The Complete Peanuts 1957-1958

Overview

Peanuts definitively enters its golden age. Linus becomes more eloquent, and more neurotic; Charlie Brown cascades further down the hill to loserdom; but the rising star is master mimic and blanket thief Snoopy.
As the 1950s close down, Peanuts definitively enters its golden age. Linus, who had just learned to speak in the previous volume, becomes downright eloquent and even begins to fend off Lucy's bullying; even so, his security neurosis becomes more pronounced, including a ...
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Overview

Peanuts definitively enters its golden age. Linus becomes more eloquent, and more neurotic; Charlie Brown cascades further down the hill to loserdom; but the rising star is master mimic and blanket thief Snoopy.
As the 1950s close down, Peanuts definitively enters its golden age. Linus, who had just learned to speak in the previous volume, becomes downright eloquent and even begins to fend off Lucy's bullying; even so, his security neurosis becomes more pronounced, including a harrowing two-week "Lost Weekend" sequence of blanketlessness. Charlie Brown cascades further down the hill to loserdom, with spectacularly lost kites, humiliating baseball losses (including one where he becomes "the Goat" and is driven from the field in a chorus of BAAAAHs); at least his newly acquired "pencil pal" affords him some comfort. Pig-Pen, Shermy, Violet, and Patty are also around, as is an increasingly Beethoven-fixated Schroeder. But the rising star is undoubtedly Snoopy. He's at the center of the most graphically dynamic and action-packed episodes (the ones in which he attempts to grab Linus's blanket at a dead run). He even tentatively tries to sleep on the crest of his doghouse roof once or twice, with mixed results. And his imitations continue apace, including penguins, anteaters, sea monsters, vultures and (much to her chagrin) Lucy. No wonder the beagle is the cover star of this volume.
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Editorial Reviews

Time Magazine
“The Complete Peanuts confronts us afresh with what a brilliant, truly modern and totally weird idea it was to create a comic strip about a chronically depressed child.”
Entertainment Weekly
“Fantagraphics' heroic project (designed with subtle, quiet beauty by the cartoonist called Seth) enables us to glimpse the moment when 'good ol' Charlie Brown' could say with frowning vehemence, 'The rest of this day can't possibly hold any good for me!'... [Grade:] A.”
The Onion
“As essential as pop texts get.”
Booklist
“Consider replacing those tattered old Peanuts paperbacks with this definitive series.”
Todd Klein
“What more can I say about these wonderful collections? I’ve enjoyed each one immensely so far; they make me laugh and grin and even smirk a little from time to time... Top notch book. You can’t have a much better time than reading these collections. Highly recommended.”
Time
“The Complete Peanuts confronts us afresh with what a brilliant, truly modern and totally weird idea it was to create a comic strip about a chronically depressed child.”
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Product Details

  • ISBN-13: 9781560976707
  • Publisher: Fantagraphics Books
  • Publication date: 10/17/2005
  • Series: Complete Peanuts Series, #4
  • Pages: 344
  • Sales rank: 276,350
  • Product dimensions: 8.70 (w) x 6.80 (h) x 1.30 (d)

Meet the Author

Charles M. Schulz was born November 25, 1922, in Minneapolis. His destiny was foreshadowed when an uncle gave him, at the age of two days, the nickname Sparky (after the racehorse Spark Plug in the newspaper strip Barney Google).In his senior year in high school, his mother noticed an ad in a local newspaper for a correspondence school, Federal Schools (later called Art Instruction Schools). Schulz passed the talent test, completed the course, and began trying, unsuccessfully, to sell gag cartoons to magazines. (His first published drawing was of his dog, Spike, and appeared in a 1937 Ripley's Believe It or Not! installment.) Between 1948 and 1950, he succeeded in selling 17 cartoons to the Saturday Evening Post—as well as, to the local St. Paul Pioneer Press, a weekly comic feature called Li'l Folks. It was run in the women's section and paid $10 a week. After writing and drawing the feature for two years, Schulz asked for a better location in the paper or for daily exposure, as well as a raise. When he was turned down on all three counts, he quit.He started submitting strips to the newspaper syndicates. In the spring of 1950, he received a letter from the United Feature Syndicate, announcing their interest in his submission, Li'l Folks. Schulz boarded a train in June for New York City; more interested in doing a strip than a panel, he also brought along the first installments of what would become Peanuts—and that was what sold. (The title, which Schulz loathed to his dying day, was imposed by the syndicate.) The first Peanuts daily appeared October 2, 1950; the first Sunday, January 6, 1952.Diagnosed with cancer, Schulz retired from Peanuts at the end of 1999. He died on February 13, 2000, the day before Valentine's Day—and the day before his last strip was published—having completed 17,897 daily and Sunday strips, each and every one fully written, drawn, and lettered entirely by his own hand—an unmatched achievement in comics.

Jonathan Franzen is a National Book Award and James Tait Black Memorial Prize winner and Pulitzer Prize finalist, and was shortlisted for the International IMPAC Dublin Literary Award.

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Sort by: Showing all of 6 Customer Reviews
  • Anonymous

    Posted March 9, 2009

    Great Collectors Addition

    Neat little addition and fun for the whole family, you can't go wrong with Peanuts. Good, clean comics.

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  • Posted January 4, 2009

    A Must Read

    I was not even born until 1995, when Peanuts where closer to ending. However, Peanuts is so fascinating and will appeal to people young and old.

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