- Toccata (after Monteverdi)
- Presti omai (after Handel)
- Vedro (after Vivaldi)
- Prelude (after Bach)
- Domer¿¿ (after Handel)
- Stille amare (after Handel)
- Ekunda
- Barbaro (after Vivaldi)
- Che faro (after Gluck)
- Syst¿¿me de jeu
- Lascia (after Handel)
5
1
5400439006560
Fabrizio Cassol Primary Artist,Musical Direction
Rodriguez Vangama Primary Artist,Balafon,Conductor,Guitar (Electric)
Angou Ingutu Bass (Electric)
Deb's Bukaka Balafon,Percussion
Mitch Mpanya Vocals (Background)
Russell Tshiebua Vocals (Background)
Silva Makengo Likembe
Tister Ikomo Xylophone,Percussion
Alain Platel Staging
36 Seke Calabash
Cedrick Buya Ngoma
Costa Pinto Guitar (Acoustic)
Coup Fatal Vocal Ensemble
Erick Nguya Likembe
Antonio Vivaldi Original Material
George Frederick Handel Original Material
Claudio Monteverdi Original Material
Fabrizio Cassol Mixing,Composer
Christoph Willibald Gluck Original Material
Benjamin Joubert Mastering
John Tyler Tuttle Liner Note Translation
Chris Van der Burght Photography
Deb's Bukaka Composer
Robin Yerles Photography
Willemjan Vandenplas Photography
Rodriguez Vangama Composer
Dominic Verheyen Executive Producer
Pierre Dozin Recording Assistant
Julien Lapiece Executive Producer
Michael Andina Mixing,Engineer

Coup Fatal
by Serge Kakudji, Fabrizio Cassol, Rodriguez Vangama
Serge Kakudji

Coup Fatal
by Serge Kakudji, Fabrizio Cassol, Rodriguez Vangama
Serge Kakudji
CD
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Overview
And now for something completely different! Words don't do it justice, but...what you have here are (mostly) familiar Baroque vocal pieces, sung by a Congolese countertenor, Serge Kakudji, and accompanied by a battery of Congolese percussion and electric guitar. The African players are from Kinshasa, and the music is mostly in the soukous style, derived partly from Latin American rumba. There are a couple of original pieces, and in live performance the music would be accompanied by dancers. Just to top it all off, there are some syllable vocal harmonies that sound as though they could have come off 1960s lounge recordings. When it comes to cross-cultural fusions, this is hard to outdo. The idea was apparently the brainchild not of Kakudji but of Belgian composer and jazz saxophonist Fabrizio Cassol, who has traveled extensively in Africa. Sometimes the Baroque pieces lie right on the surface, and sometime they're buried more deeply; you may enjoy playing a few for friends and seeing whether they can identify the source material. What makes this all so extraordinary is that there is absolutely nothing of pat pastiche about it, or even of experiment. The music sounds as though it's the most natural thing in the world, as though people had been mixing these elements for decades, and it has the kind of swing that comes only from true enjoyment on the part of the players. A real triumph. ~ James Manheim
Product Details
Release Date: | 01/27/2015 |
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Label: | OUTHERE |
UPC: | 5400439006560 |
Tracks
Album Credits
Performance Credits
Serge Kakudji Primary Artist,Counter Tenor (Vocal)Fabrizio Cassol Primary Artist,Musical Direction
Rodriguez Vangama Primary Artist,Balafon,Conductor,Guitar (Electric)
Angou Ingutu Bass (Electric)
Deb's Bukaka Balafon,Percussion
Mitch Mpanya Vocals (Background)
Russell Tshiebua Vocals (Background)
Silva Makengo Likembe
Tister Ikomo Xylophone,Percussion
Alain Platel Staging
36 Seke Calabash
Cedrick Buya Ngoma
Costa Pinto Guitar (Acoustic)
Coup Fatal Vocal Ensemble
Erick Nguya Likembe
Technical Credits
Johann Sebastian Bach Original MaterialAntonio Vivaldi Original Material
George Frederick Handel Original Material
Claudio Monteverdi Original Material
Fabrizio Cassol Mixing,Composer
Christoph Willibald Gluck Original Material
Benjamin Joubert Mastering
John Tyler Tuttle Liner Note Translation
Chris Van der Burght Photography
Deb's Bukaka Composer
Robin Yerles Photography
Willemjan Vandenplas Photography
Rodriguez Vangama Composer
Dominic Verheyen Executive Producer
Pierre Dozin Recording Assistant
Julien Lapiece Executive Producer
Michael Andina Mixing,Engineer
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