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SECTION 1. LITERARY DIARIES AND JOURNALS
from The Journals
from Journal of a Solitude
"From the Journals"
Edward Robb Ellis
from Diary of a Century
SECTION 2. LITERARY MEMOIR
"Snapshot of a Dog"
"Yonder Peasant, Who Is He?" from Memories of a Catholic Girlhood
from An American Childhood
Maxine Hong Kingston
"No Name Woman," from The Woman Warrior
"Notes on My Mother"
Andre Dubus III
"Tracks and Ties"
from The Kiss
from Two or Three Things I Know for Sure
"Lights of the Long Night" and "Husbands," from Broken Vessels
from Geography of the Heart
from The Liar's Club
"Oranges and Sweet Sister Boy"
"Sex and Death to the Age 14"
"A Federal Offense," from In Pharaoh's Army
Harvey Pekar and R. Crumb
"The Harvey Pekar Name Story"
SECTION 3. THE PERSONAL ESSAY
"Once More to the Lake"
"Equal in Paris," from Notes of a Native Son
"On Being the Target of Discrimination"
"That Old-Time Religion," from Womenfolks
"The Dead Father: A Rememberance of Donald Barthelme"
"At the University: Little Murders of the Soul"
"A Small Place"
"Body in Trouble," from Waist-High in the World
Henry Louis Gates, Jr.
"Current Events," from Colored People
"This is What You Need for a Happy Life"
"Save the Whales, Screw the Shrimp"
"What Is It We Really Harvestin' Here?"
"How to Write a Personal Essay"
SECTION 4. LITERARY JOURNALISM
"The Fire," from Hiroshima
from In Cold Blood
"Illumination Rounds," from Dispatches
"The Turkey Shoot," from The Executioner's Song
"Last Words," from Shot in the Heart
"November 1987," from What Lisa Knew
"Nickel-and-Dimed: On (Not) Getting By in America"
"No Wonder They Call Me a Bitch"
"Yeager," from The Right Stuff
"Summit, 1:25p.m., May 10, 1996, 29,028 Feet" from Into Thin Air
"The Zero-Moment Point," from The Perfect Storm
SECTION 5. THE ART OF THE PARTICULAR: CREATIVE NONFICTION CLASSIFIED BY SUBJECT
Memoir: "Havasu," from Desert Solitaire
Personal Essay: "Spring," from A Country Year
Literary Journalism: from Annals of the Former World
Memoir: "Lijiang," from Questions of Heaven
Naomi Shihab Nye
Personal Essay: "One Village"
Eddy L. Harris
Literary Journalism: from Mississippi Solo
THE SCIENCE ESSAY
Elizabeth Marshall Thomas
Memoir: from The Hidden Life of Dogs
Personal Essay: "The Medusa and the Snail"
Literary Journalism: "When Doctors Make Mistakes"
CREATIVE CULTURAL CRITICISM
Memoir: Music Is My Bag: Confessions of a Lapsed Oboist"
Personal Essay: from The Silent Woman
David Foster Wallace
Literary Journalism: "Shipping Out: On the (Nearly Lethal) Comforts of a Luxury Cruise
Posted July 11, 2010
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No matter what form of writing you are most active in, this book is brilliant. The ideas that are presented are simply that and Roorbach makes it clear that some of the strategies he talked about will not work for everyone. Even readers who are not writers will love the essays and works of creative nonfiction that are used in this book. It allows the reader/writer to get a grasp of different genres of creative nonfiction and then see examples of each of them. Excellent choice for writers all over. I was originally introduced to this book in a college writing course and unlike some writing books I was introduced to, actually found it helpful without being preachy. Is a little pricey.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted October 27, 2003
Bill Roorbach¿s The Art of Truth was an inspirational read that every student of creative nonfiction should be reading. The introduction provides an astounding trove of knowledge concerning the fourth genre. Chapter introductions and selections are essential tools. Here are some maxims from Roorbach I¿ll consult as I write--best advice for writers since Aristotle's Poetics. There's plenty more in the book, which makes it worth a lot more than $39.95. 1. Potatoes never get onto the page. 2. Aim for the palate of the imagination. 3. People are often uncomfortable with truth, but deserve it. 4. Nothing is easy in creative nonfiction. 5. Good faith is the key. 6. Good creative nonfiction confounds expectation. 7. Writers take risks. 8. Use every tool at your disposal: voice, language, drama, passion, characters, literary talent, and learning. 9. Marks on the page are never the reality they evoke or attempt to evoke, and can never be. 10. Always attempt to recover some form of experience. 11. Memory is as faulty as knowledge. 12. Verifiable accuracy takes second place to truth of voice. 13. Creative nonfiction aspires to art. 14. Don¿t worry about the label; just get to work making art. 15. Opposing camps are just camps no matter what weapons they pull out and no matter what casualties they cause or take. 16. The common denominator is humanity. 17. Literature must have life to last. 18. Keep the breast meat moist. 19. Time tells the difference between good and bad writing. 20. Essays last, fictions pass. 21. There is room on the big shelf for all. 22. Language makes all other values possible. 23. The spell of the real is different from the spell of fiction. 24. All creative nonfiction must have a discernable self at center: the writer. 25. Voice is important; the reader knows who¿s talking. 26. Representations of self wear many masks. 27. Nonfiction writers are true to the encyclopedia of self. 28. The subject is crucial from beginning through middle to end. 29. Extraordinary coincidence is a source of great fun and mystery and depth in nonfiction. 30. Creative nonfiction makes probable impossibility possible. 31. Creative nonfiction is not formulaic, mediocre, or commercial writing. 32. Good creative fiction is smart.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.