Creative Writing: Four Genres in Brief / Edition 1

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Overview

Creative Writing: Four Genres in Brief offers practical solutions to some of the main challenges of learning to write poetry, fiction, drama, and nonfiction over the short span of a single creative writing course. In a lively, accessible style, David Starkey concisely explains the basics of composing and crafting each genre, To make the best use of limited time, he provides only very short models of literature to analyze, admire, and emulate, To inspire creativity and motivate writing, he offers many inventive and imaginative writing prompts and projects.
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Product Details

  • ISBN-13: 9780312468668
  • Publisher: Bedford/St. Martin's
  • Publication date: 12/17/2008
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 339
  • Product dimensions: 6.40 (w) x 9.00 (h) x 0.60 (d)

Meet the Author

David Starkey is Professor of English and Director of the Creative Writing Program at Santa Barbara City College.  He is the editor of two collections of creative writing pedagogy, Teaching Writing Creatively (1998) and Genre by Example: Writing What We Teach (2001), and he has been active in all four genres.  His poetry collections include Adventures of the Minor Poet (2007); Ways of Being Dead: New and Selected Poems (2006); and Fear of Everything (2000).  Several poems from his most recent collection, A Few Things You Should Know about the Weasel (2010) were featured on Garrison Keillor’s The Writer’s Almanac.  His fiction has appeared in American Literary Review, Rio Grande Review, Sou’wester, and in the anthology Blue Cathedral: Contemporary Fiction for the New Millennium.  His creative nonfiction has been published in Cimarron Review, Gulf Stream Magazine, Tampa Review, and in the book Living Blue in the Red States (2007), which he edited.  His plays have been produced in New York, Chicago, Los Angeles, Seattle, Minneapolis, Toronto, and elsewhere.

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Table of Contents

Preface: A Few Words to Instructors

A Few Things You Should Know About Creative Writing
"Beliefs about the Teaching of Writing"
Final Words

1. Writing Poetry
A Few Things You Should Know about Poetry
The Elements of Poetry
The Short Poem: Three Models
Gail White, "My Personal Recollections of Not Being Asked to the Prom"
Ruth Stone, "Winter"
Fanny Howe, " 9/11"
Lines and Stanzas
Meter and Rhythm
The Music of Poetry
Images, Symbols and Figurative Language
Diction, Syntax and the Language of Poetry
Poetic Forms
Sonnet
Villanelle

Rondeau

Sestina

Cinquain

Pantoum

Ghazal

Prose Poem
Getting Started Writing Poetry
•Kick-Starts: Beginning Your Poems

An Anthology of Short Poems

Sherman Alexie
, "Postcards to Columbus"

Paula Gunn Allen
, "Zen Americana"

Jimmy Santiago Baca
, "Bells"

Charles Bernstein
, "Frequently Unasked Questions"

Gwendolyn Brooks
, "The Ballad of Rudolph Reed"

Lorna Dee Cervantes
, "Poem for the Young White Man
Who Asked Me How I, an Intelligent, Well-Read Person, Could
Believe in the War between Races"

Wanda Coleman
, "Brute Strength"

Billy Collins
, "Nostalgia"

Elaine Equi
, "A Quiet Poem"

Ray González
, "Praise the Tortilla, Praise Menudo, Praise Chorizo"
Barbara Guest, "Noisetone"

Joy Harjo
, "Santa Fe"

Allison Joseph
, "On Being Told I Don’t Speak like a Black Person"

Galway Kinnell
, "That Silent Evening"

Ann Lauterbach
, "Boy Sleeping"

Naomi Shihab Nye
, "Lunch in Nablus City Park"

Gary Snyder
, "I Went into the Maverick Bar"

Gary Soto
, "What Is Your Major?"

