Coriolanus (Pelican Shakespeare Series)

Coriolanus (Pelican Shakespeare Series)

4.2 5
by William Shakespeare

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"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and…  See more details below


"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart)

The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged.

Each volume features:

  • Authoritative, reliable texts
  • High quality introductions and notes
  • New, more readable trade trim size
  • An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts

Editorial Reviews

Library Journal
Penguin chose to revamp its venerable Pelican Shakespeare line in 1999. The updated series includes more accurate texts and new introductions by the current crop of leading Shakespearean scholars. The good stuff just gets better with age. (Classic Returns, LJ 10/15/99) Copyright 2000 Cahners Business Information.
From the Publisher
“A remarkable edition, one that makes Shakespeare’s extraordinary accomplishment more vivid than ever.”—James Shapiro, professor, Columbia University, bestselling author of A Year in the Life of Shakespeare: 1599
“A feast of literary and historical information.”—The Wall Street Journal

Product Details

Penguin Publishing Group
Publication date:
Pelican Shakespeare Series
Edition description:
Product dimensions:
4.54(w) x 7.08(h) x 0.33(d)

Read an Excerpt

Act 1 Scene 1 running scene 1

Enter a company of mutinous Citizens, with staves, clubs and other weapons

FIRST CITIZEN Before we proceed any further, hear me speak.

ALL Speak, speak.

FIRST CITIZEN You are all resolved rather to die than to famish?

ALL Resolved, resolved.

FIRST CITIZEN First, you know Caius Martius is chief enemy to the people.

ALL We know't, we know't.

FIRST CITIZEN Let us kill him, and we'll have corn at our own price. Is't a verdict?

ALL No more talking on't: let it be done: away, away.

SECOND CITIZEN One word, good citizens.

FIRST CITIZEN We are accounted poor citizens, the patricians good: what authority surfeits on would relieve us. If they would yield us but the superfluity while it were wholesome, we might guess they relieved us humanely: but they think we are too dear: the leanness that afflicts us, the object of our misery, is as an inventory to particularize their abundance: our sufferance is a gain to them. Let us revenge this with our pikes, ere we become rakes. For the gods know, I speak this in hunger for bread, not in thirst for revenge.

SECOND CITIZEN Would you proceed especially against Caius Martius?

ALL Against him first: he's a very dog to the commonalty.

SECOND CITIZEN Consider you what services he has done for his country?

FIRST CITIZEN Very well, and could be content to give him good report for't, but that he pays himself with being proud.

ALL Nay, but speak not maliciously.

FIRST CITIZEN I say unto you, what he hath done famously, he did it to that end: though soft-conscienced men can be content to say it was for his country, he did it to please his mother and to be partly proud, which he is, even to the altitude of his virtue.

SECOND CITIZEN What he cannot help in his nature, you account a vice in him. You must in no way say he is covetous.

FIRST CITIZEN If I must not, I need not be barren of accusations: he hath faults, with surplus, to tire in repetition.

Shouts within

What shouts are these? The other side o'th'city is risen: why stay we prating here? To th'Capitol!

ALL Come, come.

FIRST CITIZEN Soft, who comes here?

Enter Menenius Agrippa

SECOND CITIZEN Worthy Menenius Agrippa, one that hath always loved the people.

FIRST CITIZEN He's one honest enough: would all the rest were so!

MENENIUS What work's, my countrymen, in hand? Where go you

With bats and clubs? The matter, speak, I pray you.

SECOND CITIZEN Our business is not unknown to th'senate: they have had inkling this fortnight what we intend to do, which now we'll show 'em in deeds. They say poor suitors have strong breaths: they shall know we have strong arms too.

MENENIUS Why, masters, my good friends, mine honest neighbours,

Will you undo yourselves?

SECOND CITIZEN We cannot, sir, we are undone already.

