Cottonwood

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Overview

In his New York Times notable debut, The Ice Harvest, Scott Phillips gave readers an instant noir classic that spanned twenty-four eventful hours in the life of a mob lawyer hoping to skip town (namely Wichita) with a small fortune. Phillips followed with the acclaimed sequel, The Walkaway, showing how a seeming windfall can wreak wicked havoc on the lives of its recipients. Now this award-winning author broadens his canvas, writing his most accomplished novel yet—one that is rich in suspense, drama, historical sweep, and Phillips’s unique blend of unforgettable characters.

In 1872, Cottonwood, Kansas, is a one-horse speck on the map; a community of ...

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Overview

In his New York Times notable debut, The Ice Harvest, Scott Phillips gave readers an instant noir classic that spanned twenty-four eventful hours in the life of a mob lawyer hoping to skip town (namely Wichita) with a small fortune. Phillips followed with the acclaimed sequel, The Walkaway, showing how a seeming windfall can wreak wicked havoc on the lives of its recipients. Now this award-winning author broadens his canvas, writing his most accomplished novel yet—one that is rich in suspense, drama, historical sweep, and Phillips’s unique blend of unforgettable characters.

In 1872, Cottonwood, Kansas, is a one-horse speck on the map; a community of run-down farms, dusty roads, and two-bit crooks. Self-educated saloon owner and photographer Bill Ogden looks on his adopted town with an eye to making a profit or getting out. His brains and ambition bring him to the attention of one Marc Leval, a wealthy Chicago developer with big plans for the small town. The advent of the railroad and rumors of a cattle trail turn Cottonwood into a wild and wooly boomtown—and with Leval as a partner, Ogden dreams of bringing civilization to the prairie.

But civilizing the Great Plains was never that simple. While many in Cottonwood distrust Leval’s motives, and mob violence threatens to derail the town’s dreams of greatness, Ogden finds himself dangerously obsessed with Leval’s stunningly beautiful wife. Meanwhile, plying its sinister trade unnoticed, an apparently ordinary local farm family quietly butchers traveling salesmen, weary travelers, and other unsuspecting wanderers.

In his own inimitable brand of narrative wizardry, Scott Phillips traces the metamorphosis of a frontier town that becomes a lightning rod for sin, corruption, and murder. He also brings to life actual crimes that befell Kansas in the 1870s and 1880s, carried out by a strange clan who popularly became known as The Bloody Benders. Brilliantly written, maliciously fun, and full of many surprises, Cottonwood is historical fiction at its finest.

