The Coral Thief [NOOK Book]

Overview

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND BOOKLIST
 
Paris, 1815. Daniel Connor, a young medical student from Edinburgh, has arrived to study anatomy at the Jardin des Plantes—only to realize that his letters of introduction and precious coral specimens, on which his tenure with the legendary Dr. Cuvier depends, have been stolen. His thief turns out to be a beautiful woman who lives in a shadowy realm of outlaws, ...
See more details below
The Coral Thief

Available on NOOK devices and apps  
  • NOOK Devices
  • NOOK HD/HD+ Tablet
  • NOOK
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK Study
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook)
$9.99
BN.com price

Overview

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND BOOKLIST
 
Paris, 1815. Daniel Connor, a young medical student from Edinburgh, has arrived to study anatomy at the Jardin des Plantes—only to realize that his letters of introduction and precious coral specimens, on which his tenure with the legendary Dr. Cuvier depends, have been stolen. His thief turns out to be a beautiful woman who lives in a shadowy realm of outlaws, philosophers, and émigrés. As Daniel falls in love with her, he discovers a radical theory of evolution that irrevocably changes his conception of the world. 
Read More Show Less

Editorial Reviews

Anna Mundow
In her first novel, Ghostwalk…Rebecca Stott established herself as a subtle writer who wears her scholarship lightly…Thanks to Stott's deftness and sly humor, Ghostwalk was as sprightly as it was enlightening. The same can be said of her latest novel, The Coral Thief…With consummate skill and compassion, Stott plunges Daniel the innocent into a serpentine plot that involves spies, philosophers, revolutionaries and scientists. Treasure may be at the heart of Stott's mystery, but fossils and corals are equally precious in this hybrid novel of action and ideas. Like Daniel, the reader emerges from The Coral Thief having had an adventure and an education.
—The Washington Post
Publishers Weekly
At once an engrossing historical, a love story about an unlikely passion and a novel of ideas that lucidly presents philosophical speculation about natural science, Stott's second novel (after Ghostwalk) is a powerful offering from an immensely talented writer. Narrated by young Englishman Daniel Connor, fresh out of medical school and traveling to a coveted research position in post-Napoleonic Paris in 1815, the novel begins with his realization that his scientific credentials, including a priceless coral specimen, have been stolen by the beautiful woman who sat next to him in the coach. She turns out to be Lucienne Bernard, a notorious thief being pursued by the chief of the Bureau de la Sûreté, Henri Jagot (based on a real figure and bound to make readers think of Javert). A cat and mouse game ensues, as Jagot tries to enlist Connor to trap Lucienne, but Connor falls deeply in love with the philosopher-thief and eventually makes a decision that might cost him his career, his freedom and his spiritual beliefs. Vividly atmospheric, propulsive and intricately plotted, this is a surefire page turner with literary heft and wide appeal. (Sept.)
Library Journal
In 1815 on his way to Paris, young medical student Daniel Conner is robbed of his letters of introduction and his rare coral samples by a mysterious woman. Thus begins his frantic search for his belongings and the thief in postrevolutionary Paris. To restore his name and appointment at the famous Jardin des Plantes botanical garden and museum, Daniel is drawn into an underground of thieves, philosophers, students, artists, and thugs. When he finally tracks down Lucienne, the beautiful coral thief, Daniel becomes intoxicated with her mystery and her vast knowledge of the natural world. As he learns about Lucienne's dark secrets, Daniel is slowly pulled into a daring heist to steal a precious diamond hidden in the museum where he works. VERDICT Like Catherine Delors's Mistress of the Revolution, this strong historical novel by the author of Ghostwalk contrasts the era's passion for science, philosophy, and history with its desire for love, devotion, and beauty. The prose is elegant and well paced, and the plot is filled with exciting twists and turns. Highly recommended. [See Prepub Alert, LJ 5/1/09.]—Ron Samul, New London, CT
Kirkus Reviews
Stott (Ghostwalk, 2007, etc.) once again juxtaposes science with a tale of love, mystery and intrigue, setting this volatile mix against a backdrop of critical events in post-Revolutionary France. Daniel Connor, whose dark curls and handsome face invite comparisons to the boys painted by Caravaggio, meets fascinating intellectual Lucienne and her small daughter Delphine in coach en route to Paris in 1815. The Emperor Napoleon has been vanquished and is on a ship bound for his place of exile on the island of Saint Helena, leaving behind a changing city. Former master criminal Jagot has risen to a position of power with the police, and this cunning, ruthless man has more than a passing interest in the exotic Lucienne. Daniel, a medical student, hopes to escape his tedious existence by landing a position as an assistant to the famous French naturalist Georges Cuvier; he carries with him letters of introduction, scientific notebooks, a priceless manuscript, some corals and a mammoth bone. His future in Paris looks grim when he awakes at the Barrier of Saint Denis on the city's outskirts to find Lucienne and Delphine gone from the coach, along with his irreplaceable papers and specimens. After filing a complaint with Jagot at the Palais de Justice, Daniel discovers that Lucienne is not a thief (exactly), but she's also not everything she seems. Her fascination with "transformism" (the philosophy of evolution) both compels and repels the classically educated Daniel. But he is increasingly drawn to the much older Lucienne, a survivor of the Revolution who "was perpetually both whispering secrets and withholding them." Despite misgivings, Daniel risks his future in a gamble that will foreverchange the way he thinks. Skillfully embeds early 19th-century culture, history and attitudes into a story that flows like the Seine and floods the senses.
From the Publisher
“A powerful offering from an immensely talented writer…Vividly atmospheric, propulsive, and intricately plotted, this is a surefire page turner with literary heft and wide appeal.”–Publishers Weekly, starred review

