Constructivism in Film - A Cinematic Analysis: The Man with the Movie Camera / Edition 2by Vlada Petric
Pub. Date: 06/02/2011
Publisher: Cambridge University Press
Constructivism in Film examines the radical experiments of early Soviet filmmakers, with special emphasis on the relationship of Constructivist film to contemporary literature, painting, architecture and design. Surveying the socio-political aspects of the Constructivist movement as well, Vlada Petrić then analyzes in detail the most important silent film produced during this era, Dziga Vertov's The Man with the Movie Camera (1929). This updated edition contains a new chapter about the descriptive score of the film.
- Cambridge University Press
- Publication date:
- Edition description:
- Updated edition
- Product dimensions:
- 5.98(w) x 9.02(h) x 0.79(d)
Table of ContentsPreface; Acknowledgement; 1. Dziga Vertov and the Soviet avant-garde movement; 2. Thematic meaning of The Man with the Movie Camera; 3. Formal structure of The Man with the Movie Camera; 4. Descriptive score for The Man with the Movie Camera; Appendices; Notes; Frame enlargements; Plates; Index.
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