Creative Paint Workshop for Mixed-Media Artists: Experimental Techniques for Composition, Layering, Texture, Imagery, and Encaustic

Overview

Whether you have formal training in painting or no experience at all, this new in paperback workshop-style book is the perfect guide for any artist interested in integrating the medium of paint into other types of artwork such as surface design, mixed media, collage, altered art, or art journaling. Creative Paint Workshop for Mixed-Media Artists explores a wide variety of innovative and experimental paint techniques that can add stunning visual impact and texture to many types ...

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Creative Paint Workshop for Mixed-Media Artists: Experimental Techniques for Composition, Layering, Texture, Imagery, and Encaustic

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Overview

Whether you have formal training in painting or no experience at all, this new in paperback workshop-style book is the perfect guide for any artist interested in integrating the medium of paint into other types of artwork such as surface design, mixed media, collage, altered art, or art journaling. Creative Paint Workshop for Mixed-Media Artists explores a wide variety of innovative and experimental paint techniques that can add stunning visual impact and texture to many types of work.

—Develop your sense of composition and learn new approaches to abstract design.

—Experiment with texture effects, collage, inclusions, and encaustic.

—Learn how to use the latest new products to achieve magical effects.

—See how to use digital imagery, including how to do transfers with wax.

—Be inspired by the work of a wide variety of cutting edge, mixed-media artists and experimental painters.

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Editorial Reviews

From the Publisher

Baldwin, Ann. Creative Paint Workshop for Mixed-Media Artists. Quarry: Quayside. 2009. c.144p. illus. ISBN 978-1-59253-456-2. $24.99. ART INSTRUCTION

Baldwin refreshingly sees abstract art as a childlike craft rather than as a fine art. She first teaches the basic rules of design and composition, then sets free with paint, crayons, photos, fabric and wax. This unique volume removes the pomposity from art and restores the simple joy inherent to its creation. -- Library Journal, July 2009
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Product Details

  • ISBN-13: 9781592537471
  • Publisher: Quarry Books
  • Publication date: 11/1/2011
  • Pages: 144
  • Sales rank: 465,562
  • Product dimensions: 8.50 (w) x 11.00 (h) x 0.50 (d)

Meet the Author

Ann Baldwin was born in London, England, and lived there until 1990 when she came to live in the San Francisco Bay area with her husband. She began painting in 1991, after being a teacher of literature all of her working life. Within 18 months she was exhibiting landscapes in local juried shows. Initially self-taught, she began studying art history, painting, color theory, drawing and design, and became known as an abstractionist, and later developed her text-and-image collages. As a full-time artist, she continues to break rules and experiment, currently with encaustic.

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Read an Excerpt

Drawing Media

Pens, pencils, pastels, and oil crayons are all useful in mixed-media painting. Bear in mind that acrylic is a wet medium, so your drawing media will need to be waterproof unless applied as a final touch. Even then, they won’t work if you plan to add a coat of protective medium or varnish to the piece.

There are many so-called waterproof pens on the market, but test them first on a separate sheet of paper. Brush a little water over the ink, after you have allowed it to dry. You’ll soon see if it “bleeds.” I have found Sharpie pens to be the most reliable and they come in a variety of tip sizes. For a more creative approach, try using acrylic ink (FW inks come in many different colors) with a calligraphic nib pen.

Graphite pencils are not entirely waterproof, but if a layer of soft gel medium is brushed over gently, the marks will be prevented from dissolving into a gray mess when the next layer is applied.

Cheap oil pastels contain very little oil and plenty of filler, making them very suitable for layered work. Unlike true oil sticks, they will not entirely resist acrylics, so they can be easily covered up. They also write well on even the most plastic acrylic paint. The dry particles in charcoal and soft pastels make them vulnerable to lifting by wet media, so it’s best to avoid using them.

The ingredients of crayons and colored pencils vary widely. Those with hard leads will not deposit color on a polymer medium or paint surface. The softer and creamier the pencil, the more likely they are to work. Of course, you can always use colored pencils to decorate your pieces of paper collage before they are stuck down. Black-and-white images colored in with colored pencils can be fun. Be absolutely sure that you are not using water-soluble crayons or pencils—usually labeled “watercolor”—or the marks will turn to wet paint when subsequent layers of paint are added. Caran d’Ache makes stick wax-oil crayons called Neocolor I, which work extremely well on top of acrylics, even when there is texture underneath. Though more expensive than most drawing crayons, they are waterproof, lightfast, and come in a variety of colors.

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Table of Contents

Introduction

Chapter 1: Getting Started

Chapter 2: How to Compose

Chapter 3: Approaches to Abstract Design

Chapter 4: Experiments in Texture

Chapter 5: Layering Paint and Found Images

Chapter 6: Combining Words and Paint

Chapter 7: Working with Encaustic Materials

Chapter 8: Using Digital Photographs in Mixed-Media Paintings

Chapter 9: Gallery of Special Projects

Contributing Artists

Resources

About the Author

Acknowledgments

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Sort by: Showing all of 15 Customer Reviews
  • Posted March 15, 2010

    An Excellent Tool

    Of all the instructional books I have read on this subject, this book is the best. The most inspiring aspect is that the author, Ann Baldwin, is self-taught. Seriously, I have taken art classes at my local art gallery and area colleges, but have learned more from this book. Very excited and inspired to start working on a new piece.

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  • Posted February 7, 2010

    A Great Way to Learn Layering, Texture, and Imagery

    There are many things I like about this book. First, it is a spiral bound book with a solid book spine. This makes the book easy to leave open while you work, yet the title on the spine makes the book easy to find on a shelf. The cover is lovely and I display the book in my home office.

    I love photography and Ann uses her photography in her mixed-media projects; what an inspiration. She shows you her own art and therefore shows you how her projects look at different stages. This helped me because it is nice to know that she fiddles with her layout as she progresses (just like I do). She has a plan but isn't afraid to modify it for final composition.

    Her work is somewhat abstract and she uses a color palette of which, I'm fond. Stop by a B&N store and flip through this book. You will find yourself at the checkout stand fairly quickly.

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  • Posted August 2, 2009

    more from this reviewer

    Be Sure to Read the Beige Boxes

    I took a class from Ann Baldwin and while I enjoyed the hands-on experience very much this book was actually better. She has incorporated every detail that anyone might need in the creation of a mixed media piece. For example, there are notes about getting extra H2O off your brush, how to analyze a piece if you think it's boring, putting a piece of wood behind your canvas when gluing, etc. The tips and advice in the beige boxes are really valuable. Her discussions of media, paper, glues etc. are helpful too. My only criticism is that all the examples of finished work belong to the author. Her work is beautiful but I would have liked more diversity.

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