In 1976 Maxine Hong Kingston burst into American literature with the publication of The Woman Warrior: Memoirs of a Girlhood Among Ghosts. Since then her subsequent works—China Men (1980) and Tripmaster Monkey: His Fake Book (1989)—have startled readers with their complex projections of Asian-American life as a bicultural and bilingual adventure filled with contemporary confusions and ancient legends, inherited values, and new loyalties. Kingston has written of her family upbringing in Stockton, California, of the stories her mother told her as advice and warning, of her father's illegal arrival in the United States, of the exploits of grandfathers who worked on the rails in California, of San Francisco street life in the 1960s, and of traditional Chinese legends. Whatever her subject, she claims America for herself and other Asian Americans whose histories are an essential part of the larger American tapestry.
In this collection of interviews Kingston talks about her life, her writing, and her objectives. From the first, her books have hovered along the hazy line between fiction and nonfiction, memoir and imagination. As she answers her critics and readers, she both clarifies the differences and exults in the difficulties of distinguishing between the remembered and the re-created.
She explains how she worked to bridge her parents' Chinese dialect with American slang, how she learned to explore her inheritance and find new relevance in her mother's "talk stories," and how she developed the complex juxtapositions of myths and memoir that fill her books. Always savvy, often provocative, constantly amused and amusing, Kingston provides a vivid commentary on her writing and offers insight into a body of her work.
Paul Skenazy is a professor of American literature and provost at Kresge College, University of California, Santa Cruz. Tera Martin is completing her doctorate in American literature at University of California, Santa Cruz.
Maxine Hong Kingston: I no longer feel double binds around my feet. I feel like a very peaceful, healthy person and I don't know why. I don't think it's because I wrote the books. It would seem that writing books would get all kinds of neuroses straightened out because of the intense examination, but I don't see the direct relation to my own psychology. I have a feeling that it's just time; it makes you tired of hassling.
| Introduction | ||
| Chronology | ||
| Maxine Hong Kingston: Something Comes from Outside Onto the Paper | 1 | |
| Honolulu Interview: Maxine Hong Kingston | 5 | |
| Talk with Mrs. Kingston | 14 | |
| Interview with Maxine Hong Kingston | 21 | |
| An Interview with Maxine Hong Kingston | 33 | |
| To Be Able to See the Tao | 47 | |
| Eccentric Memories: A Conversation with Maxine Hong Kingston | 67 | |
| Talking with the Woman Warrior | 77 | |
| Writing the Other: A Conversation with Maxine Hong Kingston | 86 | |
| Coming Home | 104 | |
| Kingston at the University | 118 | |
| Interview with Maxine Hong Kingston | 159 | |
| Maxine Hong Kingston | 168 | |
| Creating Peace Out of Pathos | 189 | |
| Reinventing Peace: Conversations with Tripmaster Maxine Hong Kingston | 192 | |
| As Truthful as Possible: An Interview with Maxine Hong Kingston | 215 | |
| Index | 229 |
Overview
In 1976 Maxine Hong Kingston burst into American literature with the publication of The Woman Warrior: Memoirs of a Girlhood Among Ghosts. Since then her subsequent works—China Men (1980) and Tripmaster Monkey: His Fake Book (1989)—have startled readers with their complex projections of Asian-American life as a bicultural and bilingual adventure filled with contemporary confusions and ancient legends, inherited values, and new loyalties. Kingston has written of her family upbringing in Stockton, California, of ...