Contemporary Composers

by Daniel Gregory Mason

Overview

The list includes composers who have made a significant impact on the world of classical music since 2001, whether through major festivals and promoters of contemporary music, broadcast media or commercial recording on widely distributed labels. These composers work in the tradition of classical music.

Product Details

ISBN-13:	9781023502207
Publisher:	Anson Street Press
Publication date:	03/29/2025
Pages:	160
Product dimensions:	6.14(w) x 9.21(h) x 0.44(d)

Read an Excerpt

Ill SIR EDWARD ELGAR SIR EDWARD ELGAR HE most inspiring chapters of musical history are those that tell of the struggles of great men, spurred by the desire for free, sincere, and personal speech, to wrest the musical language out of the triteness long conventional usage has given it; to make it say something new; to add, so to speak, to the impersonal organ chord it sounds an overtone of their particular human voices. This is what stirs us when we think of Beethoven, after he had written two symphonies in the style of Haydn and Mozart, finding himself at the opening of "a new road," leading he knew not whither, but irresistibly summoning him; of Gluck, at fifty, protesting against the hollowness of the Italian operas he had been writing up to that time; of Franck, still older, finding at last the secret of that vague, groping, mystical harmonic style he made so peculiarlyhis own. Men dread liberty, says Bernard Shaw, because of the bewildering responsibility it imposes and the uncommon alertness it demands ; no wonder that they acclaim as truly great only those artists who fully accept this responsibility and successfully display this alertness. And it may be suggested that the more conventional, and therefore paralyzing to personal initiative, the style from which the artist takes his departure, the more alertness, does he require, and the more credit does he deserve if he arrives at freedom. If this be true, Sir Edward Elgar, who, starting at English oratorio, has arrived at the cosmopolitan yet completely individual musical speech of the first Symphony, the Variations, and parts of "The Dream of Gerontius," is surely one of the great men of our time. For nothing, not even starkcrudity, is so unfavorable to artistic life as the domination by a conventional formalis...