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The Crimson Rooms
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The Crimson Rooms

3.0 3
by Katharine McMahon

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In the spirit of Sarah Waters and Geraldine Brooks, a dramatic mystery about love, secrets, and discovery in post-World War I London.

Still haunted by the death of her brother James, in the Great War, Evelyn Gifford is completely unprepared when a young nurse named Meredith and her six-year-old son appear on the Giffords' doorstep one night.


In the spirit of Sarah Waters and Geraldine Brooks, a dramatic mystery about love, secrets, and discovery in post-World War I London.

Still haunted by the death of her brother James, in the Great War, Evelyn Gifford is completely unprepared when a young nurse named Meredith and her six-year-old son appear on the Giffords' doorstep one night. The child, Meredith claims, is James's, conceived in a battlefield hospital shortly before his death. The grief-stricken Giffords welcome the child, who is the spitting image of James. But Evelyn, a struggling attorney, must now support her entire family on her salary—at a time when work for women lawyers is almost nonexistent.

Suddenly a new case falls into Evelyn's lap: seemingly hopeless, it's been abandoned by her male coworkers. The accused, Stephen Wheeler—a veteran charged with murdering his young wife—is almost certain to die on the gallows. Evelyn is approached by a dashing lawyer, Nicholas Thorne, who offers to help her prove Wheeler's innocence. She agrees, even though she is needled by Thorne's moneyed background and old-fashioned attitudes. Evelyn suspects her client is truly innocent, just as she suspects there is more to the story of her "nephew" than meets the eye....

Editorial Reviews

Publishers Weekly
This brisk romantic mystery, set in post-WWI London, begins with a situation worthy of E.M. Forster as Evelyn Gifford and her family receive a visit from a nurse and a young boy who claim to be the wartime lover and child of Evelyn's late brother. Evelyn has little time to ponder the implications: a lawyer in training, she is pressed into service when her firm takes the case of a war veteran accused of murdering his wife and burying her body in the woods (along with all incriminating evidence). Evelyn believes in the man's innocence and tries to unearth new evidence that will exonerate him, but complicating her investigation are Nicholas Thorne, a handsome but engaged attorney whom Evelyn falls for, and the nurse, Meredith, who, having moved in with the Gifford family, begins to force Evelyn out of her settled existence. Despite these distractions, Evelyn doggedly follows a trail of clues leading back to a wartime coverup. In this determinedly old-fashioned novel of tangled mystery and morality, Evelyn makes for a smart and resolutely modest heroine. (Feb.)
Library Journal
The Great War is over, but the Gifford women still live in isolated grief. The daughter of the house, Evelyn supports the family by clerking in a lawyer's office at a time when women weren't lawyers. Evelyn is thrown when a woman and child show up on her doorstep. The child is unmistakably the son of her brother James, killed in the war. Meredith, the mother, was James's nurse in a field hospital. Interwoven with this story line is Evelyn's increasingly difficult professional life, which includes fighting to get an impoverished woman's children returned to her and helping defend a man on trial for murder who won't defend himself. Caught between the old guard of English society and the new world of art and jazz, Evelyn teeters on the brink of something very interesting, indeed. VERDICT McMahon's historical novels (The Alchemist's Daughter; The Rose of Sebastopol) are often complex but extremely rewarding in their depth and character development. Her latest is her best novel to date. Strongly recommended for readers who enjoy Sarah Waters, Geraldine Brooks, and Jacqueline Winspear.—Anna M. Karras, Collier Cty. P.L., Naples, FL
Kirkus Reviews
Another inventive, nuanced historical novel from McMahon (The Rose of Sebastopol, 2009, etc.), again focused on a progressive female protagonist constrained by the expectations of her era. Evelyn Gifford, 30 and one of England's first female lawyers, must not only struggle against mockery and prejudice at work but also grapple with her grief over the loss of her beloved brother James; she's still bereft six-and-a-half years after he was killed in World War I. Evelyn's cash-strapped London household, which includes her widowed mother, aunt and elderly grandmother, is further burdened by the arrival of Meredith and Edmund Duffy, James' hitherto unknown lover and illegitimate child. McMahon captures the conflicts of class and impoverishment, work and privilege in telling detail through Evelyn's professional dilemmas, which take her to slums, prisons, orphanages and society drawing rooms. At home, Meredith undermines James' memory with her shocking recollections, but Evelyn is drawn to Edmund as the son she believes she will never have, since almost an entire generation of men has been lost to the war. Enter barrister Nicholas Thorne-"beautiful, intact, youngish . . . therefore a rarity"-who approaches Evelyn because she's involved in the trial of an ex-soldier (employed by one of Thorne's clients) accused of killing his wife. Quickly, Evelyn finds herself obsessed with the barrister; though engaged to another, he personifies all her yearnings for sexual and emotional fulfillment. But larger, darker, more complex forces may deny Evelyn easy solutions or happy endings, although they may not obstruct a resolute woman from moving forward. A fine, compassionate, elegiac combination of human andcourtroom drama-the author's best yet.
From the Publisher
"McMahon's historical novels are often complex but extremely rewarding in their depth and character development. Her latest is her best novel to date." ---Library Journal Starred Review

