Writing to a friend, Horace describes the man as fascinated by "the discordant harmony of the cosmos, its purpose and power." Andrew Scholtz takes this notion of "discordant harmony" and argues for it as an aesthetic principle where classical Athenian literature addresses politics in the idiom of sexual desire. His approach is an untried one for this kind of topic. Drawing on theorists of the sociality of language, Scholtz shows how eros, consuming, destabilizing desire, became a vehicle for exploring and exploiting dissonance within the songs Athenians sang about themselves. Thus he shows how societal tension and instability could register as an ideologically charged polyphony in works like the Periclean Funeral Oration, Aristophanes' Knights, and Xenophon's Symposium.
"Lovers of It": Erotic Ambiguity in the Periclean Funeral Oration 21
He Loves You, He Loves You Not: Demophilic Courtship in Aristophanes' Knights 43
Forgive and Forget: Concordia discors in Aristophanes' Assemblywomen and Lysistrata 71
Satyr, Lover, Teacher, Pimp: Socrates and His Many Masks 111