Adrienne Su
, "The English Canon"

Virgil Suárez
, "The Ways of Guilt"

James Tate
, "Teaching the Ape to Write Poems"

Natasha Tretheway
, "My Mother Dreams Another Country"

David Wojahn
, "The Assassination of John Lennon as
Depicted by the Madame Tussaud Wax Museum, Niagara Falls, Ontario, 1987"

2. Writing the Short-Short Story
A Few Things You Should Know about the Short-Short Story
The Elements of Fiction
The Short-Short Story: Three Models

Isaac Babel
, "Crossing the River Zbrucz"

Donald Barthelme
, "The Baby"

Roberta Allen
, "Marzipan"
Structure and Design
Creating Characters
Writing Dialogue
Setting the Scene
Deciding on Point of View, Developing Tone and Style

First-Person Point of View

Second-Person Point of View
Third-Person Limited Point of View

Third-Person Omniscient Point of View

Tense

Tone and Style
Getting Started Writing the Short-Short Story
• Kick-Starts: Beginning Your Story

An Anthology of Short-Short Stories

T.Coraghessan Boyle
, "The Hit Man"

Ron Carlson
, "A Kind of Flying"

Raymond Carver
, "Popular Mechanics"

John Cheever
, "Reunion"

Stuart Dybek
, "Bottle Caps"
Merrill Gilfillan, "Near Michaelmas"

Amy Hempel
, "Church Cancels Cow"

Jamaica Kincaid
, "Girl"

Joyce Carol Oates
, "Wolf’s Head Lake"

Annie Proulx
, "The Old Badger Game"

Lois-Ann Yamanaka
, "Dominate and Recessid Jeans"

3. Writing Creative Nonfiction
A Few Things You Should Know about Short Creative Nonfiction
The Elements of Creative Nonfiction
Short Creative Nonfiction: Three Models

Scott Russell Sanders
, "News of the Wild"

Brian Doyle
, "Joyas Voladoras"

Rebecca McClanahan
, "Liferower"
Organizing Creative Nonfiction
Telling the Truth
Creative Nonfiction as Narrative

Character

Dialogue

Scene-Setting
The Poetry of Creative Nonfiction

Imagery and Figurative Language

Diction

Sound and Rhythm
Writing Yourself into Creative Nonfiction
Ethics and Edicts
Getting Started Writing Short Creative Nonfiction
• Kick-Starts: Beginning Your Creative Nonfiction

An Anthology of Short Creative Nonfiction
Diane Ackerman, "The Mute Sense"
Marcia Aldrich, "Walkaways"
Edwidge Danticat, "Westbury Court"
Cecile Goding, "How to Tell One Bird From the Next"
Dinty W. Moore, "El Toro Rojo"
Bharati Mukherjee, "Two Ways to Belong in America"
Aimee Nezhukumatathil, "The Witching Hour"
Reg Saner, "Late July, 4:40 A.M."
Mimi Schwartz, "Elegy for an Optimist"
Terese Svoboda, "Morning Glory Harley"

4. Writing the Ten-Minute Play
A Few Things You Should Know about the Ten-Minute Play
The Elements of Playwriting
The Ten-Minute Play: Three Models

David Ives
, "Sure Thing"
David Henry Hwang, "Trying to Find Chinatown"
Tina Howe, "The Divine Fallacy"
Structuring the Ten-Minute Play
Creating Believable Characters
Writing Convincing Dialogue
Crafting a Theme
On Stage: The Elements of Production
Stage
Sets
Props, Costumes, and Effects
Lights
Sounds
Actors
Directors
Producers
Audience
Getting Started Writing the Ten-Minute Play
• Kick-Starts: Beginning Your Play
Playscript Format: A Model

An Anthology of Ten-Minute Plays
Dan Dietz, "Trash Anthem"
Kristina Halvorson, "Now We’re Really Getting Somewhere"
Jeffrey Hatcher, "Tango Delta"
Elaine Romero, "If Susan Smith Could Talk"

A Few Words of Farewell
Glossary
Index

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