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| Clara Smith | Primary Artist, Vocals |
| James P. Johnson | Piano |
| Gus Aiken | Cornet |
| Ed Allen | Cornet |
| Porter Grainger | Piano |
| Freddie Jenkins | Trumpet |
| Joe "Fox" Smith | Cornet |
| Ben Whitted | Clarinet |
| Lem Fowler | Piano |
| Charlie Green | Trombone |
| John Anderson | Trombone |
| Bob Fuller | Clarinet |
| Stanley Miller | Piano, Multi Instruments, Reed Organ |
| Ben Whittet | Clarinet |
| Jimmie Davis | Composer |
| Tiny Parham | Composer |
| Joe Sullivan | Composer |
| George Baquet | Contributor |
| Johnny Parth | Producer |
| Hudson Whittaker | Composer |
| Rev. Thomas A. Dorsey | Composer |
| Gerhard Wessely | Remastering |
| Zora Neale Hurston | Composer |
| Leon Chappelear | Composer |
| Marion Cumbo | Contributor |
| John Henry Vanco | Liner Notes |
Editorial Reviews
All Music Guide - Arwulf Arwulf
Volume five of Clara Smith's complete works as reissued by Document during the 1990s covers a segment of her career from July 30, 1927 to December 31 1929, beginning with her recording of Tiny Parham's "Black Cat Moan." The title of that song apparently engendered an executive decision at Columbia Records causing her backing band (which included cornetist Gus Aiken, reedman Bob Fuller, and pianist Stanley Miller) to be listed as Her Five Black Kittens. This seasoned blues vocalist closed out the decade by making records with some of New York's finest jazz musicians, including Duke Ellington's trumpeter Freddy Jenkins (tracks six and seven) as well as pianist and composer ...