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| Tom McDermott | Primary Artist, Piano |
| Tom McDermott & His Jazz Hellions | Piano |
| Connie Jones | Trumpet, Cornet, Vocals |
| Louis Moreau Gottschalk | Composer |
| Jelly Roll Morton | Composer |
| Mark Bingham | Engineer, Mastering |
| Eddie DeLange | Composer |
| Melvin Lastie | Composer |
| Tom McDermott | Composer, Audio Production |
| Tom Piazza | Liner Notes |
| Leon René | Composer |
| Spencer Williams | Composer |
| Tom McDermott & His Jazz Hellions | Arranger, Producer, Liner Notes, Cover Design |
| Mat Domber | Executive Producer |
| Rachel Domber | Executive Producer |
| Louis Alter | Composer |
| Clarence Muse | Composer |
| Otis Rene | Composer |
| Mark Fowler | Cover Design |
Editorial Reviews
All Music Guide - Ronnie D. Lankford
On Creole Nocturne, pianist Tom McDermott and cornetist Connie Jones offer an intimate trip back in time when jazz was still connected to the blues. The title is a nifty twist on Chopin's "E-Flat Nocturne," re-imagined here as New Orleans jazz. Even though returning to New Orleans jazz strikes a traditional chord, cornet-piano duets are hardly the norm, and Creole Nocturne thus offers a twist on both the original style and McDermott and Jones' contemporary interpretation of it. The material is a mix of McDermott originals and a handful of classic tunes, and, despite the distance in time between "When It's Sleepy Time Down South" and "Danza de las Muñecas" (The Wrist ...