MENENIUS I tell you, friends, most charitable care

Have the patricians of you. For your wants,

Your suffering in this dearth, you may as well

Strike at the heaven with your staves as lift them

Against the Roman state, whose course will on

The way it takes, cracking ten thousand curbs

Of more strong link asunder than can ever

Appear in your impediment. For the dearth,

The gods, not the patricians, make it, and

Your knees to them, not arms, must help. Alack,

You are transported by calamity

Thither where more attends you, and you slander

The helms o'th'state, who care for you like fathers,

When you curse them as enemies.

SECOND CITIZEN Care for us? True, indeed, they ne'er cared for us yet. Suffer us to famish, and their store-houses crammed with grain: make edicts for usury, to support usurers: repeal daily any wholesome act established against the rich, and provide more piercing statutes daily, to chain up and restrain the poor. If the wars eat us not up, they will: and there's all the love they bear us.

MENENIUS Either you must

Confess yourselves wondrous malicious,

Or be accused of folly. I shall tell you

A pretty tale: it may be you have heard it,

But since it serves my purpose, I will venture

To stale't a little more.

SECOND CITIZEN Well, I'll hear it, sir: yet you must not think to fob off our disgrace with a tale: but, an't please you, deliver.

MENENIUS There was a time when all the body's members

Rebelled against the belly, thus accused it:

That only like a gulf it did remain

I'th'midst o'th'body, idle and unactive,

Still cupboarding the viand, never bearing

Like labour with the rest, where th'other instruments

Did see and hear, devise, instruct, walk, feel,

And, mutually participate, did minister

Unto the appetite and affection common

Of the whole body. The belly answered-

SECOND CITIZEN Well, sir, what answer made the belly?

MENENIUS Sir, I shall tell you: with a kind of smile,

Which ne'er came from the lungs, but even thus -

For look you, I may make the belly smile

As well as speak - it tauntingly replied

To th'discontented members, the mutinous parts

That envied his receipt: even so most fitly

As you malign our senators for that

They are not such as you.

SECOND CITIZEN Your belly's answer: what?

The kingly crownèd head, the vigilant eye,

The counsellor heart, the arm our soldier,

Our steed the leg, the tongue our trumpeter,

With other muniments and petty helps

In this our fabric, if that they-

MENENIUS What then?

Fore me, this fellow speaks! What then? What then?

SECOND CITIZEN Should by the cormorant belly be restrained,

Who is the sink o'th'body-

MENENIUS Well, what then?

SECOND CITIZEN The former agents, if they did complain,

What could the belly answer?

MENENIUS I will tell you,

If you'll bestow a small - of what you have little -

Patience awhile, you'st hear the belly's answer.

SECOND CITIZEN You're long about it.

MENENIUS Note me this, good friend:

Your most grave belly was deliberate,

Not rash like his accusers, and thus answered:

'True is it, my incorporate friends,' quoth he,

'That I receive the general food at first

Which you do live upon: and fit it is,

Because I am the storehouse and the shop

Of the whole body. But, if you do remember,

I send it through the rivers of your blood

Even to the court, the heart, to th'seat o'th'brain,

And through the cranks and offices of man,

The strongest nerves and small inferior veins

From me receive that natural competency

Whereby they live. And though that all at once' -

You, my good friends, this says the belly, mark me-

SECOND CITIZEN Ay, sir, well, well.

MENENIUS 'Though all at once cannot

See what I do deliver out to each,

Yet I can make my audit up, that all

From me do back receive the flour of all,

And leave me but the bran.' What say you to't?

SECOND CITIZEN It was an answer: how apply you this?

MENENIUS The senators of Rome are this good belly,

And you the mutinous members: for examine

Their counsels and their cares, digest things rightly

Touching the weal o'th'common, you shall find

No public benefit which you receive

But it proceeds or comes from them to you

And no way from yourselves. What do you think,

You, the great toe of this assembly?

SECOND CITIZEN I the great toe? Why the great toe?

MENENIUS For that, being one o'th'lowest, basest, poorest

Of this most wise rebellion, thou goest foremost:

Thou rascal, that art worst in blood to run,

Lead'st first to win some vantage.