“Stott again skillfully combines an intriguing love story, complex scientific concepts, and a beautifully realized historical setting…Riveting on all fronts, from its suspenseful plot to its elegant presentation of evolutionary theory.”–Booklist, starred review

“Stott once again juxtaposes science with a tale of love, mystery and intrigue, setting this volatile mix against a backdrop of critical events in post-Revolutionary France… Skillfully embeds early 19th-century culture, history, and attitudes into a story that flows like the Seine and floods the senses.”–Kirkus Reviews, starred review

From the Hardcover edition.

Read More Show Less

Product Details

  • ISBN-13: 9780385531474
  • Publisher: Random House Publishing Group
  • Publication date: 9/15/2009
  • Sold by: Random House
  • Format: eBook
  • Sales rank: 489,138
  • File size: 3 MB

Meet the Author

Rebecca Stott is a professor of English literature and creative writing at the University of East Anglia in Norwich. She is the author of the novels The Coral Thief and Ghostwalk and a biography, Darwin and the Barnacle, and is a regular contributor to BBC Radio. She lives in Cambridge, England.

From the Hardcover edition.

Read More Show Less

Read an Excerpt

Chapter One


In the dark hours of a hot July night in 1815, sitting on the outside of a mail coach a few miles from Paris, I woke to the sound of a woman’s voice, speaking in French, deep and roughly textured, like limestone. We had stopped outside a village inn whose sign creaked in the night wind. Attention, she said to the driver. Be careful.

I opened my eyes as a tall figure, her head obscured by the hood of her cloak, climbed into the seat beside me. Groaning with the effort, the driver passed up to her a large bundle wrapped in a red velvet blanket. It was a sleeping child; I could just make out a dimpled hand, the sleep-hot flush of a cheek, and a curl of dark hair. The woman spoke softly to the child, soothing it, rearranging the folds of its blanket.

“There are several empty seats inside, madame,” I said in French, concentrating hard on my pronunciation.

She answered me in perfect English: “But who would want to sit inside on a night like this?”

Her voice was surprisingly low for a woman, and it stirred me. The black of the sky was already shading to a deep inky blue over toward the horizon. Mist hung over the fields and hedgerows and gathered a little in the trees on either side of the road.

“Is it safe in France for a woman to travel alone?” I asked as the coach lurched back into movement. The Edinburgh newspapers regularly reported attacks on carriages traveling at night across open country.

She laughed and turned toward me, her face illuminated by the light of a half-moon. Over to my left somewhere a rooster crowed; we must have been passing a farm or a village. “But I am not traveling alone,” she said, dropping her voice to a whisper and leaning toward me. “I have Delphine. She is no ordinary child, you see. She is asleep now, of course, so it may be a little difficult for you to believe, but this child, she can fight armies and slay dragons. I have seen it with my own eyes. I have seen her lift an elephant and its rider with a single hand. Non, I am entirely safe with Delphine. Otherwise, of course, I would never travel alone. It is far too dangerous. What about you, monsieur? Are you not afraid?”

“I—”

“No, of course you are not afraid.” She smiled. “You are a man.”

“I have never left England before,” I stammered. “I have never traveled so far or had to make myself understood in another language. Three times I decided I must take the next mail coach back to Calais . . . I’ve never felt so much of a coward.”

She laughed, her voice mesmerizing in the darkness. “There it is. Paris. See the lights ahead . . . on the horizon? We will be there by dawn. Imagine . . . ” She stopped suddenly, gazing out toward the flattened shapes of the distant hills. “Sometimes it’s easier to see all that water in the darkness.”