Product Details

Penguin Group (USA) Incorporated
Publication date:
Product dimensions:
6.00(w) x 9.10(h) x 1.40(d)
Age Range:
18 - 17 Years

Read an Excerpt

May 1924, London

I followed my brother across a plateau where a bitter wind howled and the sky flashed. A sudden glare revealed churned earth and a monstrous coil of metal. My brother marched ahead, immaculate in his cap and pressed uniform. I tried to keep up but floundered thigh-deep in mud. Though I thrashed and scrabbled, there was nothing to hold on to, neither root nor rock.

At last I wrenched a foot free but James was now yards ahead, far beyond my reach. I clutched at my thigh with both hands and hauled until it was released and I could crawl forward. The front of my nightgown was a sheet of freezing sludge.


He trod lightly, springing from one dry patch to another. The sky flickered again, and this time I saw a man fallen like a puppet on the wire, back arched, legs splayed. And in the next fl ash there was another boy, perhaps fifty yards ahead, waving. Tears made runnels down his filthy cheeks, his mouth gaped, and the lower half of his body was a mash of blood and bone.

I faltered again. “James,” I cried, through lips clogged with mud, “come back,” but he didn’t hear me. His arms were extended toward the boy.

The sky roared. Above a shudder of gunfire came the earsplitting whizz and crack of a shell. I yelled again, “James,” but my voice was drowned by an explosion that swiped my brother off his feet, plucked him upward, and crucified him against a violent fl are of light.

He thumped back to earth.


He was facedown, one arm torn away at the shoulder. When he raised his head, I saw that the side of his face had been blown off and an eyeball dangled by a thread in the space where his right cheek should have been.

He looked at me with his good eye, a chip of ice.

“It’s me, Jamie. Don’t you know me?”

The eye went on staring.

“I’ll be there in a minute, Jamie. One minute. Please wait . . .”

The mud held me fast and the night thundered again. If only I could reach him, hold his face to my breast. Then he would be covered up and made warm, healed. In a shattering racket of shellfire I fought the grip of mud that dragged me deeper, deeper, away from James, and filled my mouth, nostrils, and eyes.

Another pause, this time prolonged. I was hot, breathless, shaking, my eyelashes wet. Moonlight shone through the thin bedroom curtains. My skirt and jacket hung ghostly on the wardrobe door, my heap of underclothes shimmered.

From two floors down came a knock on the front door.

I fumbled for my watch, carried it to the window, found it was two thirty-five. Though I yearned to be back inside the dream—this time I had so nearly reached my brother—already my hands were struggling with the sleeves of my dressing gown, my feet had pushed into their slippers.

The landing was quiet. Thank heavens nobody else had heard the knocking, no sign even of Prudence, jowls aquiver, hairnet remorselessly pinned to thinning hair. Stairs groaned under my bare feet. My hand, still trembling from the dream, skimmed the banister; and my heel caught on the last stair rod. In the hall the trapped smells of the house fl uttered like moths: dinners, rose water, endurance.

Knock, knock, knock-knock. “Oh, please be quiet,” I muttered. A seepage of yellow from the lamp outside oozed through the fanlight and fell across the hats on the hall stand—James’s boater, Father’s trilby—and the silvery haze of looking glass. I grasped the latch, my jaw tightened to conceal whatever emotion, other than outrage (surely permissible in the circumstances), might be thrust upon me.