Editorial Reviews

The New York Times
Scott Phillips doesn't really write crime stories. He writes about criminal behaviors -- how they originate, how they transform character, how they become part of the cultural norm and, most incisively, how they flourish in certain environments. If you want to look at it historically, as he does with wit and gusto in Cottonwood, ''crime'' is just a name for behaviors that fall out of social fashion. — Marilyn Stasio
Publishers Weekly
Western epic, black comedy and soft porn are cleverly spliced in this genre-bending offering from Phillips (The Walkaway; The Ice Harvest), which relates the experiences of Bill Ogden, sometime farmer, sometime saloon-owner, sometime photographer in 1870s Kansas. Ogden, 27, is a self-taught Greek and Latin scholar and a sexual libertine capable of seducing almost any woman he encounters. Estranged from his wife, he never brags about his peccadilloes, although it seems that his devotion to oral sex sets him apart from rivals and makes him the heart's desire of the voracious women who seem to be everywhere on the frontier. The story, such as it is, centers on the arrival of Marc Leval and his lovely wife, Maggie, in the tiny farm community of Cottonwood. Marc capriciously selects Bill as a partner in his scheme to attract Texas drovers to a railhead, while Maggie plays a less-than-discreet game of spider and fly with Bill, the Kansas Casanova. In the meantime, an outlaw family membarks on a crime spree that eventually pits Bill against Marc and sends Bill and Maggie fleeing. Jumping ahead 20 years, Bill's story resumes in San Francisco, where he is making his way as a photographer and sexual athlete. He learns that Maggie, from whom he is long separated, has returned to Cottonwood, so he abandons his life in California and returns, bent on rekindling their love affair. Bill's salaciousness rivals Don Juan's and he is utterly devoid of scruples, but his deadpan humor and cunning indifference to life's vicissitudes keep him likable. Lively pacing and artful prose lend polish to Phillips's cheerfully grotesque chronicle of western antics. (Feb.) Copyright 2003 Reed Business Information.
Kirkus Reviews
Frontier Guignol in post-Civil War Kansas and California of the 1870s and '80s. Unflappable Bill Ogden objects more to the quality of his wife Ninna's extramarital affairs than to their quantity. After all, he and Ninna, for all practical purposes, live apart, she outside of Cottonwood on their farm with surly son Clyde and he in town above his saloon. Bill's stated reason is that he's taking care of business, which includes not only the saloon but also a nascent career as a photographer; in reality, he dallies as often as his wife, and his droll first-person narrative combines amorality with a genuine, if laid-back, joie de vivre. He gleefully shoots holes through the bowler of Ninna's foppish latest, a pots-and-pans salesman named A.J. Harticourt, who later turns up mysteriously dead. Indeed, Cottonwood is a real Wild West town, but not in the way one might expect. Its colorful population includes a remarkably high number of hedonists and sociopaths, and there are a similarly large number of disappearances and random corpses. Foremost among the former is Katie Bender, who lives with her German-born mother and advertises herself as a mystic and miracle healer. At length, Bill learns that Katie and mom are serial killers with an impressive number of victims. When flashy industrialist Marc Leval comes from Chicago with beautiful wife Maggie and a plan to turn Cottonwood into a railroad boomtown, Bill quickly becomes Marc's partner and Maggie's lover. Marc's proposal proves unpopular, however, as townspeople threaten violence and more. After an unexpected shooting leads to a makeshift posse and Bill's drift away from corrupt Cottonwood, he heads for San Francisco, where his photographicbusiness thrives for more than a decade. On his return to Kansas, he finds Cottonwood gripped by a dramatic murder trial. The blazingly original Phillips (The Walkway, 2002, etc.) writes with deadpan humor and incisive irony. The story is shaggy, but its unique slant on the Old West is a major achievement. Agency: Watkins/Loomis

Product Details

  • ISBN-13: 9780345461018
  • Publisher: Random House Publishing Group
  • Publication date: 3/29/2005
  • Edition description: Reprint
  • Pages: 304
  • Product dimensions: 5.10 (w) x 8.00 (h) x 0.65 (d)

Meet the Author

Scott Phillips is the national bestselling author of The Walkaway and The Ice Harvest, which was a finalist for the Hammett Prize, the Edgar Award, and the Anthony Award. He was born and raised in Wichita, Kansas, and lived for many years in France. He now lives with his wife and daughter in St. Louis, Missouri. Visit the author’s Web site at www.scottphillipsauthor.com.

Read an Excerpt

Cottonwood


By Scott Phillips

Ballantine Books

Copyright © 2004 Scott Phillips
All right reserved.

ISBN: 0-345-46100-2


Chapter One

COTTONWOOD, KANSAS DECEMBER 1872 The Grass Widows

There was no visible sign the day had broken when I poked my head out of the warm, dark pocket of my buffalo robe and into the stinging air of the blacksmith's loft where I made my bed. Up the street, though, I could hear a wagon rolling over the uneven ground, its driver cursing his team, the dry hinges of the big doors of the livery as they swung open, banging as they glided over the occasional chunk of frozen mud, someone idiotically ringing the bell that hung from a post in front of the Cottonwood Hotel. Ordinarily by this hour the blacksmith's boisterous activity would have awakened me, but he appeared to be late in arriving, so I rose shivering from the straw, stretched and pulled on trousers and shirt and then, clutching the robe about me, climbed down from the loft.

I started the smith's fire for him and stood before it for a minute or two, until I felt able to haul on my boots and overcoat and step out the door. Unlatching the padlock I walked one of the big square doors outward and found the day scarcely any brighter than when I'd closed my eyes the night before, the sky like cold ash and threatening snow. I couldn't leave the fire unattended and was about to douse it when the blacksmith showed himself, wheezing and spitting chunks of milky phlegm onto the rock-hard ground.

"Morning, Bill. See you got the fire going."

"You don't sound too good, Otis."

"Nope." His enormous, grizzled mustache and the narrow patch of wavy black beard under his lower lip were encrusted with frozen saliva and worse.

"You ought to be home in bed."

