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| Jesse & Joy | Primary Artist |
| David Angell | Violin |
| David Davidson | Violin, Arreglos |
| Kristin Wilkinson | Viola |
| Monisa Angell | Viola |
| Martin Terefe | Dirigida |
| Andreas Olsson | Piano, Glockenspiel |
| Grooveline Horns | Arreglos, Metales |
| Kristoffer Sonne | Percussion, Hand Clapping, Bateria |
| Kensaltown Kings | Vocals |
| Thomas Juth | Mezcla |
| The Love Sponge Strings | Cuerda |
| Nikolaj Thorp Larsen | Synthesizer, Piano, Wurlitzer, Cuerda, Hammond B3 |
| Johan Catchings | Cello |
| Jesús "Chuz" Estrada | Bateria |
| John Lennon | Composer |
| Geoff Pesche | Mastering |
| Martin Terefe | Composer |
| Bobby Shin | Engineer |
| Tommy Torres | Composer |
| Mario Domm | Composer |
| Mike Hernandez | Management |
| Jesse & Joy | Composer |
| Hanna Huerta | Composer |
Editorial Reviews
All Music Guide - Jon O'Brien
Gearing themselves up for a proposed future attempt at the English-language market, Latin Grammy-winning Mexican siblings Jesse & Joy Huerta traveled to London to work with Swedish producer Martin Terefe (KT Tunstall, James Morrison) for their third album, ¿Con Quién Se Queda el Perro? While several of its 12 tracks showcase a distinct European flavor, such as the "lighters in the air" Eurovision-ish balladry of "La de la Mala Suerte," the chiming '80s-tinged new wave of "Veneno," and the slow-building Snow Patrol-lite indie rock of "iCorre!," the follow-up to 2009's Electricidad still shows signs that Jesse & Joy aren't willing to entirely abandon their roots just ...