“I can’t see any water,” I said, confused.

She pointed from right to left. “Everything you see from there to there, the entire Paris basin, was under water thousands of years ago. Paris was just a hollow in the seafloor then. There were cliffs of chalk over there, see, where the land began. Picture it—giant sea lizards swimming around us, oysters and corals beneath us, creatures with bodies so strange we couldn’t possibly imagine them crawling across the seabed. Later, when the water retreated, the creatures pulled themselves onto the rocks to make new bodies with scales and fur and feathers. Mammoths wandered down from the hills to drink from the Seine, under the same moon as this one, calling to one another.”

“That’s a strange thing to think about,” I said.

“Oui.” She laughed. “I suppose it is. But I think about it often, this earth before man. I look at the fossils in the rocks, the remains of that time so long ago, and I think about how late we came. Even the sea slugs appeared before we did. It took thousands of years for these bodies of ours to take shape, for our clever eyes and our curious brains to come to be. And now that we are big and strong, we think everything belongs to us, that we know and own everything.”

“Come to be?” I said, surprised and a little alarmed. “So you think species have changed? You are a student of Professor Lamarck, the transformist?”

“I was once,” she said. “Lamarck is right about most things. Species are not fixed. Everything is changing, all the time. The animals, the people, the hills—even the little things, skin, hair, everything is constantly renewing itself, taking new shapes. Just think of what we have come from—simple sea creatures with no eyes or hearts or minds— then think of what we might yet become. Doesn’t that excite you?” She ran her fingers across the child’s face. She—Delphine, the dragonslayer—stirred, her eyes flickering open for a moment and then closing again.

“Paris is riddled with infidels,” Professor Jameson had warned me back in Edinburgh. “They are poets, these French transformists, not men of science. They dream up notions about the origins of the earth and the transmutation of species. Castles in the air. Most of them are atheists too—heretics. Steer clear.”

Jameson had not mentioned that there were women who had studied with Lamarck. I wondered what he would make of this infidel sitting beside me now. I would have to record this conversation in my notebook, I thought; Jameson would want a report. He would want to know the kind of words she used, what she had read, whom she talked to. So did I.

“It will get bigger, you know,” she said, her eyes shining in the dark with a touch of malevolence.

“What will?”

“The city. It doesn’t look so big now, at night, but it will swallow you up. Are you not afraid?”

“Yes.” I smiled. “Yes. Of course I’m afraid.”

Paris aroused complicated feelings in me then. What did I know of cities—the sound of thousands of people moving together, the tangled dealings of commerce and trade? I had always been a country boy. I knew the insides of the cave networks and mine workings of Derbyshire; I knew the angles and curves of the hills, the names of trees, ferns, lichens, and fishes; I could tell you how the light fell across the lakes, but I knew almost nothing of cities.

Edinburgh—quiet, solid, rainy Edinburgh, hewn out of the rock and built across a ravine—where I had lived and worked for four years, had overwhelmed me as a seventeen-year-old boy arriving by carriage one frosty morning. As I slipped through the crowd of Princes Street, I could scarcely feel the beginnings and ends of myself in the roar and flow of it. So I had anchored myself, establishing daily routes between the lecture theaters, the anatomy school, the libraries, museums, and taverns. Despite the best efforts of my fellow students, one of whom urged me with mock seriousness to fall in love for the sake of my health, I had lived largely in and among books.

I had seen London fleetingly, passing through from time to time on my way from Edinburgh to my family home in Derbyshire. One day in May I walked from the inn where I was staying to the optical-instrument maker’s shop in the Strand and bought a bronze-cased microscope in a velvet-lined box with money I had saved for three years. On that brief walk, London, for all its smoke and smell and noise, enraptured me. My curiosity, that shapeless thing that drove at me relentlessly, that propelled the search for origins and explanations and connections, my desire to see further and further into the insides of things that had compelled me from the day I had touched my first microscope, or turned the first page of Aristotle’s History of Animals, or opened the encyclopedia at the page marked “Anatomy,” had seemed all the more heightened in London. There were answers to be found in cities; there were libraries, instrument shops and museums and professors who knew how to pose extraordinary questions.

Now that I had graduated, I wanted more than anything to be part of what was happening in Paris—the conversations and discoveries in the debating rooms, the libraries, and the museums. The French professors, given authority, freedom, and money by Napoleon, were making new inroads into knowledge. The museums in Paris were remarkable, the lectures groundbreaking. But it was also the city my father and his friends feared and loathed, the Paris of the Revolution —a city of people so hungry they had marched on Versailles, stormed the Bastille, imprisoned and then killed a royal family. I thought about the newspaper reports my father had kept that described the guillotine swallowing up lives, thousands of them; blood in the streets; mobs; children with sticks and garden tools hunting down the children of aristocrats and beating them to death; a king made to wear a red cap; bloodied heads on spikes; the grocer burned alive on a pyre made of furniture thrown from the windows of the palaces of émigrés.