He made a horrible noise in his throat, that of half-solid matter being reluctantly dislodged, and spat into the fire, appearing to take some comfort in watching the stuff spatter and shrink therein. "The hell I ought. I got work to be done." Otis's apprentice, an industrious and formerly reliable young man of eighteen or nineteen by the name of Perkey, had gone off two months earlier to visit his ailing, widowed mother in the town of Lawrence and failed to return, and now it was all poor Otis could do to keep the livery supplied with horseshoes.

"All right, then. Stop in after lunch and get yourself a shot on the house."

He grunted his assent and began fortifying the small blaze I'd started, and I walked off stiff-legged up the street to the hotel, where six other men, laborers sharing a room, sat at the main table of the dining room. There I got a tin cup of coffee like axle grease and horseshit along with a plate of biscuits, and set about eating them as quickly as I could.

"Where've you been sleeping, Bill, to get your hair all afright like that?" The serving girl touched her hand to my hair, which must have been considerably askew. I pushed the hand away without a word or a direct look. "I believe I'll get you a comb for Christmas," she said as she headed out of the tiny dining room with a jaunty wiggle of her hind end, her long, wavy dark red hair shaking to the rhythm of her teasing laugh.

Two or three of the others at the table laughed with her. "Appears Miss Katie's taken a shine to old Bill," Tim Niedel said, his voice slow and high-pitched, his face wrinkled and flushed. This time of year his face was plain white and went bright pink when he laughed or got sore, but in the summertime he burned so brown even with a straw hat on that only his red hair kept him from being taken for an Indian. Tim had helped me build the saloon a year and a half previous, and when he had cash he was a customer there as well; he and the others were currently at work on a new house of such scale and ostentation that it seemed to belong in another town entirely. Its owners were as yet absentees and known only to the foreman of the project; there was speculation that their decision to locate their house in Cottonwood had been prematurely made, that once they actually saw our underdeveloped little settlement they'd dismantle the thing for reassembly in the more civilized climes of Independence or Fort Scott, or even Wichita.

"She takes a shine to anyone's possessed of a cock and balls, Tim," his neighbor answered in a lovely baritone that could be heard bellowing hymns on Sundays at Methodist services in the meeting hall down the street. Though she didn't live in town, the woman under discussion often attended those services herself; as neither man had troubled to lower his tone, she must have heard their remarks.

When she came back in she was still grinning, and she flicked a dishrag at Tim Niedel's head and then at his chum's. The other four seemed not to know anyone was in the room with them, so intent were they on shoveling down their corn mush. I gave Katie her dime and a half and went out, ignoring her efforts to get me properly bundled before I got out the door. It wasn't that I wanted to step out into the punishing morning air with my coat undone; I just didn't want her hands on me, and I couldn't have said exactly why.

On the wall next to the door of the hotel I saw that the proprietors had allowed her to post a fresh copy of her flyer:

Prof. Miss KATIE BENDER

can heal all sorts of diseases; can cure blindness, fits, deafness and all such diseases, also deaf and dumbness residence, 14 miles east of independence, on the road from independence to osage mission one and one half miles south east of norahead station.

Katie Bender

June 18, 1872

Beneath the printing she had scrawled apply within. Katie's sporadic attendance at Christian services hadn't affected her primary vocation as a spirit guide and faith healer, which for a while had earned her something of a following in Cottonwood and the surrounding towns. I hadn't heard much about it of late, probably since her clientele hadn't notably prospered or healed or become lucky in love.

There wasn't time to ponder the question, though; even in the midst of winter there were things that needed doing every morning, and that time of year I only kept one hired man. I mounted my rheumatic old nag and rode the three miles out to my claim thinking about the day when the income from the saloon would allow me to hire more and be done with farmwork forever.

Because of my delayed start it was late morning, though the sky was still dark, by the time I got to the saloon, where I found old Alf Cletus and Clark Bingham huddled around the side of the building against the wind and waiting for me to open her up. I lit both oil lamps once I'd closed the door and still it looked like the dead of night in there, just a smidgen of illumination coming in through the window opposite the bar as I fired up the stove and put on my vest and necktie.

When Alf removed his hat the skin at the crown of his head was high pink from the cold; he was ill dressed as usual and still shivering as the stove began warming the place up, complaining bitterly about my irregular hours of operation. His griping ceased when I set a glass in front of him and poured. Clark, quiet as usual, was fresh off of losing the homestead he'd staked eight months earlier, having failed to make the initial improvements necessary to maintain his claim. Despite my repeated arguments that he was better off, he was unable to see the happy side of this; he believed that he had been born to farm that piece of land, drunk or not. They had both downed their first shots of the day when the door opened and a man walked in wearing a fur coat and bowler hat. He had a drummer's sample case in his right hand, and with a cursory greeting to the assembled he shut the door and set the case down on the floor before the bar.