A child of about six stood on the doorstep under the spread beams of light, his face upturned; a neat, rectangular brow, shadowed eyes, lower lip drooping with sleeplessness. My body sagged so that I clung to the doorframe for support. Dear God, James, stepped from my dream, whole, a child again. In a moment his clenched fist would unfurl to reveal the best, the shiniest, the weightiest marble.

My voice was a thread. “No. No, it can’t be.”

“Forgive us if we woke you,” came a voice from farther down the steps and dimly I registered a transatlantic twang. “Evelyn, is it? I would have known you anywhere. You are so like your brother and he described you so fondly, your hair especially.”

A woman’s head appeared level with the child’s shoulder, her face bony and neat-featured, with a pointed chin. Despite her confident words she seemed high-strung as a cat; the sinews in her neck were taut and her eyes too wide-open. Extending a small, gloved hand, she said: “I’m Meredith

Duffy, and this is my boy Edmund. Perhaps we should not have woken you but the boat got in very late and though I thought of looking for a hotel, in the end I decided to come right on here.”

I stared at the exhausted boy, who swayed slightly. “James,” I murmured. “Jamie.”

“Yes, he really is so like his father, it’s uncanny. I’m hoping that you might have some photographs of James when he was a child so we can compare father and son at the same age.” She took yet another step toward me and I noted a trim ankle beneath a daring hemline. Behind her on the pavement was a collection of neat though shabby traveling bags. “Oh, this isn’t all,” she exclaimed, “I have another trunk and assorted boxes, I’m afraid, but we couldn’t manage them in the cab. They’ll send them on tomorrow morning.”

Mother and child were like a tide coming in over the steps and across the threshold. “I absolutely do not understand,” I said.

The woman gasped and put her hand to her mouth. “Don’t say you never got my letter. Oh, the post from Canada is so unreliable. I expect it will arrive tomorrow, just when we don’t need it. No wonder you’re surprised to see me. I must admit I was puzzled that nobody was there to meet us off the boat, but now I understand completely.”

“But don’t you see,” I said, still blocking the way, “I have no idea who you are.”

She frowned. “But you must. I’m Meredith and Edmund here is my son, your brother’s child.”

The boy’s prominent eyes were fixed on my face, occasionally losing focus as his eyelids fluttered. Brown knees stuck out from beneath flannel shorts: my brother, at precisely the height when, if I knelt, his head was level with mine as he gripped me with monkey arms and legs. We used to call it a cling. But here, on the step, in the small hours of Monday, May 19, 1924, with the dream of the real James still fresh, this other child was unreachably out of time.

“I didn’t know James had a son,” I said.

“Well, surely you must have done. Unless . . . don’t tell me your father kept it from you all this while.”

“My father died last year.” The boy’s hair, I noted, sprouted up at the crown in a backward quiff; his lower lip was moist and full.

“Ah, that explains a great deal. I’m sorry. I would so like Edmund to have known his grandpa. But listen, I must get this child to bed. We don’t mind where we sleep,” Meredith was saying. “After the ship we’re just so grateful not to be afloat, on waves. A sofa and a blanket would do.”

Surrendering, I leaned forward to take the child’s hand—I knew that it would feel warm and a little sticky in mine—but he hung his head and held back, so instead I picked up the luggage. Now I was terrified lest he disappear, but mother and child came tripping into the house hand in hand, she with just her little purse hanging from a chain over her shoulder while I struggled with a cluster of bags. “We must be very quiet,” I whispered. “I don’t want anyone else to be woken.”

We crept upstairs, past James’s hat and blazer on the hall stand, the urn of dried flowers on the half-landing, the sleepers on the first floor and the gallery of Victorian Giffords above the dado, to my own landing, where the door to James’s bedroom was kept tight shut, but in the spare room next door, where a couple of empty beds lay flat as boards covered by camberwick bedspreads. I took armfuls of mothball-smelling blankets from a linen chest and starched sheets from the airing cupboard, but when we set to work I was put to shame: Meredith was an expert bed-maker, who could create angular corners and shake a pillow dead-center in its case first time, whereas I hadn’t made a bed since Girton.

