miller | Drums |
| Paul 'Lymie' Murray | Background Vocals |
| M. Fletcher | Bass Guitar |
| Rochelle Murray | Background Vocals |
| Geoffery Star | Background Vocals |
| Lisa Star | Background Vocals |
| Carroll "Bowie" McLaughlin | Keyboards |
| Bobby Dixon | Composer, Audio Production |
| Bobby "Digital" Dixon | Producer, Engineer, Executive Producer |
| Paul Shields | Mastering |
Editorial Reviews
All Music Guide - Rick Anderson
Ras Shiloh's third album is a well-constructed showcase for his voice, one built on a variety of rootswise rhythms provided by Bobby Digital and a shifting cast of studio players that includes drummer Squidley Cole, bassist Danny Bassie, saxophonist Dean Fraser, and guitarist Dalton Browne. While the sound is crisp and modern throughout, the overall flavor is quite old-school, and Shiloh's lyrics are strictly roots and culture with occasional digressions into a gentle loverman mode. His voice is a powerful and slightly ragged tenor that sometimes sounds like it's threatening to waver off pitch but always snaps back into place (one suspects some artful use of Auto-Tune ...