Continuum [Special Edition]

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Editorial Reviews

All Music Guide - Matt Collar
Anybody who was initially confused by singer/songwriter John Mayer's foray into blues with 2005's Try! John Mayer Trio Live in Concert could only have been further confounded upon listening to the album and coming to the realization that it was actually good. And not just kinda good, especially for guy who had been largely labeled as a Dave Matthews clone, but really, truthfully, organically good as a blues album in its own right. However, for longtime fans who had been keeping tabs on Mayer, the turn might not have been so unexpected. Soon after the release of his 2003 sophomore album, the laid-back, assuredly melodic Heavier Things, Mayer began appearing on albums by such...
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Editorial Reviews

All Music Guide - Matt Collar
Anybody who was initially confused by singer/songwriter John Mayer's foray into blues with 2005's Try! John Mayer Trio Live in Concert could only have been further confounded upon listening to the album and coming to the realization that it was actually good. And not just kinda good, especially for guy who had been largely labeled as a Dave Matthews clone, but really, truthfully, organically good as a blues album in its own right. However, for longtime fans who had been keeping tabs on Mayer, the turn might not have been so unexpected. Soon after the release of his 2003 sophomore album, the laid-back, assuredly melodic Heavier Things, Mayer began appearing on albums by such iconic blues and jazz artists as Buddy Guy, B.B. King, and Herbie Hancock. And not just singing, but playing guitar next to musicians legendary on the instrument. In short, he was seeking out these artists in an attempt to delve into the roots of the blues, a music he obviously has a deep affection for. Rather than his blues trio being a one-off side project completely disconnected to his past work, it is clear now that it was the next step in his musical development. And truthfully, while Try! certainly showcases Mayer's deft improvisational blues chops, it's more of a blues/soul album in the tradition of such electric blues legends as Jimi Hendrix and Stevie Ray Vaughan, and features songs by Mayer that perfectly marry his melodic songcraft and his blues-slinger inclinations. In fact, what seemed at the time a nod to his largely female fan base the inclusion of "Daughters" and "Something's Missing" off Heavier Things was actually a hint that he was bridging his sound for his listeners, showing them where he was going. That said, nothing he did up until the excellent, expansive Try! could have prepared you for the monumental creative leap forward that is Mayer's 2006 studio effort, Continuum. Working with his blues trio
hythm section of bassist Pino Palladino and drummer Steve Jordan, along with guest spots by trumpeter Roy Hargrove and guitarist Ben Harper, Mayer brings all of his recent musical explorations and increasing talents as a singer/songwriter to bear on Continuum. Produced solely by Mayer and Jordan, the album is a devastatingly accomplished, fully realized effort that in every way exceeds expectations and positions Mayer as one of the most relevant artists of his generation. Adding weight to the notion that Mayer's blues trio is more than just a creative indulgence, he has carried over two tracks from the live album in "Vultures" and the deeply metaphorical soul ballad "Gravity." These are gut-wrenchingly poignant songs that give voice to a generation of kids raised on TRL teen stars and CNN soundbites who've found themselves all grown up and fighting a war of "beliefs." Grappling with a handful of topics -- social and political, romantic and sexual, pointedly personal and yet always universal in scope -- Mayer's Continuum here earns a legitimate comparison to Marvin Gaye's What's Going On. Nobody -- not a single one of Mayer's contemporaries -- has come up with anything resembling a worthwhile antiwar anthem that is as good and speaks for their generation as much as his "Waiting on the World to Change" -- and he goes and hangs the whole album on it as the first single. It's a bold statement of purpose that is carried throughout the album, not just in sentiment, but also tone. Continuum is a gorgeously produced, brilliantly stripped-to-basics album that incorporates blues, soft funk, R&B, folk, and pop in a sound that is totally owned by Mayer. It's no stretch when trying to describe the sound of Continuum to color it in the light of work by such legends as Sting, Eric Clapton, Sade, Stevie Ray Vaughan, and Steve Winwood. In fact, the sustained adult contemporary tone of the album could easily have become turgid, boring, or dated but never does, and brings to mind such classic late-'80s albums as Sting's Nothing Like the Sun, Clapton's Journeyman, and Vaughan's In Step. At every turn, Continuum finds Mayer to be a mature, thoughtful, and gifted musician who fully grasps his place not just in the record industry, but in life. [Continuum was also released in a Special Edition featuring a six-track bonus live disc recorded during the summer of 2007. ]
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Product Details

  • Release Date: 11/20/2007
  • Label: Sony
  • UPC: 886971917628
  • Catalog Number: 719176

Album Credits

Performance Credits
John Mayer Primary Artist, Guitar, Vocals, Vox Organ
Larry Goldings Organ, Keyboards
Roy Hargrove Horn
Ricky Peterson Keyboards
Willie Mitchell Horn Engineer
Manolo Badrena Percussion
Jack Hale Trombone
Ben Harper Guitar
Charlie Hunter 8-string Guitar
Jamie Muhoberac Keyboards
Pino Palladino Bass, Vocals
Lester Snell Organ, fender rhodes
Willie Weeks Bass
Lannie McMIllian Tenor Saxophone
Steve Jordan Percussion, Drums, Vocals
James Valentine Guitar
Chalmers "Spanky" Alford Guitar
Kristen Moss Vocals
Ben Carley Trumpet
Scotty Crowe Vocals
Ricky Cytonbaum Vocals
Jim Mahorn Baritone Saxophone
Harley Pasternak Vocals
Maggie Slavonic Vocals
Sandy Vongdasy Vocals
Technical Credits
Willie Mitchell Horn Arrangements, Vocal Engineer
Nick Ashford Composer
Greg Calbi Mastering
Joe Ferla Engineer
Jimi Hendrix Composer
Nathaniel Kunkel Digital Editing
Dave O'Donnell Engineer
Pino Palladino Composer
Valerie Simpson Composer
Lester Snell Horn Arrangements
John Alagia Engineer
Art Smith Drum Technician
Jeri Heiden Art Direction
Jo Armstead Composer
Martin Pradler Digital Editing
Steve Jordan Composer, Producer
John Mayer Composer, Producer, Author, Art Direction
Brian Montgomery Digital Editing
Chad Franscoviak Producer, Engineer
Peter Doris Digital Editing
Glen Nakasako Art Direction
Bryan Pugh Digital Editing
Angie Teo Digital Editing
René Martínez Guitar Techician
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Customer Reviews

Average Rating 4.5
( 6 )
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Sort by: Showing all of 6 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    John Mayer's Greatest yet!!!

    John Mayer is definitely one my favorite singer/song writers. John has really matured from his last two albums (which were also fantastic).<BR/>Some of Mayer's greatest works are on this album. For example "Slow Dancing in a Burning Room", "Gravity" and "Dreaming With a Broken Heart".<BR/>Not only is he a phenomenal singer and song writer, he an incredible guitarist. If you are on a long car ride or just relaxing and looking for something to listen to, Contiuum is perfect. Especially with the live versions of his more popular songs with all of his guitar solos.<BR/>If you love blues/jazz you will love this album and if you don't? You will start to like blues/jazz music!<BR/>The greatness of this album really cannot be explained in words.<BR/>This is one purchase you will not regret.

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    Posted January 18, 2009

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    Posted October 27, 2008

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    Posted October 28, 2008

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