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More About This Textbook
Overview
Concepts in Composition: Theory and Practice in the Teaching of Writing is designed to foster reflection on how theory impacts practice, enabling prospective teachers to develop their own comprehensive and coherent conception of what writing is or should be and to consider how people learn to write. This approach allows readers to assume the dual role of both teacher and student as they enter the conversation of the discipline and become familiar with some of the critical issues.
New to this second edition are:
These new directions will inform the content of this revision, reflecting significant advancements in the field. Each chapter addresses a particular theoretical concept relevant to classroom teaching and includes activities to help readers establish the connection between theoretical concepts and classroom lessons. Online resources include overviews, classroom handouts, exercises, a sample syllabus, and PowerPoint presentations. Bringing together scholars with expertise in particular areas of composition, this text will serve as an effective primer for students and eductors in the field of composition theory.
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Meet the Author
Irene L. Clark is Professor of English, Director of Composition, and Director of the Master’s Option in Rhetoric and Composition at California State University, Northridge. She previously taught at the University of Southern California (USC), where she also co-directed the university’s Writing Program and directed its Writing Center. She has won multiple awards from the National Writing Centers Association, and has authored several textbooks for both undergraduate and graduate students. She holds a B.A. in Music from Hunter College, an M.A. in English from Columbia University, and a Ph.D. in English Literature from USC.
Table of Contents
1. PROCESSES Irene L. Clark
Readings: Muriel Harris, "Composing Behaviors of One-And Multi-draft Writers."
Mary Jo Reiff, "Moving Writers, Shaping Motives, Motivating Critique and Change: A Genre Approach to Teaching Writing."
2. INVENTION Irene L. Clark
Reading: Mike Rose, "Rigid Rules, Inflexible Plans, and the Stifling of Language A Cognitivist Analysis of Writer’s Block."
3. REVISION Betty Bamberg
Reading: Nancy Sommers, "Revision Strategies of Student Writers and Experienced Adult Writers."
4. AUDIENCE Irene L. Clark
Reading: Peter Elbow, "Closing My Eyes as I Speak: An Argument for Ignoring Audience."
5. ASSESSING WRITING Julie Neff Lippman
Readings: Donald Daiker, "Learning to Praise."
Nancy Sommers, "Across the Drafts."
6. GENRE Irene L. Clark
Reading: Anis Bawarshi, "Sites of Invention: Genre and the Enactment of First-Year Writing."
7. VOICE Darsie Bowden
Readings: Tom Pace, "Style and the Renaissance of Composition Studies."
Peter Elbow, "How to Get Power Through Voice."
8. TEACHING GRAMMAR IN THE CONTEXT OF WRITING James D. Williams
Reading: Patrick Hartwell, "Grammar, Grammars, and the Teaching of Writing"
9. NON-NATIVE SPEAKERS OF ENGLISH John R. Edlund and Olga Griswald
Reading: Tony Silva, Ilona Leki, and Joan Carson, "Broadening the Perspective of Mainstream Composition Studies: Some Thoughts from the Disciplinary Margins."
10. LANGUAGE & DIVERSITY Sharon Klein
Readings: Wayne O’ Neil, "Dealing With Bad Ideas: Twice is Less."
Paul Kei Matsuda, "The Myth of Linguistic Homogeneity in U.S. College Composition."
11. WRITING IN MULTIPLE MEDIA Lisa Gerrard
Reading: Madeleine Sorapure, "Between Modes: Assessing Student New Media Compositions."
APPENDICES
Developing Effective Writing Assignments
Constructing a Syllabus