Corruption and Realism in Late Socialist China: The Return of the Political Novel
As China's centrally planned economy and welfare state have given way to a more loosely controlled version of "late socialism," public concern about economic reform's downside has found expression in epic novels about official corruption and its effects. While the media shied away from dealing with these issues, novelists stepped in to fill the void. "Anti-corruption fiction" exploded onto the marketplace and into public consciousness, spawning popular films and television series until a clampdown after 2002 that ended China's first substantial realist fiction since the 1989 Beijing massacre. With frankness and imagination seldom allowed journalists, novelists have depicted the death of China's rust-belt industries, the gap between rich and poor, "social unrest"—i.e., riots—and the questionable new practices of entrenched communist party rulers.

Corruption and Realism examines this rebirth of the Chinese political novel and its media adaptations, explaining how the works reflect contemporary Chinese life and how they embody Chinese traditions of social criticism, literary realism, and contemplation of taboo subjects. This is the first book to investigate such novels and includes excerpts from personal interviews with China's three most famous anticorruption novelists.

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Corruption and Realism in Late Socialist China: The Return of the Political Novel
As China's centrally planned economy and welfare state have given way to a more loosely controlled version of "late socialism," public concern about economic reform's downside has found expression in epic novels about official corruption and its effects. While the media shied away from dealing with these issues, novelists stepped in to fill the void. "Anti-corruption fiction" exploded onto the marketplace and into public consciousness, spawning popular films and television series until a clampdown after 2002 that ended China's first substantial realist fiction since the 1989 Beijing massacre. With frankness and imagination seldom allowed journalists, novelists have depicted the death of China's rust-belt industries, the gap between rich and poor, "social unrest"—i.e., riots—and the questionable new practices of entrenched communist party rulers.

Corruption and Realism examines this rebirth of the Chinese political novel and its media adaptations, explaining how the works reflect contemporary Chinese life and how they embody Chinese traditions of social criticism, literary realism, and contemplation of taboo subjects. This is the first book to investigate such novels and includes excerpts from personal interviews with China's three most famous anticorruption novelists.

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Corruption and Realism in Late Socialist China: The Return of the Political Novel

Corruption and Realism in Late Socialist China: The Return of the Political Novel

by Jeffrey Kinkley
Corruption and Realism in Late Socialist China: The Return of the Political Novel

Corruption and Realism in Late Socialist China: The Return of the Political Novel

by Jeffrey Kinkley

Overview

As China's centrally planned economy and welfare state have given way to a more loosely controlled version of "late socialism," public concern about economic reform's downside has found expression in epic novels about official corruption and its effects. While the media shied away from dealing with these issues, novelists stepped in to fill the void. "Anti-corruption fiction" exploded onto the marketplace and into public consciousness, spawning popular films and television series until a clampdown after 2002 that ended China's first substantial realist fiction since the 1989 Beijing massacre. With frankness and imagination seldom allowed journalists, novelists have depicted the death of China's rust-belt industries, the gap between rich and poor, "social unrest"—i.e., riots—and the questionable new practices of entrenched communist party rulers.

Corruption and Realism examines this rebirth of the Chinese political novel and its media adaptations, explaining how the works reflect contemporary Chinese life and how they embody Chinese traditions of social criticism, literary realism, and contemplation of taboo subjects. This is the first book to investigate such novels and includes excerpts from personal interviews with China's three most famous anticorruption novelists.

Product Details

ISBN-13: 9780804754859
Publisher: Stanford University Press
Publication date: 10/26/2006
Edition description: 1
Pages: 304
Product dimensions: 6.00(w) x 9.00(h) x 0.90(d)

About the Author

Jeffrey C. Kinkley is Professor of History at St. John's Universityand the author of The Odyssey of Shen Congwen (Stanford, 1987), and Chinese Justice, the Fiction: Law and Literature in Modern China (Stanford, 2000).

Table of Contents


Introduction: Corruption, Realism, and the Return of the Political Novel     1
The Trendsetter: Lu Tianming's Heaven Above     22
The Banned Blockbuster: Chen Fang's Heaven's Wrath     47
Climax: The Alarum and Standard-Bearer-Zhang Ping's Choice     78
Anticorruption by Indirection: Wang Yuewen's National Portrait     104
Dirt Plus Soap Equals Pay Dirt: Liu Ping's Dossier on Smuggling     125
Chinese Realism, Popular Culture, and the Critics     144
Conclusion: The Chinese Discourse of Corruption-and Its Limits     170
Notes     193
Bibliography     229
Character List     269
Index     275
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General & Miscellaneous Literary Criticism
Chinese Literature - Literary Criticism
Politics & Literature

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