Crash
If what you see is what you get, Jules is in serious trouble. The suspenseful first in a series from the New York Times bestselling author of the Wake trilogy.

Jules lives with her family above their restaurant, which means she smells like pizza most of the time and drives their double-meatball-shaped food truck to school. It's not a recipe for popularity, but she can handle that.

What she can't handle is the recurring vision that haunts her. Over and over, Jules sees a careening truck hit a building and explode...and nine body bags in the snow.

The vision is everywhere-on billboards, television screens, windows-and she's the only one who sees it. And the more she sees it, the more she sees. The vision is giving her clues, and soon Jules knows what she has to do. Because now she can see the face in one of the body bags, and it's someone she knows. Someone she has been in love with for as long as she can remember.

In this riveting start to a gripping series from New York Times bestselling author Lisa McMann, Jules has to act-and act fast-to keep her vision from becoming reality.
1110155534
Crash
If what you see is what you get, Jules is in serious trouble. The suspenseful first in a series from the New York Times bestselling author of the Wake trilogy.

Jules lives with her family above their restaurant, which means she smells like pizza most of the time and drives their double-meatball-shaped food truck to school. It's not a recipe for popularity, but she can handle that.

What she can't handle is the recurring vision that haunts her. Over and over, Jules sees a careening truck hit a building and explode...and nine body bags in the snow.

The vision is everywhere-on billboards, television screens, windows-and she's the only one who sees it. And the more she sees it, the more she sees. The vision is giving her clues, and soon Jules knows what she has to do. Because now she can see the face in one of the body bags, and it's someone she knows. Someone she has been in love with for as long as she can remember.

In this riveting start to a gripping series from New York Times bestselling author Lisa McMann, Jules has to act-and act fast-to keep her vision from becoming reality.
18.99 In Stock
Crash

Crash

by Lisa McMann

Narrated by Allyson Ryan

Unabridged — 5 hours, 18 minutes

Crash

Crash

by Lisa McMann

Narrated by Allyson Ryan

Unabridged — 5 hours, 18 minutes

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Overview

If what you see is what you get, Jules is in serious trouble. The suspenseful first in a series from the New York Times bestselling author of the Wake trilogy.

Jules lives with her family above their restaurant, which means she smells like pizza most of the time and drives their double-meatball-shaped food truck to school. It's not a recipe for popularity, but she can handle that.

What she can't handle is the recurring vision that haunts her. Over and over, Jules sees a careening truck hit a building and explode...and nine body bags in the snow.

The vision is everywhere-on billboards, television screens, windows-and she's the only one who sees it. And the more she sees it, the more she sees. The vision is giving her clues, and soon Jules knows what she has to do. Because now she can see the face in one of the body bags, and it's someone she knows. Someone she has been in love with for as long as she can remember.

In this riveting start to a gripping series from New York Times bestselling author Lisa McMann, Jules has to act-and act fast-to keep her vision from becoming reality.

Editorial Reviews

JULY 2013 - AudioFile

Jules has a lot on her plate: She works long hours in her family's restaurant, her depressed father is no help, and she's secretly in love with a rival restaurateur's son. To top it off, anytime she looks at a flat surface, she sees a horrific fiery crash followed by a row of body bags. Is she crazy like her dad? Narrator Allyson Ryan manages to keep Jules’s first-person narrative on a fairly low boil, occasionally spilling into overwrought anxiety as Jules struggles over what to do. Jules’s heated discussions with her parents and brother are especially vivid. Ryan's narration suits this slice-of-life story, even though the seeing visions part is, well, half-baked. M.M.O. © AudioFile 2013, Portland, Maine

Publishers Weekly

A key role in running the family restaurant is a lot for any kid to handle; simultaneously protecting a gay brother and a mentally ill father is more than enough complication. High school sophomore Jules Demarco has it even worse: she’s also in love with “the enemy”—Sawyer Angotti, whose family runs a rival restaurant. She keeps her balance until billboards around town begin showing her a crashing truck and body bags. Only Jules sees these harbingers of doom, and soon they’re everywhere, in steadily increasing detail—detail that shows that one of those body bags belongs to Sawyer. McMann’s (Wake) new series has a well- realized, amusing narrator and great realism in the details of restaurant management and family dysfunction. The questionable part is Jules’s visions; there’s no reason why this Romeo and Juliet romance needs precognition to work. So little rationale is given for them that it’s difficult to see how the device will plausibly support more books. However thin the pretext, though, Jules’s voice is quirky and fun—there’s plenty of reason to read on. Ages 14–up. Agent: Michael Bourret, Dystel & Goderich Literary Management. (Jan.)

Kirkus Reviews

Seeing is believing…unless you're the only one with the vision. McMann kicks off the first book in her new Visions series with a bang. On nearly every flat surface--billboards, televisions and road signs--Jules Demarco sees an out-of-control snowplow crash into a restaurant, causing an explosion and killing those inside. With a depressed grandfather who committed suicide and a moody, hoarder father, she's certain her Italian family will commit her if they find out about her visions. There's also their probable anger to contend with: The restaurant in Jules' vision is their rival pizza parlor, and one of the dead is Sawyer Angotti, her secret, lifelong crush and son of the adversarial restaurateur. As in the Wake trilogy, a strong female protagonist pairs with quick pacing, realistic dialogue and the right amount of romance to drive this suspenseful story. Using clues from her ever more frequent visions, social outcast Jules tries to figure out the exact time of the crash in an attempt to thwart it, risking her already shaky standing with Sawyer, her parents and her classmates. In the process of saving lives, she also discovers some dark family secrets. The teen's occasional lists of five items, such as "Five reasons why I, Jules Demarco, am shunned," keep the drama on the lighter side. McMann is on her way to becoming the next queen of supernatural thrillers. (Supernatural thriller. 14 & up)

Product Details

BN ID: 2940170946167
Publisher: Simon & Schuster
Publication date: 01/08/2013
Series: Visions , #1
Edition description: Unabridged

Read an Excerpt

One

My sophomore psych teacher, Mr. Polselli, says knowledge is crucial to understanding the workings of the human brain, but I swear to dog, I don’t want any more knowledge about this.

Every few days I see it. Sometimes it’s just a picture, like on that billboard we pass on the way to school. And other times it’s moving, like on a screen. A careening truck hits a building and explodes. Then nine body bags in the snow.

It’s like a movie trailer with no sound, no credits. And nobody sees it but me.

• • •

Some days after psych class I hang around by the door of Mr. Polselli’s room for a minute, thinking that if I have a mental illness, he’s the one who’ll be able to tell me. But every time I almost mention it, it sounds too weird to say. So, uh, Mr. Polselli, when other people see the “turn off your cell phones” screen in the movie theater, I see an extra five-second movie trailer. Er . . . and did I mention I see stills of it on the billboard by my house? You see Jose Cuervo, I see a truck hitting a building and everything exploding. Is that normal?

The first time was in the theater on the one holiday that our parents don’t make us work—Christmas Day. I poked my younger sister, Rowan. “Did you see that?”

She did this eyebrow thing that basically says she thinks I’m an idiot. “See what?”

“The explosion,” I said softly.

“You’re on drugs.” Rowan turned to our older brother, Trey, and said, “Jules is on drugs.”

Trey leaned over Rowan to look at me. “Don’t do drugs,” he said seriously. “Our family has enough problems.”

I rolled my eyes and sat back in my seat as the real movie trailers started. “No kidding,” I muttered. And I reasoned with myself. The day before I’d almost been robbed while doing a pizza delivery. Maybe I was still traumatized.

I just wanted to forget about it all.

But then on MLK Day this stupid vision thing decided to get personal.

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