But make you ready your stiff bats and clubs:

Rome and her rats are at the point of battle:

The one side must have bale.

Enter Caius Martius

Hail, noble Martius.

MARTIUS Thanks. What's the matter, you dissentious rogues,

That, rubbing the poor itch of your opinion,

Make yourselves scabs?

SECOND CITIZEN We have ever your good word.

MARTIUS He that will give good words to thee will flatter

Beneath abhorring. What would you have, you curs,

That like nor peace nor war? The one affrights you,

The other makes you proud. He that trusts to you,

Where he should find you lions, finds you hares:

Where foxes, geese: you are no surer, no,

Than is the coal of fire upon the ice,

Or hailstone in the sun. Your virtue is

To make him worthy whose offence subdues him

And curse that justice did it. Who deserves greatness

Deserves your hate, and your affections are

A sick man's appetite, who desires most that

Which would increase his evil. He that depends

Upon your favours swims with fins of lead,

And hews down oaks with rushes. Hang ye! Trust ye?

With every minute you do change a mind,

And call him noble that was now your hate,

Him vile that was your garland. What's the matter,

That in these several places of the city

You cry against the noble senate, who,

Under the gods, keep you in awe, which else

Would feed on one another?- What's their To Menenius


MENENIUS For corn at their own rates, whereof they say

The city is well stored.

MARTIUS Hang 'em! They say?

They'll sit by th'fire, and presume to know

What's done i'th'Capitol: who's like to rise,

Who thrives and who declines: side factions and give out

Conjectural marriages, making parties strong

And feebling such as stand not in their liking

Below their cobbled shoes. They say there's grain enough?

Would the nobility lay aside their ruth,

And let me use my sword, I'd make a quarry

With thousands of these quartered slaves, as high

As I could pick my lance.

MENENIUS Nay, these are almost thoroughly persuaded:

For though abundantly they lack discretion,

Yet are they passing cowardly. But I beseech you,

What says the other troop?

MARTIUS They are dissolved: hang 'em:

They said they were an-hungry, sighed forth proverbs

That hunger broke stone walls, that dogs must eat,

That meat was made for mouths, that the gods sent not

Corn for the rich men only: with these shreds

They vented their complainings, which being answered,

And a petition granted them, a strange one -

To break the heart of generosity,

And make bold power look pale - they threw their caps

As they would hang them on the horns o'th'moon,

Shouting their emulation.

MENENIUS What is granted them?

MARTIUS Five tribunes to defend their vulgar wisdoms,

Of their own choice. One's Junius Brutus,

Sicinius Velutus, and I know not. 'Sdeath,

The rabble should have first unroofed the city,

Ere so prevailed with me: it will in time

Win upon power and throw forth greater themes

For insurrection's arguing.

MENENIUS This is strange.

MARTIUS Go get you home, you fragments. To the Citizens

Enter a Messenger hastily

MESSENGER Where's Caius Martius?

MARTIUS Here: what's the matter?

MESSENGER The news is, sir, the Volsces are in arms.

MARTIUS I am glad on't: then we shall ha' means to vent

Our musty superfluity. See, our best elders.

Enter Sicinius Velutus, Junius Brutus, Cominius, Titus Lartius, with other Senators

FIRST SENATOR Martius, 'tis true that you have lately told us:

The Volsces are in arms.

MARTIUS They have a leader,

Tullus Aufidius, that will put you to't:

I sin in envying his nobility,

And were I anything but what I am,

I would wish me only he.

COMINIUS You have fought together!

MARTIUS Were half to half the world by th'ears and he

Upon my party, I'd revolt to make

Only my wars with him. He is a lion

That I am proud to hunt.

FIRST SENATOR Then, worthy Martius,

Attend upon Cominius to these wars.

COMINIUS It is your former promise. To Martius

MARTIUS Sir, it is,

And I am constant: Titus Lartius, thou

Shalt see me once more strike at Tullus' face.