Then there was the Paris of Napoleon Bonaparte. I had seen drawings of the buildings and squares and streets the Emperor had built: the vast classical perspective of the Arc du Carrousel and the Arc de Triomphe; the new bridges and water fountains; the classical façades, colonnades, marble columns—all so cool and quiet—the imperial aspirations of the Emperor laid serenely on top of fire, blood, and death. Paris was to be the new Rome, Napoleon had declared.

Now that Napoleon had been captured, Wellington had restored the French king to the throne—Louis XVIII, they called this one; the brother of the guillotined king. But everyone was still half expecting Napoleon to rise again, like a body that just wouldn’t drown. Anything could happen, and I wanted to be there to see it. Whatever it was going to be. There was going to be a spectacle of some kind.

“Daniel into the lion’s den . . . ” she said.

“How do you know my name?” The coach lurched so that my body crushed up against her shoulder in the darkness. “Pardon, madame. Have we met before? ”

“A Portuguese priest taught me some tricks in a bar on the Amalfi coast,” she said, turning her head toward me with a slow smile. In the lightening of the morning, I could see her face for the first time against the black folds of her hood.

She was darkly, heavily beautiful. A woman of middle years with black eyes and olive skin and thick black eyebrows that almost touched in the middle, making the shape of an archer’s bow, a falcon in flight. Even in the half-light, the directness of her gaze startled me. She held me there, her eyes searching out mine, her lips forming the faintest of smiles, but I could not look back, not directly, though I wanted to. Always immersed in my studies, and growing up as a boy among boys, I had had little practice conversing with women. I felt myself blush and began to stammer. “What tricks?” I asked. “What did he teach you?”

“My friend, the abbé Faria,” she said, “is a magnetist. He is half Indian, half Portuguese. He taught me many things. I put you to sleep for a few minutes, and then you told me everything—first your name, your family, your dreams . . . and then your secrets. Now I know all your secrets. Every one.” She smiled.

“You didn’t put me to sleep,” I said. “That’s ridiculous.” I looked at my pocket watch. The hands were still moving clockwise at the same rate. It was half past five. I was certain I had lost no time.

“How can you be sure, monsieur?” She was no longer looking at my eyes; now her gaze had settled on my lips. Her eyes on my lips, her thigh against my thigh, her shoulder against mine. I could feel the heat of her body through my clothes. In the early-morning light, with the child sleeping in the crook of her arm, she looked like a painting. Almost sacred. Yet the intimacy of her talk and manner disturbed me.

“You must be about twenty,” she said, examining me more closely. “You remind me of someone I once knew. You have the look of a Caravaggio boy—your dark curls, your skin, your coloring, your eyes.”

“Caravaggio?”

“The Italian painter.”

“Yes, I know who Caravaggio is.”

“I think it’s something about your lips. Your beauty begins there, in your lips. Some of Caravaggio’s paintings are in the Louvre. You should go and see them.”

“I am twenty-three,” I said, exaggerating a little, while trying to steady my breathing. Could she see my discomfort, my body betraying its secrets?

She smiled. The wind had picked up. It tugged at her cloak and blew through her hair. She pulled the cloak further around the child’s head. The child, disturbed, woke for a moment and sat up, black eyes wide, her black hair disheveled and wild, and said in French, as if still dreaming: “M. Napoleon, il est mort.”

“No, no, little one, ” the woman replied in French, “it’s only a dream, just a dream. M. Napoleon is sleeping safely in his own bed. Really. His soldiers are guarding him. Now, go back to sleep. We will be in Paris soon.”

The child, comforted, dropped her shoulders, closed her eyes, pulled the cloak around her, and was soon sleeping again.

The woman turned back to me, her voice low and lingering. “Your name is Daniel Connor. You are studying anatomy at the medical school in Edinburgh. You have written up your dissertation. Probably, I think, on something to do with generation or embryology—”

“The circulation of the blood in the fetus . . . How did you . . . ”

“And now you come to Paris to study at the Jardin des Plantes, M. Daniel Connor. You think about philosophical questions. What else? Am I correct so far?”

“How can you possibly know that?”

My voice, when I spoke, was shaky. I was tired, I reminded myself. Just that. And this woman was a specter. Probably just a figment of my imagination, conjured in the night.

She laughed again and gestured toward my traveling bag, which sat between us on the seat, open.

