Composers in the Loft

Editorial Reviews

All Music Guide - James Manheim
Only the funding notices reveal that the "loft" mentioned in the title of this disc is located in Chicago -- the booklet text speaks mysteriously of a "major city." The location is relevant, for the program of this fine sampler transcends New York's entrenched uptown/downtown split and its other cliques. All the music here might be described as accessible to a youthful audience, but none is minimalist, none is particularly neo-Romantic, and the one work that uses pop influences does so in quite a subtle way. That work is Carter Pann's "Differences for cello and piano," which is a kind of suite that uses dances of various periods as referents. Two of its movements are ...
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Editorial Reviews

All Music Guide - James Manheim
Only the funding notices reveal that the "loft" mentioned in the title of this disc is located in Chicago -- the booklet text speaks mysteriously of a "major city." The location is relevant, for the program of this fine sampler transcends New York's entrenched uptown/downtown split and its other cliques. All the music here might be described as accessible to a youthful audience, but none is minimalist, none is particularly neo-Romantic, and the one work that uses pop influences does so in quite a subtle way. That work is Carter Pann's "Differences for cello and piano," which is a kind of suite that uses dances of various periods as referents. Two of its movements are based on contemporary pop idioms, displacing them just enough that their motor rhythms disappear but keeping characteristic turns of melody and the like -- sample track 6, "Song," which Pann says "draws its language from the 1970s and early '80s." It abstracts the language of Styx and the like rather than imitating it. Ricardo Lorenz's "Bachangó" is a vigorous Afro-Cuban essay. There isn't a dull, or a pedantically played, piece in the bunch, but perhaps the most exciting is Stacy Garrop's "String Quartet No. 2, Demons and Angels" from the year 2000. The work has a detailed program, embodying a sequence of events of the sort that you might find in a contemporary movie -- like the film Crash, for example, it goes by its starting point once again in the middle of the piece, when its background has been partially filled in. That starting point is a quintuple murder, depicted by five dissonant chords, and the rest of the work is an exploration of the psyche of the murderer. Garrop plays off the unlikeliness of this as subject matter for a string quartet, and her realization of the concept is economical and even gripping. A superior sampler from Cedille, helpfully packaged with a card offering a free CD with more music, this disc can be faulted only in that it doesn't tell you where to go to hear the Composers in the Loft series if you happen to be in Chicago.
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Product Details

  • Release Date: 10/9/2007
  • Label: Cedille
  • UPC: 735131910026
  • Catalog Number: 100
  • Sales rank: 253,417

Tracks

Disc 1
  1. 1 Bachangó, for piano - Ricardo Lorenz & Melanie Germond (5:12)
  2. 2–6 Differences, for cello & piano - Carter Pann & Melanie Germond (13:47)
  3. 7–8 Trio for violin, cello & piano - Pierre Jalbert & Melanie Germond (16:40)
  4. 9–12 String Quartet No. 2 ("Demons and Angels") - Stacy Garrop & Melanie Germond (30:30)
  5. 13–16 Miniatures, for clarinet & string quartet - Vivian Fung & John Bruce Yeh (12:10)
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