I showed them the bathroom but told them not to flush the lavatory at this hour. Meredith only gave me a preoccupied smile and it was clear that I was now expendable. She was lifting the child’s shirt over his head; I glimpsed pale, smooth skin, the little disks of nipple and navel, the fragile collarbone. My boy, how I would have kissed him between neck and shoulder.

They ought to be fed, I realized, and crept down to the kitchen for something suitable. A hot drink was impossible, as it would mean relighting the stove, beyond me at the best of times. In the end I took up cold milk and cookies; by the time I’d climbed three flights of stairs, there was no light under their door—they must already be asleep—so I went back to bed and lay, picturing the boy tucked up under the white sheet, his palm beneath his cheek. In a little while he would turn onto his back and throw his arm across the pillow.

The house seemed to sag under the weight of these new arrivals. Rigid as an effi y, I relived the last half-hour: the dream of James, the child on the doorstep, James’s child. As dawn thinned the darkness, I tried to work it out. James had written regularly, right up to a fortnight before his death, and never mentioned this woman Meredith. I thought he confided everything in me. Was it possible that he had time, in the midst of war, to conduct a love affair? Had my father really known? Why had nothing been said? And what did this woman, now installed with her son in the spare room, want from us?

At six o’clock, abandoning any attempt to sleep, I got up. Above me, on the attic floor, our maids Min and Rose (collectively known as the girls, though both approached sixty) were astir. The light, reflected off the white tiles in the bathroom, was pitiless when I risked a glance in the mirror. The Canadian woman, Meredith, had been lying; I was nothing like my clear-eyed brother. My thirty-year-old face was all hollows and angles, my gaze haunted.

Fumbling with the small buttons of my blouse, I tried to decide how best to alert the household to our visitors’ arrival. The process would be a tedious one and I was bound to be held responsible for the shock. The maids were straightforward; they must simply be told that for the time being there were two extra mouths to feed (without additional housekeeping money). Grandmother (maternal), nearly deaf and partially blind, would be agog with interest but slow to comprehend the complexities of the situation. Prudence, Father’s elder sister, would have a hundred remarks and accusations. And Mother would weep.

But she, after all, was Father’s widow and nominal head of the family. James was her son and Edmund her grandson. It was Monday morning and I was due to leave the house at eight. There was nothing for it but to break the news at once, so I went down to the kitchen, had Rose make a pot of tea, and carried it up to Mother’s bedroom myself.

She had the infuriating habit, blamed by Prudence on poor circulation and lack of exercise, of being cold even in the height of summer. At any rate, I found her sound asleep under a winter quilt, the room a fug of sleeping female flesh and lavender. As I swept back the curtains, she raised herself on one arm, gray-brown hair falling away onto the pillow, hand shielding her eyes. In her youth, when a soft chin, melting eyes, and tight lacing were all the rage, Mother had been considered a great beauty. Now in her mid-fifties, she was too thin and her lips drooped at either end as if with the weight of abandoned hope. “What is happening? What’s the time?”

“I’ve brought tea because I need you to wake up properly so I can talk to you. You’ll need to be very strong, Mother, and prepare yourself for a great surprise.” I perched on the edge of the bed, allowed her a sip of tea, and then removed the cup and saucer because I was afraid her hand would jolt. “We have a visitor whose name is Meredith. She has come with a small boy called Edmund who she claims is James’s son. From what I can gather, she and James had a love affair during the war. There now, that’s all I know. Would you like more tea or will you spill it?”

I had seen her receive shocking tidings before, of course, and knew she did not manage it well. On this occasion, she fell back on the pillow, arms rigid on either side, shut her eyes, and took gasping breaths while I studied the greasy smear made by the milk on the surface of her tea and wondered if I might have been less brutal. But I was irritated by these dramatics, which were all too predictable and ensured that the rest of us felt we had to protect her from bearing responsibility.

Mother now covered her face with both hands and moaned: “I can’t believe it. I can’t . . .”