What, art thou stiff? Stand'st out?

LARTIUS No, Caius Martius,

I'll lean upon one crutch and fight with t'other,

Ere stay behind this business.

MENENIUS O, true-bred!

FIRST SENATOR Your company to th'Capitol, where I know

Our greatest friends attend us.

LARTIUS Lead you on.- To Cominius

Follow Cominius, we must follow you, To Martius

Right worthy your priority.

COMINIUS Noble Martius.

FIRST SENATOR Hence to your homes, be gone. To the Citizens

MARTIUS Nay, let them follow:

The Volsces have much corn: take these rats thither

To gnaw their garners. Worshipful mutineers,

Your valour puts well forth: pray follow. Exeunt

Citizens steal away. Sicinius and Brutus remain

SICINIUS Was ever man so proud as is this Martius?

BRUTUS He has no equal.

SICINIUS When we were chosen tribunes for the people-

BRUTUS Marked you his lip and eyes?

SICINIUS Nay, but his taunts.

BRUTUS Being moved, he will not spare to gird the gods.

SICINIUS Bemock the modest moon.

BRUTUS The present wars devour him: he is grown

Too proud to be so valiant.

SICINIUS Such a nature,

Tickled with good success, disdains the shadow

Which he treads on at noon: but I do wonder

His insolence can brook to be commanded

Under Cominius.

BRUTUS Fame, at the which he aims,

In whom already he's well graced, cannot

Better be held nor more attained than by

A place below the first: for what miscarries

Shall be the general's fault, though he perform

To th'utmost of a man, and giddy censure

Will then cry out of Martius 'O, if he

Had borne the business!'

SICINIUS Besides, if things go well,

Opinion that so sticks on Martius shall

Of his demerits rob Cominius.


Half all Cominius' honours are to Martius,

Though Martius earned them not: and all his faults

To Martius shall be honours, though indeed

In aught he merit not.

SICINIUS Let's hence, and hear

How the dispatch is made, and in what fashion,

More than his singularity, he goes

Upon this present action.

BRUTUS Let's along. Exeunt

[Act 1 Scene 2] running scene 2

Enter Tullus Aufidius with Senators of Corioles

FIRST SENATOR So, your opinion is, Aufidius,

That they of Rome are entered in our counsels

And know how we proceed.

AUFIDIUS Is it not yours?

Whatever have been thought on in this state,

That could be brought to bodily act ere Rome

Had circumvention? 'Tis not four days gone

Since I heard thence: these are the words: I think

I have the letter here: yes, here it is. He reads the letter

'They have pressed a power, but it is not known

Whether for east or west: the dearth is great,

The people mutinous: and it is rumoured,

Cominius, Martius your old enemy,

Who is of Rome worse hated than of you,

And Titus Lartius, a most valiant Roman,

These three lead on this preparation

Whither 'tis bent: most likely 'tis for you:

Consider of it.'

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Meet the Author

WILLIAM SHAKESPEARE was born at Stratford upon Avon in April, 1564. He was the third child, and eldest son, of John Shakespeare and Mary Arden. His father was one of the most prosperous men of Stratford, who held in turn the chief offices in the town. His mother was of gentle birth, the daughter of Robert Arden of Wilmcote. In December, 1582, Shakespeare married Ann Hathaway, daughter of a farmer of Shottery, near Stratford; their first child Susanna was baptized on May 6, 1583, and twins, Hamnet and Judith, on February 22, 1585. Little is known of Shakespeare’s early life; but it is unlikely that a writer who dramatized such an incomparable range and variety of human kinds and experiences should have spent his early manhood entirely in placid pursuits in a country town. There is one tradition, not universally accepted, that he fled from Stratford because he was in trouble for deer stealing, and had fallen foul of Sir Thomas Lucy, the local magnate; another that he was for some time a schoolmaster.

