This major-label debut from Houston's
Blue October is an obscure treat driven by an unconventional, dynamic, and intelligent
rock energy. Vocalist/guitarist/songwriter
Justin Furstenfeld comes off on
Consent to Treatment like an angry, Midwestern
Peter Gabriel who has been listening to too much
Eddie Vedder. As
Furstenfeld plows through one irascible breakup track after another, the theme of transformation -- isolation into independent, proud self-sufficiency -- places a specific cast on almost every pained yet exuberant lyric. With the somewhat unusual lineup of
Jeremy Furstenfeld on drums,
Matt Noveskey on bass, and
Ryan Delahoussaye spicing things up with violin, vocalist
Furstenfeld uses the considerable talents of his band with skill and finesse.
Delahoussaye's transparent additions come off more like keyboard lines, as they are frequently stacked into sweeping harmonic movements sounding more like an entire string section than some kind of
Dave Mathews jam
rock noodling. Highlight tracks include the staunch
"Breakfast After 10" and
"Holler," but the material on
Consent to Treatment is strong throughout. The lyrics are consistently good, the arrangements detailed and smart, and the hooks are sweet and sneaky.
Furstenfeld is an legitimate talent, limited only by his anguished sincerity, which by the time of this 2000 release had been so overdone by lesser artists, creating a suspicion among the discerning listeners who
Blue October's sophisticated
rock seems meant for. Fans of '90s MOR (
Dave Matthews,
Third Eye Blind, and
Creed) who want to stretch out their ears and minds should go crazy for this obscure
alternative release. ~ Vincent Jeffries
