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| Krista Detor | Primary Artist, Organ, Piano, Vocals, farfisa organ |
| Carrie Newcomer | Vocals |
| Jim Krause | Mandolin |
| Michael White | Background Vocals |
| Jason Wilber | Guitar |
| Jack Helsley | Tuba |
| Steven Mascari | Bass |
| Pete Wilhoit | Drums |
| Gordon Lowry & Orchestra Harrell | Violin |
| Adam White | Drums |
| Dave Weber | Guitar, Vocals |
| Slats Klug | Harmonica, Accordion |
| Brandt Smith | Dobro |
| Gordon Lowry | Violin |
| Steve Mascari | Bass Guitar |
| Art Heckman | Guitar, Harmonica, Background Vocals |
| Frances Miller | Violin, Viola |
| Pete Brockman | Trombone |
| Anne Hurley | Cello |
| Rick Hackler | Banjo, Dobro |
| Esme Folley | Cello |
| Tom Clark | Flute, Saxophone |
| Kurt Vonnegut | Author |
| Carrie Newcomer | Duet |
| Greg Calbi | Mastering |
| F. Miller & J. Barry | Collaboration |
| Hugh Syme | Artwork |
| David Weber | Audio Production |
| Krista Detor | Duet |
Editorial Reviews
All Music Guide - Chris Nickson
Krista Detor might well be one of America's best-kept secrets. This album, with its recurring theme of water, brings out gem after gem, using popular culture as a metaphor ("Marlene in a Movie") and also an examination of America ("Pretty Horses Run" and "Robert Johnson Has Left Mississippi," which might be the best Springsteen song Springsteen never wrote). She's not just an exceptional lyricist, but understands how to fit those words to some excellent, memorable melodies (yes, this is an intelligent pop album), but her voice is just perfect for the emotions she puts across. But there's more to her than that; "The World Is Water" could easily be an Irish folk song, a ...