“You are labeled, my friend . . . here.” She ran her fingers over the letters engraved on the inside of the bag. “You see: daniel connor, medical school, edinburgh. I guessed the rest. You are easy to read.”

“That is not fair,” I said, relieved. “You have taken advantage of me.”

“You see,” she said, “I am a great investigator. We say enquêteur. There are many Edinburgh medical students like you in Paris now. They come to listen to the French professors of the Jardin des Plantes: Professors Lamarck, Cuvier, and Geoffroy. I like to watch them. They amuse me.”

From the Hardcover edition.

Read More Show Less

Customer Reviews

Average Rating 4
( 14 )
Rating Distribution

5 Star

(5)

4 Star

(3)

3 Star

(5)

2 Star

(0)

1 Star

(1)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously
Sort by: Showing all of 14 Customer Reviews
  • Posted October 22, 2009

    Fell In Love With The Coral Thief

    Loved it! The Coral Theif kept my attention, and thirsty for more. With a touch of action, a hint of history, a splash of romance, and a lot of mystery, I found myself entrenched in this book instantly. Every night, I escaped to France after Napolean's revolution. I recommend, definately a must-read :) You won't be disappointed!

    3 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 1, 2012

    Heavy on history...

    At about the one-third mark in the book, I'm still waiting for the story to emerge from the density of the historical setting. I will finish it eventually, but it won't keep me up at night until I do!

    The Coral Thief might make a better book club selection than it does for solitary reading. Working at appreciating the language, the sentence structure, and the setting would be more fun in prepping for a discussion.

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 17, 2009

    Fantastic!

    The book caught my attention after reading a review on it in a magazine. I hadn't read anything by this author before, but I will be going out to buy all other works shortly. The story takes place in Paris, and the story really makes it feel as though you are really there. The characters are so diverse in their backgrounds and well traveled, lending a larger picture as to what the world was like back then. Their feelings about The Revolution carry throughout the entire story. You can feel the frustrations as the main character tries to sort out his feelings about the coral thief and what to do about her. The smaller plot lines weave seamlessly in and out of the story, making it more complete. The book itself is not long, but it does not feel rushed. The ending does wrap itself up nicely for the main character, but the book occupied my thoughts for many days after I finished reading it. I highly recommend this to everyone!

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted January 19, 2010

    more from this reviewer

    Well written, but slow at times.

    I also saw this as a recommendation in a magazine. The book focuses more on the history and science of the time than the plot. I did learn a lot about Paris and Napoleon, but it overshadowed the plot. The characters spent a lot of time philosophizing about evolution or transformation. I found it redundant at times. All that being said, this is a book I believe some readers will love. Others will find it a little slow, but an acceptable read.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted December 14, 2009

    more from this reviewer

    A Well Researched Historical Novel

    Daniel Connor is a young medical student from Edinburgh traveling to Paris to work for Dr. Cuvier, a famous naturalist. It is 1815 and Napoleon, after losing at Waterloo, is on his way to St. Helena. Connor brings with him letters of introduction and coral specimens. While on the coach entering the city he meets a woman carrying a small child. The woman is fascinating and beautiful. He falls a sleep and awakes to find the specimens are gone. When he reaches the city he searches for the woman and becomes entangled in the coral thief's world of crime and philosophy.

    The book is well written. The character of Lucienne the philosopher thief and the setting of post Napoleonic era Paris are well developed. Most of the writing is devoted to thoughts and descriptions, which make it a slow paced read. The action doesn't begin until near the end of the novel when the main characters become involved with the group of thieves.

    The historical and scientific elements are well researched. I enjoyed reading about the scientific community in Paris and would have liked the author to have focused more on the natural science and theories of evolution being studied and discussed at that time. The most interesting part of the story is when Dr. Cuvier is giving a tour of the museum at the Jardin des Plantes.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 7, 2010

    No text was provided for this review.

  • Anonymous

    Posted December 29, 2010

    No text was provided for this review.

  • Anonymous

    Posted February 13, 2011

    No text was provided for this review.

  • Anonymous

    Posted May 4, 2010

    No text was provided for this review.

  • Anonymous

    Posted February 19, 2011

    No text was provided for this review.

  • Anonymous

    Posted December 15, 2009

    No text was provided for this review.

  • Anonymous

    Posted December 13, 2009

    No text was provided for this review.

  • Anonymous

    Posted April 16, 2011

    No text was provided for this review.

  • Anonymous

    Posted September 14, 2009

    No text was provided for this review.

Sort by: Showing all of 14 Customer Reviews

If you find inappropriate content, please report it to Barnes & Noble
Why is this product inappropriate?
Comments (optional)