Contents under Pressure: 30 Years of Rush at Home and Away

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Contents under Pressure: 30 Years of Rush at Home and Away Pub. Date: 6/28/2004 Publisher: ECW Press

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Overview

Celebrating Rush’s 30th anniversary, this retrospective of Canada’s most successful music group examines each of the band's approximately 20 lauded records and sold-out tours, eliciting fresh insights into the marriage of Alex Lifeson and Geddy Lee’s classic, fearless art rock sound with Neil Peart's celebrated literary prowess. The product of extensive interviews with all three members and corroborating evidence from key insiders and press, this unprecedented examination features previously unpublished candid photographs by official band photographer Andrew MacNaughtan. Musings on playing live and the grind of touring are presented, revealing the trio’s evolution over the past three decades. A critical eye is focused on the band’s vast catalog, resulting in a comprehensive, forward-moving celebration of one of the most respected yet secretive bands in the music business—one that has never been revealed in book form so personally, directly, or so willingly.

Editorial Reviews

Altfresh

Loaded with 270 photos (many of them rare) from the stage, studio and virtually everywhere in between, Contents is a refreshingly positive take on the life of a rock 'n' roll band.... Contents is fascinating, funny and spotless in execution.

Electricbasement.com

...A wealth of information and amusing first-account stories, even for those who think they know everything about the group.

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Toronto Sun

Contents Under Pressure is not for Rush dilettantes. It's for the devoted, the fans who know every song, every shriek from Lee, every guitar burst from Lifeson, every drum fill from Peart.... Spectacularly illustrated...

Product Details

ISBN-13: 9781550226782
Publisher: ECW Press
Publication date: 6/28/2004
Pages: 200
Sales rank: 287,273
Product dimensions: 8.00 (w) x 10.00 (h) x 0.53 (d)

Meet the Author

Martin Popoff is the author of eight books of hard rock music journalism, including The Top 500 Heavy Metal Songs of All Time. He lives in Toronto, Ontario.

Read an Excerpt

The early history of what can arguably be called Rush is actually quite a long one, reaching back a good five years before that first wollopingly Zeppelinesque album on Moon Records. At times a four–piece with a revolving door of players, the band wouldn’t actually become something worthy of the tag “the grandfathers of progressive metal”(!) until well past Neil Peart’s arrival, until, that is, the three amigos committed their special purpose to wax with a little something called As alluded to in the introduction, this book is neither the time nor the place for a detailed history of the band, but it is indeed a celebration of the art, science and sheer luck of constructing records and playing live. In that spirit, I offer a few words from Alex Lifeson (born Alex Zivojinovich), Geddy Lee (born Gary Lee Weinrib) and Neil Peart (just born, but not really as a drummer — that took 13 years) on the formative years, when pushing air to small tribal gatherings was all they had to confirm their very existence.

“Well, let’s see, we started in September of ’68,” begins Alex. “We got a gig in a United Church basement where they had a drop–in center on Friday nights. We played this gig, and we knew maybe seven or eight songs — mostly Cream and Hendrix — and we would just play them over and over, repeatedly throughout the night. And through the rest of the week, we would get together and rehearse and learn more songs.

“We started writing right from the beginning; I think we wrote our first song within a few months. The first original song we wrote was called Losing You, and it was kind of an up–tempo bluesy thing.

“And we continued doing that gig pretty much on a weekly basis until the spring of 1969. The first gig we played there, there were probably 30 people. By that spring, there were about 200, 250 people. I mean, the place was packed! And we had two solid sets of material, and that was a real treat; it was so exciting.”

World domination was drafted, says Alex, shortly thereafter. “We got ten bucks to do that first gig. And we went to Pancers, a deli at Steeles and Bathurst; the gig was in that area, ten minutes from there. And we talked about, you know, what we were going to do now, where were we? [laughs]. At what level were we in the world of rock bands? We figured we were like number 10,680, even though we only knew a few songs [laughs]. But it was so exciting sitting in there. I can still visualize what the place looked like and the booth we were sitting in and how excited we were.

“And by the spring, we were getting 3 5 bucks a week to do that gig. So it was quite a big increase. And then we started playing high school dances, other drop–in centers, things like that. We continued doing that for the most part until ’71, I guess, when they lowered the drinking age to 18. And then all of a sudden there were all these bars you could play in.

“We went through some difficult periods. You know, John Rutsey [drummer on debut album and part of first tour] had some health issues. So there were a few times when things kind of just went into limbo. We had some changes in the lineup a couple of times. Joe Perna was the bass player for a little while; Geddy was gone for a bit, and then he came back. Geddy’s brother–in–law played in the band in the spring of ’69 for a few months, playing piano and guitar. We were still playing a lot of bluesy stuff. Mitch Bossi came later [lasting February to May of ’71 ]. But Lindy Young was in the band for a little while, and then he quit [Young was in from January to July ’69]. Mitch came in I think just as we were doing the bar gigs; he might have done a few of the bar gigs.”

Legend has it that Rutsey’s older brother just blurted out the name Rush one day, and it stuck. But along the way, the band had been called Hadrian (not bad), and Geddy had been in bands such as Ogilvie and Judd (ok, those ain’t so hot). Very early on, Lactic Acid’s Jeff Jones was also part of the stew.

Geddy sifts the sands and recalls a few of the covers Rush used to conjure up through the early ’70s. “We did a version of For What It’s Worth; we used to do this old Motown song called Roadrunner, but it didn’t sound anything like Roadrunner; I don’t know why we called it Roadrunner. We made it into this long extended jammy thing; Alex used to play a really long solo, but of course they were all like that. Earlier we used to play Crossroads, Suffragette City by David Bowie. I don’t know if we ever played Zeppelin in the bars. I know when we were just a high school band we used to play Livin’ Lovin’ Maid. In the early, early days, we used to play Jeff Beck’s Let Me Love You, from Truth. Also Morning Dew, some Yardbirds songs like Shapes of Things.” Larry Williams’ Bad Boy (made popular by the Beatles) got some airtime, actually right up until December ’74.

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Anonymous

Posted January 18, 2011

kinda disappointed

I LOVE Rush and I was so excited to get this book. Not what I thought. The picutes are good, but all they talk about is how they made each album. Nothing about their private life. If you watched their documentary, you don't need this book. Documentary is soooo much better.
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