Copperopolis

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Editorial Reviews

All Music Guide - Mark Deming
1996's Copperopolis is an album that lurks in a strange sort of limbo -- it's a fine record that also happens to be Grant Lee Buffalo's weakest LP. Grant Lee Phillips was still writing fine songs and his voice was as compelling as ever, but the relative simplicity of the group's first album, Fuzzy, had fallen by the wayside as Phillips, percussionist Joey Peters and producer and multi-instrumentalist Paul Kimble embraced the possibilities of the studio and while the more layered sound is often striking, the simpler dynamics of Fuzzy are ultimately more powerful. While the group was clearly still capable of making good music together, there's also a sense that Grant Lee ...
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Editorial Reviews

All Music Guide - Mark Deming
1996's Copperopolis is an album that lurks in a strange sort of limbo -- it's a fine record that also happens to be Grant Lee Buffalo's weakest LP. Grant Lee Phillips was still writing fine songs and his voice was as compelling as ever, but the relative simplicity of the group's first album, Fuzzy, had fallen by the wayside as Phillips, percussionist Joey Peters and producer and multi-instrumentalist Paul Kimble embraced the possibilities of the studio and while the more layered sound is often striking, the simpler dynamics of Fuzzy are ultimately more powerful. While the group was clearly still capable of making good music together, there's also a sense that Grant Lee Buffalo was starting to reach the end of their possibilities on these sessions, and as strong as the tunes are from a melodic standpoint, lyrically they were becoming cryptic to the point of having no clear meaning. Significantly, most of Copperopolis' faults don't become clear until after repeated listenings; the surfaces of this album are lovely and impressive, but the nooks and crannies don't hold the telling secrets of this group's earlier works. Copperopolis would prove to be the last album from the original Grant Lee Buffalo lineup, and while the music they made on these sessions is often beautiful, it never reaches the heights this group seems capable of, even if they do come close on a few tunes.
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Product Details

  • Release Date: 7/17/2007
  • Label: Noble Rot
  • UPC: 617742500226
  • Catalog Number: 5002

Tracks

Disc 1
  1. 1 Homespun (5:38)
  2. 2 The Bridge (3:30)
  3. 3 Arousing Thunder (5:42)
  4. 4 Even the Oxen (3:57)
  5. 5 Crackdown (4:30)
  6. 6 Armchair (3:31)
  7. 7 Bethlehem Steel (6:15)
  8. 8 All That I Have (3:11)
  9. 9 Two & Two (4:44)
  10. 10 Better for Us (4:25)
  11. 11 Hyperion And Sunset (4:06)
  12. 12 Comes to Blows (5:31)
  13. 13 The Only Way Down (3:16)
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Album Credits

Performance Credits
Grant Lee Buffalo Primary Artist
Ralph Carney Bass Clarinet, Saxophone
Paul Kimble Bass, Piano, Vocals, Mellotron, Pump Organ
Greg Leisz Pedal Steel Guitar
Joey Peters Trombone, Drums, Marimbas, Tambourine, Shaker, Tibetan Bells
Grant Lee Phillips Acoustic Guitar, Banjo, Harmonica, Mandolin, Electric Guitar, Vocals
Bob Fergo Violin
Technical Credits
Grant Lee Buffalo Artwork, Art Direction
Bob Fisher Mastering
Joe Gastwirt Mastering
Paul Kimble Producer, Contributor
Joey Peters Contributor
Grant Lee Phillips Liner Notes, Artwork
Brian Zee Engineer
Chris Bilheimer Art Direction
Bryan Zee Engineer
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Customer Reviews

Average Rating 5
( 1 )
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  • Anonymous

    Posted October 1, 2010

    Wow, life changing YET again...!

    Melodic & absolutely beautiful are words which can only describe GLB's last (?!) offering before they dismembered. I can't quite think of a vocalist categorised as haunting, emotional & mesmerising since Jeff Buckley's 'Grace'. The haunting Bethlehem Steel sees Grant Lee Philips evoke dream-filled memories with his spiralling falsetto. Other favourites include Better for Us, All That I Have and Two & Two. Copperopolis certainly deserves a place in your cd collection, and your hearts.

    Was this review helpful? Yes  No   Report this review
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