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Condition:
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1998 Paperback Good General Used Condiiton. Minor Defects may Exist. Minimal Shelf wear. Text may contain minor marking or highlighting, Binding Tight. Previous owners name or
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bookplate may be present. Like New, May have remainder mark (black line generally made acrossed bottom page edge to indicate close out by publisher)
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Condition:
New
New, unread, unused and in perfect condition.
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Condition:
Like New
Used Like New, no missing pages, no damage to binding, may have a remainder mark.
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Condition:
Like New
1998 Softcover Fine 1884910335. Softcover, in Fine condition, no stamps or writing, straight spine without creases, looks like new, no flaws to note, Writing Compelling, Fresh
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Approaches That Express Your Characters True Feelings, ; In the summer of 1960 a legendary director took a cast of movie icons into the Nevada desert to make a movie from a screenplay by a famed playwright. The Misfits was one of the most anticipated films of the 20th century, but difficult shooting locations, an unstable leading lady, an aging leading man, a crumbling marriage, and an undisciplined director all conspired to make behind-the-scene events as dramatic as the movie itself.
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Condition:
Like New
Trade paperback. . Like new; no internal markings; has only lost its "Brand New" shine. No pricing stickers. No remainder mark. No spine creasing. (Theology/Religion 12-19-11). In
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sealed plastic protection. 1998. Trade paperback.
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Ships from: Aurora, IL
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Condition:
Very Good
1998 Trade paperback Very good. No dust jacket as issued. Trade paperback (US). Glued binding. 176 p. Audience: General/trade. like new
Ships from: Brandon, FL
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Condition:
New
1884910335 NEW
Ships from: Curtisville, PA
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Condition:
Very Good
1884910335 very good clean copy, firm binding, clean text
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Condition:
Good
Name inside cover - light wear from handling. ; Softcover; Story Press; Cincinnati OH; First Printing; Large 8vo 9" - 10" tall; 170 pages
Ships from: Colchester, VT
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Overview
In this unique book, Ann Hood will help you find fresh, creative images, words and gestures to evoke feelings in your fiction. In 36 "mini-lessons," Hood sheds new light on love, hate, fear, grief, guilt, hope, jealousy and other major emotions. Each lesson offers instruction on rendering that particular sentiment; "good" and "bad" examples illustrating how writers have succeeded and where others have gone wrong; and imaginative exercises for putting the feeling into words.