Cositas Buenasby Paco de Lucía
You wouldn't expect a flamenco guitarist, especially one as jazz-influenced as Paco de Lucía, to bother with samples and studio trickery. But there he is, the most revered guitarist of his generation, playing along to the ghostly voice of departed flamenco god Camarón de la Isla. The result is not nearly as creepy, as, say, Natalie Cole's duet with her dead father, for a couple of reasons. One, de Lucia's playing is as fluid and multicolored as ever; two, the point of Cositas Buenas, his first studio album in five years, is this interplay of voice and guitar. Six of the eight tracks feature vocalists, two of them de Lucía himself, and the Camarón number, "Que Venga el Alba," is instructive. Unlike a dance track, where a sampled singer would provide the color to the rhythm track, it's the whiskey-shredded voice that guides the song, with de Lucía and Camarón's longtime partner, José Fernández Torres ("Tomatito"), accenting with guitar. The dissolution of his touring ensemble is a hint of de Lucía's new direction: The colors here are almost all his, from the guitar and voice to bouzouki, mandolin, and lute. It makes for an intimate performance, but by no means a moody one - the rumba "El Dengue" bounces along, full of light, and on "Antonia," the guitarist's young daughter contributes some innocent vocalizing. The guest singers are predominately women, giving a suppleness to the proceedings, often in airy choruses -- a typical nuevo flamenco touch. De Lucía's technique is dazzling in its breadth, quoting song styles from tropical to Mediterranean to jazz. The closer, featuring guests Jerry Gonzalez (the trumpeter has been living in Spain for a few years), pop star Alejandro Sanz (not singing but instead playing trés), and bassist Alain Pérez, brings a jazzy close to a refreshing album from the maestro.
- Release Date:
- Blue Thumb
Performance CreditsPaco de Lucía Primary Artist,Bouzouki,Guitar,Mandolin,Lute,Vocals,Choir, Chorus,Palmas
Alejandro Sanz Tres
Guadiana Choir, Chorus,Palmas
Potito Vocals,Choir, Chorus,Palmas
Alain Pérez Bass
Montse Cortés Vocals,Choir, Chorus,Palmas
Angela Bautista Vocals,Choir, Chorus,Palmas
Technical CreditsPaco de Lucía Composer,Producer
Javier Limón Producer,Engineer,Collaboration
Most Helpful Customer Reviews
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Paco's new cd sounds really great. The choice of palos is kinda narrow but that makes for a lean rhythmic album with a good flow. Eight songs in 38 minutes. Not sure what the B&N reviewer Mark Schwartz is talking about where he mentions "9 of 11 songs". There's only eight. Cigala, Potito, and La Tana all sound good. The piece with Camaron's vopice is a little eerie but powerful. I must also mention that Thom Jurek's AMG review is ridiculous, he mentions "another guitarist", well Thom in fact it's Tomatito. Also, Jerry Gonzalez's trumpet playing is not mariachi, he's a Nuyorican and his playing is from the Afro-Cuban Jazz tradition. Attn AMG: get better reviewers.