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Liesl SchillingerWith The Courtier and the Heretic, Stewart has achieved a near impossibility, creating a page-turner about jousting metaphysical ideas that casts the hallowed, hoary thinkers as warriors in a heated ideological battle. He reveals early on that he believes the battle was one-sided, and that both men fought for the same cause. Even so, the conflict, as he paints it, is no less compelling for ending in a draw. This is a harder trick to pull off than it may sound because Stewart's rivals are both relatively unknown to modern nonspecialists. In other words, he has to acquaint his readers with both his main characters before he can unspool his take on their story.
— The New York Times