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| Weldon Irvine | Primary Artist, Organ, Piano, Electric Piano, Soprano Saxophone, Tambourine, Triangle, Vocals, Clavinet, Melodica |
| Jimmy Owens | Trumpet |
| Lenny White | Drums |
| Bob Cranshaw | Bass, Drums |
| Bill Barnwell | Flute, Alto Flute |
| Joe Caro | Guitar |
| Cornell Dupree | Guitar |
| Gordon Edwards | Bass |
| Henry Grate | Guitar |
| Howard Grate | cowbell |
| Everett Hollins | Trumpet, Vocals |
| Gene Jefferson | Tenor Saxophone |
| Chipper Lyles | Drums |
| George Murray | Bass |
| Ojuleba | Vocals, Background Vocals |
| Roy Roman | Trumpet |
| Jim Young | Drums |
| Bud Johnson | Bongos, Conga |
| Napoleon Revels-Bey | Percussion |
| Wesley "Gator" Watson | Drums |
| Weldon J. Irvine Jr. | Conductor |
| Jim Crotty | Engineer |
| Acy Lehman | Art Direction |
| Dennis Pohl | Cover Design |
| Luca Iannino | Reissue Design, Layout |
| Weldon J. Irvine Jr. | Arranger, Composer, Producer |
Editorial Reviews
All Music Guide - Jason Ankeny
After two visionary LPs for his own tiny Nodlew label, Weldon Irvine signed to RCA for Cosmic Vortex Justice Divine, exploring the deeply spiritual and political terrain of his previous efforts on the kind of grand musical scale that major-label funding accommodates. This is a big, bold record by any measure, with a startlingly pronounced focus on lyrics and vocals. At the same time, however, the melodies spread out like tentacles, informed by the improvisational sensibilities of jazz and the deep-groove spirit of funk.