From 1592 onwards the records are much fuller. In March, 1592, the Lord Strange’s players produced a new play at the Rose Theatre called Harry the Sixth, which was very successful, and was probably the First Part of Henry VI. In the autumn of 1592 Robert Greene, the best known of the professional writers, as he was dying wrote a letter to three fellow writers in which he warned them against the ingratitude of players in general, and in particular against an ‘upstart crow’ who ‘supposes he is as much able to bombast out a blank verse as the best of you: and being an absolute Johannes Factotum is in his own conceit the only Shake-scene in a country.’ This is the first reference to Shakespeare, and the whole passage suggests that Shakespeare had become suddenly famous as a playwright. At this time Shakespeare was brought into touch with Edward Alleyne the great tragedian, and Christopher Marlowe, whose thundering parts of Tamburlaine, the Jew of Malta, and Dr Faustus Alleyne was acting, as well as Hieronimo, the hero of Kyd’s Spanish Tragedy, the most famous of all Elizabethan plays.

In April, 1593, Shakespeare published his poem Venus and Adonis, which was dedicated to the young Earl of Southampton: it was a great and lasting success, and was reprinted nine times in the next few years. In May, 1594, his second poem, The Rape of Lucrece, was also dedicated to Southampton.

There was little playing in 1593, for the theatres were shut during a severe outbreak of the plague; but in the autumn of 1594, when the plague ceased, the playing companies were reorganized, and Shakespeare became a sharer in the Lord Chamberlain’s company who went to play in the Theatre in Shoreditch. During these months Marlowe and Kyd had died. Shakespeare was thus for a time without a rival. He had already written the three parts of Henry VI, Richard III, Titus Andronicus, The Two Gentlemen of Verona, Love’s Labour’s Lost, The Comedy of Errors, and The Taming of the Shrew. Soon afterwards he wrote the first of his greater plays – Romeo and Juliet – and he followed this success in the next three years with A Midsummer Night’s Dream, Richard II, and The Merchant of Venice. The two parts of Henry VI, introducing Falstaff, the most popular of all his comic characters, were written in 1597–8.

The company left the Theatre in 1597 owing to disputes over a renewal of the ground lease, and went to play at the Curtain in the same neighbourhood. The disputes continued throughout 1598, and at Christmas the players settled the matter by demolishing the old Theatre and re-erecting a new playhouse on the South bank of the Thames, near Southwark Cathedral. This playhouse was named the Globe. The expenses of the new building were shared by the chief members of the Company, including Shakespeare, who was now a man of some means. In 1596 he had bought New Place, a large house in the centre of Stratford, for £60, and through his father purchased a coat-of-arms from the Heralds, which was the official recognition that he and his family were gentlefolk.

By the summer of 1598 Shakespeare was recognized as the greatest of English dramatists. Booksellers were printing his more popular plays, at times even in pirated or stolen versions, and he received a remarkable tribute from a young writer named Francis Meres, in his book Palladis Tamia. In a long catalogue of English authors Meres gave Shakespeare more prominence than any other writer, and mentioned by name twelve of his plays.

Shortly before the Globe was opened, Shakespeare had completed the cycle of plays dealing with the whole story of the Wars of the Roses with Henry V. It was followed by As You Like it, and Julius Caesar, the first of the maturer tragedies. In the next three years he wrote Troilus and Cressida, The Merry Wives of Windsor, Hamlet, and Twelfth Night.

On March 24, 1603, Queen Elizabeth died. The company had often performed before her, but they found her successor a far more enthusiastic patron. One of the first acts of King James was to take over the company and to promote them to be his own servants, so that henceforward they were known as the King’s Men. They acted now very frequently at Court, and prospered accordingly. In the early years of the reign Shakespeare wrote the more sombre comedies, All’s Well that Ends Well, and Measure for Measure, which were followed by Othello, Macbeth, and King Lear. Then he returned to Roman themes with Antony and Cleopatra and Coriolanus.