Alf had been just about to buy a bottle to take back to his room, but the drummer offered to stand him and Clark to a round of drinks, doubtless expecting that the gesture would be reciprocated by at least one of the two, an impression I didn't bother to correct.

"I presume you'll be able to change this?" He held out a gold double eagle, yellow as the mustache that curled over his upper lip.

"I can," I said, though I was certain he had smaller. The other two looked longingly at the gold piece; like just about everybody else they paid for their whiskey with whatever small coins and ten-cent shinplasters they managed to get their hands on. It had probably been years since Alf or Clark had held twenty dollars at one time in any form.

"Pleasant little hamlet you fellows have here," the drummer said, having established that Alf and Clark were locals. They both nodded in silent agreement.

"What are you peddling?" I asked, just to keep the conversation going in case he felt like going for another round.

"Pots and pans, the finest available in these United States." He said it with gusto and quite a bit of wind, probably thinking he might make a sale.

"Shit," Alf said, a gob of tobacco spittle flying from beneath his mustache and into the spitoon at his feet, "old Otis down at the forge makes all the pots and pans anybody needs around here."

"Not lately he don't," Clark mumbled, as if to himself.

"These are copper," the drummer said. "I just took a large order from the local hotel."

"Is that the truth?" I said, suspecting it wasn't; there wasn't much call for fine copperware in this part of the world. "Must be interesting work. Meet lots of people."

"Most of my clientele is made up of ladies," he said. He leaned in. "That's got its advantages and disadvantages, naturally. The former outweighing the latter." He winked and leered.

"How's that?" I said, playing innocent. He was thirty or thereabouts, and clearly hoped to cut the figure of a dandy. But if the bowler on his head looked brand-new and expensive, his coat's fur was worn away altogether in patches about the pockets and buttons, and when he opened it up, the suit under it was of medium quality, and threadbare to boot.

"Well, now, some of these ladies, they see a well-spoken, well-barbered, well-dressed man at the door and they can't control themselves. The husband, see, maybe he's off on business. Hell, sometimes he's just out plowing the back forty."

"And you're plowing Madame in the front room."

He snickered. "That's about the long and short of it."

"I just bet you could get you some of that around here," I said.

He nodded and leaned forward, lowering his voice as though there were others in the room whom he wished to keep in the dark. "Just yesterday afternoon I had the pleasure of screwing a nice big heifer of a dutchwoman, blond upstairs and down. Then she fed me lunch and afterward she had me climb back aboard."

(Continues...)



Excerpted from Cottonwood by Scott Phillips Copyright © 2004 by Scott Phillips. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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  • Anonymous

    Posted December 17, 2003

    Great western

    In late 1872 into 1873 Cottonwood, Kansas saloon owner Bill Ogden has no problems with his wife having extra marital affairs as the duo lives apart with Bill mostly residing above his saloon while Ninna calls the family ranch her humble abode. However, Bill wishes her choice in bedmates were of a higher quality though he also cheats with a few lowlifes too............................................... He takes exception to Ninna¿s latest pathetic lover by shooting holes in the bowler hat of the salesman. Not long afterward, someone kills the pots and pans traveling peddler. The townsfolk wonder if perhaps Bill dispatched a rival, but he questions the disproportionate number of vanishings and murders. He begins to hone in on self proclaimed mystic healer Katie Bender and her mother as clever killers of the Plains. However, Bill switches concerns when Chicago industrialist Marc Leval offers him a business partnership that unbeknownst to his new associate includes the man¿s wife in his bed. As the violence increases, Bill finally heads west to start over as a photographer wondering if anything will ever bring him back to Cottonwood.................................... 'Cottonwood is an amusing western tale that provides a distinctive look at the Old West through the eyes of an antihero over about two decades. The story line ironically tears apart beliefs established by Hollywood and the genre, but also pays homage to the Wild West. The tale lacks a central plot drifting from one major anecdote to another in a fiction kind of manner in which Bill serves as the focus. Still fans of satires will appreciate this humorous look that is mindful of the west of Jane Fonda (Cat Ballou) not John Wayne........................ Harriet Klausner

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