I had always disliked her bedroom, which as a child I regarded as a distastefully private place where I was summoned for little chats while Mother put up her hair or fastened her corsets. At dead center, on a strip of Turkish rug, stood a round table covered by a lace-trimmed cloth, upon which a writing box with brass fittings was placed, like a reliquary. This was the repository of James’s school reports, his letters, and the appalling telegram. On the mantel were twin oval photograph frames, one containing a picture of James aged thirteen when he started at Westminster; the other my father in his prime, dressed in top hat and tails, his belly round and his smile hearty between beard and mustache. Father, before James’s death, had been powerful and noisy, with a glint in his eye that spoke of a hunger to earn, own, conquer. The only photograph of me was relegated to a side table. Aged twelve years, I had been decked out in a frothy gown and ringlets for a studio portrait in which my mutinous eyes and thrusting jaw were strikingly at odds with the soft curls and girlish throat.

“They woke me at about three,” I told the prostrate figure in the bed, “so I put them in the spare room. I’ve asked Rose to grill extra toast when they get up. I’m about to leave for the office, but I expect our visitors will sleep late and then they could go for a walk or something, which will keep them occupied until I get home.”

Mother’s round eyes opened. “Oh, no, no, no you can’t leave me.”

“I must, I’m afraid.”

“But you can’t ask me to deal with them on my own, Evelyn. I can’t take in what you’re saying. A boy? James’s son? But how can we believe them? They might be impostors. What proof is there?”

“The child is unmistakably James’s son, I would say. You’ve only to take one look at him to know that. Meredith says she was in correspondence with Father, but lately of course he didn’t reply. Do you know anything about all this?”

Mother’s eyelid gave the merest flicker as she shrank down under the quilt. She had known of the boy’s existence and kept it from me; that much was clear. The knowledge diminished my sympathy still further. “Well, I am going to work now. Be prepared for the fact that Edmund is so like James, it’s as if James were a child again.” The image shimmered between us, prompted by the miniature Jameses that hung from ribbons in the alcove by her bed: baby James in a bonnet on her knee; James the schoolboy in cap and overtight tie; James in cricket whites. For a moment, I thought I would reach her; I ached for her to recognize that I suffered too, that I had been struck by the savage disjunction between one child and another.

Instead she wept. “Ah, no, don’t leave me, oh, Evelyn, what shall I tell Mother and Prudence? How could you be so cruel?”

“I can because I must. I am needed elsewhere.” I ran swiftly downstairs to the hall, where Min was passing through with a breakfast tray, bottom lip caught between her teeth as a sign that she was suppressing comment with difficulty. “Please make sure that our visitors have everything they need, Min. I forgot to give them towels last night.”

Then I rammed on my hat, skewered it with a pin, buckled the belt of my jacket, and seized my briefcase and gloves. As I set off into a warm, blowing morning, I thought: Thank God, I have my work.

What People are Saying About This

From the Publisher
"McMahon's historical novels are often complex but extremely rewarding in their depth and character development. Her latest is her best novel to date." —-Library Journal Starred Review
Kate Mosse
Brilliant . . . one of the strongest contemporary novels I've read for some time, on a par with Sarah Waters as satisfying and authentic historical fiction. A TRIUMPH.

Meet the Author

Katharine McMahon is a historical novelist whose books include A Way Through the Woods and The Alchemist's Daughter.

British actress and narrator Josephine Bailey has won ten AudioFile Earphones Awards and a prestigious Audie Award, and Publishers Weekly named her Best Female Narrator in 2002.

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Crimson Rooms 3 out of 5 based on 0 ratings. 3 reviews.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Benz1966 More than 1 year ago
If I had to sum up my feelings toward this book in one word, that word would be "apathetic". The premise sounded good. Post-WWI era in London, one of the first female lawyers struggling to make her mark, the murder of a newly wed young woman, the accused her new husband. Family drama, court drama and love drama all wrapped up in one novel. It wasn't that the writing was bad, or that the story was necessarily bad (I was most interested in the mystery part of it all), it was just that I was so incredibly bored the entire time I was reading this book. I found myself looking for chores to do rather than pick it up. And.. I'm ashamed to admit, I think I stared at the cover with more interest and longing then I felt at any time for the contents of the book. (It is a gorgeous cover). I hate seeing so much potential prove to be so dull. In researching other reviews on this novel once I finished it, I found quite a few others sharing the same opinion. In fact.. I'm bored even writing this review. So I'll stop now. =)