Since 1601 Shakespeare had been writing less, and there were now a number of rival dramatists who were introducing new styles of drama, particularly Ben Jonson (whose first successful comedy, Every Man in his Humour, was acted by Shakespeare’s company in 1598), Chapman, Dekker, Marston, and Beaumont and Fletcher who began to write in 1607. In 1608 the King’s Men acquired a second playhouse, an indoor private theatre in the fashionable quarter of the Blackfriars. At private theatres, plays were performed indoors; the prices charged were higher than in the public playhouses, and the audience consequently was more select. Shakespeare seems to have retired from the stage about this time: his name does not occur in the various lists of players after 1607. Henceforward he lived for the most part at Stratford, where he was regarded as one of the most important citizens. He still wrote a few plays, and he tried his hand at the new form of tragi-comedy – a play with tragic incidents but a happy ending – which Beaumont and Fletcher had popularized. He wrote four of these – Pericles, Cymbeline, The Winter’s Tale, and The Tempest, which was acted at Court in 1611. For the last four years of his life he lived in retirement. His son Hamnet had died in 1596: his two daughters were now married. Shakespeare died at Stratford upon Avon on April 23, 1616, and was buried in the chancel of the church, before the high altar. Shortly afterwards a memorial which still exists, with a portrait bust, was set up on the North wall. His wife survived him.

When Shakespeare died fourteen of his plays had been separately published in Quarto booklets. In 1623 his surviving fellow actors, John Heming and Henry Condell, with the co-operation of a number of printers, published a collected edition of thirty-six plays in one Folio volume, with an engraved portrait, memorial verses by Ben Jonson and others, and an Epistle to the Reader in which Heming a

A. R. Braunmuller is Professor of English and Comparative Literature at the University of California at Los Angeles, where he teaches courses on English and European drama from 1500 to the present. He has written critical volumes on George Peele and George Chapman and has edited plays in both the Oxford (King John) and Cambridge (Macbeth) series of Shakespeare editions. He is also general editor of The New Cambridge Shakespeare

Stephen Orgel is the Jackson Eli Reynolds Professor of the Humanities at Stanford University and general editor of the Cambridge Studies in Renaissance Literature and Culture. He has edited Ben Johnson's masques, Christopher Marlowe's poems and translations, and many other classics. His books include The Authentic Shakespeare (2002), Impersonations: The Performance of Gender in Shakespeare's England (1996) and The Illusion of Power (1975).

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Coriolanus Pelican Shakespeare Series) 4 out of 5 based on 0 ratings. 4 reviews.
Anonymous More than 1 year ago
She jumped onto the HighStone. "Let all cats gather to hear my words!" She waited for Darkclan to as<_>semble for she continued. "I've been talking to Whiteleaf, the medicine cat, and also my son. He has decided to resign from his role. Also, he has requested a new name, that's not as<_sociated with medicine cats. Whiteleaf, do you promise to support and uphold the Warrior Code, even at the cost of your life?" <br> "I do." Whiteleaf replied with simple determination. <br> Shimmerstar continued. "Then, from now on, you shall be known as Whitefur. You will sit vigil tonight." She paused before going on. "There are two kits who are long over due for their apprentice ceromony. Sunkit, step foward. Is it your wish to train as a warrior and help protect your clan?" <br> "It is," Sunkit responded. <br> Shimmerstar went on. "Then from now on, until you become a warrior, you shall be Sunpaw. Your mentor sball be Stromfur." <br> She rested her chin on Sunpaw's head before continuing. "Moonkit, if it is your wish to train as a warrior, you will be Moonpaw. Your mentor is Whitefur." She watched the mentrs greet their new apprentices as the clan cheered their names.
Anonymous More than 1 year ago
K i have an extremely long list of rpes ima add breakpaw and strikepaw now for darkclans that i will do next week or so
Anonymous More than 1 year ago
For someone to take your rps in blooclan? Keep 3 of them at most. And post it at res 2, where my list is. Talk to you tomorrow. Ggtb bbt.
Anonymous More than 1 year ago