Santiago Nasar morirà. I gemelli Vicario hanno già affilato i loro coltelli nel negozio di Faustino Santos. A Manaure, "villaggio bruciato dal sale dei Caraibi", lo sanno tutti: presto i fratelli della bella quanto svanita Ángela vendicheranno l'onore di quella verginità rubatale in modo misterioso dall'aitante Santiago, ricco rampollo della locale colonia araba. Tutti lo sanno, ma nessuno fa alcunché per impedirlo: non la madre della vittima designata, non il parroco, non l'alcalde, neppure una delle numerose ...
Santiago Nasar morirà. I gemelli Vicario hanno già affilato i loro coltelli nel negozio di Faustino Santos. A Manaure, "villaggio bruciato dal sale dei Caraibi", lo sanno tutti: presto i fratelli della bella quanto svanita Ángela vendicheranno l'onore di quella verginità rubatale in modo misterioso dall'aitante Santiago, ricco rampollo della locale colonia araba. Tutti lo sanno, ma nessuno fa alcunché per impedirlo: non la madre della vittima designata, non il parroco, non l'alcalde, neppure una delle numerose fanciulle che spasimano per il Nasar. E così la morte annunciata lo sorprende nel fulgore di una splendida mattinata tropicale. Ma non per agguato o per trappola: un destino bizzarro e crudele fa sì che la fine di Santiago si compia per un concorso di fatalità ed equivoci, mentre gli stessi assassini fanno di tutto perché qualcuno impedisca loro l'esecuzione. Basato su un fatto reale, Cronaca di una morte annunciata venne pubblicato nel 1981 (un anno prima del Nobel a García Márquez) e, pur nella brevità, rappresenta uno dei vertici della sua narrativa: un romanzo magistrale che sa fondere i toni della tragedia antica con il ritmo di una detective story in una grandiosa allegoria dell'assurdità della vita, l'apoteosi della fatalità.
A chief practitioner of the "magic-realist" style, Gabriel García Márquez's influence and importance lie in his crucial role of bringing Latin-American fiction to wider audiences while pioneering it at the same time. The Colombian-born Nobel winner tells fantastical tales of romance and heroism against an historic Latin American backdrop, always infusing believability by giving his writing a journalistic cast.
Gabriel García Márquez is the product of his family and his nation. Born in the small coastal town of Aracataca in northern Colombia, he was raised by his maternal grandparents. As a child, he was mesmerized by stories spun by his grandmother and her sisters -- a rich gumbo of superstitions, folk tales, and ghost stories that fired his youthful imagination. And from his grandfather, a colonel in Colombia's devastating Civil War, he learned about his country's political struggles. This potent mix of Liberal politics, family lore, and regional mythology formed the framework for his magical realist novels.
When his grandfather died, García Márquez was sent to Sucre to live (for the first time) with his parents. He attended university in Bogotá, where he studied law in accordance with his parents' wishes. It was here that he first read The Metamorphosis by Franz Kafka and discovered a literature he understood intuitively -- one with nontraditional plots and structures, just like the stories he had known all his life. His studies were interrupted when the university was closed, and he moved back north, intending to pursue both writing and law; but before long, he quit school to pursue a career in journalism.
In 1954 his newspaper sent García Márquez on assignment to Italy, marking the start of a lifelong self-imposed exile from the horrors of Colombian politics that took him to Barcelona, Paris, New York, and Mexico. Influenced by American novelist William Faulkner, creator of the fictionalized Yoknapatawpha County, and by the powerful intergenerational tragedies of the Greek dramatist Sophocles, García Márquez began writing fiction, honing a signature blend of fantasy and reality that culminated in the 1967 masterpiece One Hundred Years of Solitude. This sweeping epic became an instant classic and set the stage for more bestselling novels, including Love in the Time of Cholera, Love and Other Demons, and Memories of My Melancholy Whores. In addition, he has completed the first volume of a shelf-bending memoir, and his journalism and nonfiction essays have been collected into several anthologies.
In 1982, García Márquez was awarded the Nobel Prize for Literature. In his acceptance speech, he called for a "sweeping utopia of life, where no one will be able to decide for others how they die, where love will prove true and happiness be possible, and where the races condemned to one hundred years of solitude will have, at last and forever, a second opportunity on earth." Few writers have pursued that utopia with more passion and vigor than this towering 20th-century novelist.
Good To Know
Gabriel José García Márquez' affectionate nickname is Gabo.
García Márquez' first two novellas were completed long before their actual release dates, but might not have been published if it weren't for his friends, who found the manuscripts in a desk drawer and a suitcase, and sent them in for publication.